Ingmar Bergman: The Cinema As Mistress

Ingmar Bergman:The Cinema as Mistress. Philip Mosley's study is primarily a critical history of Bergman's films, dating from his earliest works right up to Autumn Sonata and his first projects outside of his native Sweden. He traces the development of Bergman's techniques, dialogues, and his disjointed use of time and space in the narrative. A useful and provocative companion to Bergman's films, this book includes many stills from the more famous films.