Oyvind Fahlstrom: The complete graphics and multiples

Let Me Be an Object that Screams documents an exhibition of the same name that brought together a range of works by contemporary artists in order to test psychoanalytic concepts of `subject-hood¿ and the ways a subject¿s counterpart, the `object,¿ is animated by artistic and exhibition practices. The exhibition proposed subversions to how political and psychic power have been traditionally and consistently distributed in accordance to who is perceived to operate with agency and thought, in contrast to the disinvestment of groups and communities read as ¿other.¿