Lyric Poetry and Modern Politics: Russia, Poland, and the West
Released: Jan 01, 2010
Publisher: Yale University Press
Format: Paperback, 344 pages
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Description:
This exploration of poetry and national life in Poland and Russia from 1917 to the present also offers a comparative study of the poetry of the Eastern and Western sides of the “iron curtain,” and an examination of these topics in light of Western postmodernist philosophical theories.
Lyric Poetry and Modern Politics explores the intersection of poetry, national life, and national identity in Poland and Russia, from 1917 to the present. As a corrective to recent trends in criticism, acclaimed translator and critic Clare Cavanagh demonstrates how the practice of the personal lyric in totalitarian states such as Russia and Poland did not represent an escapist tendency; rather it reverberated as a bold political statement and at times a dangerous act.
Cavanagh also provides a comparative study of modern poetry from the perspective of the eastern and western sides of the Iron Curtain. Among the poets discussed are Blok, Mayakovsky, Akhmatova, Yeats, Whitman, Frost, Szymborska, Zagajewski, and Milosz; close readings of individual poems are included, some translated for the first time. Cavanagh examines these poets and their work as a challenge to Western postmodernist theories, thus offering new perspectives on twentieth-century lyric poetry.
Lyric Poetry and Modern Politics explores the intersection of poetry, national life, and national identity in Poland and Russia, from 1917 to the present. As a corrective to recent trends in criticism, acclaimed translator and critic Clare Cavanagh demonstrates how the practice of the personal lyric in totalitarian states such as Russia and Poland did not represent an escapist tendency; rather it reverberated as a bold political statement and at times a dangerous act.
Cavanagh also provides a comparative study of modern poetry from the perspective of the eastern and western sides of the Iron Curtain. Among the poets discussed are Blok, Mayakovsky, Akhmatova, Yeats, Whitman, Frost, Szymborska, Zagajewski, and Milosz; close readings of individual poems are included, some translated for the first time. Cavanagh examines these poets and their work as a challenge to Western postmodernist theories, thus offering new perspectives on twentieth-century lyric poetry.
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