On English Poetry: Being an Irregular Approach to the Psychology of This Art, From Evidence Mainly Subjective (Classic Reprint)

Excerpt from On English Poetry: Being an Irregular Approach to the Psychology of This Art, From Evidence Mainly Subjective

The greater part of this book will appear con trover-sial, but any critic who expects me to argue on what I have written, is begged kindly to excuse me; my garrison is withdrawn without a shot fired and his artillery may blow the fortress to pieces at leisure. These notebook reflections are only offered as being based on the rules which regulate my own work at the moment, for many of which I claim no universal application and have promised no lasting regard. They have been suggested from time to time mostly by particular problems in the writing of my last two volumes of poetry. Hesitating to formulate at present a comprehensive water-tight philosophy of poetry, I have dispensed with a continuous argument, and so the sections either stand independently or are in tended to get their force by suggestive neighbourliness rather than by logical catenation. The names of the glass houses in which my name as an authority on poetry lodges at present, are to be found on a back page.

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