From the fire-hot author of Asking for Trouble comes a second irresistibly funny and romantic novel, in which we meet the delightfully wicked Harriet and John, who are matched as perfectly as scones and clotted cream -- if only Harriet would let herself indulge.
Up to her eyeballs in her friends' dramas, Harriet Grey has no time for her own, let alone getting entangled with John Mackenzie. And though it's been ages since she's met one of the most gorgeous men London has to offer, it seems John's entangled with someone else. Or is he?
Though they say all's fair in love, Harriet isn't about to complicate her life -- or risk her heart. But the persistent John seems to pop up everywhere she turns, and soon she's agreeing to meet him for a cocktail to repay a favor. After all, what harm can come out of one innocent little drink? Maybe a few breathtaking kisses, some suspiciously lingering embraces, and a wonderful weak-kneed dizziness that most definitely is not the flu. And that's before she finds herself all alone with John at Christmas. .

A Promising Man (and About Time, Too)

Literature & Fiction

Young, Elizabeth

Humor & Satire

William Morrow Paperbacks

Unmarried, thirty-year-old Sophy Metcalfe told a little white he to soothe her nagging mother. The white lies name was "Dominic," the ideal boyfriend: charming, successful, the kind of prospective son-in-law that would make any mother proud. But now that Sophy's thin and beautiful sister, Belinda, is getting married, Dominic is going to have to make an appearance in the flesh -- which should be a pretty neat trick ... since the genuine article vanished from Sophy's life after a single, singularly unmemorable evening. So she resorts to a very drastic measure -- aka Josh Carmichael, the escort she hires at the very last minute, sight unseen.
But the trouble with white lies is that they tend to multiply. The trouble with rugged, too-sexy, and independent Josh is ... well, that Sophy's actually beginning to like him! Even if they make it through the Wedding Day from Hell together -- with its new intrigues, old flames, and all-too-familiar faces -- there's the night that follows... and, of course, the morning after. And that could end up being the biggest trouble of all!
A hip, witty, and freshly fantastic delight, Asking for Trouble is the most hilarious and knowing novel to make the scene since Bridget Jones first set pen to paper to record her most intimate innermost thoughts.

Asking for Trouble: A Novel

HarperAudio

Dogs Are Better Than Men 
<ol>
<li>They never brag about their ex's stunning cleavage. </li>
<li>They don't moan or sulk if you're a half-hour late. </li>
<li>They never tell you a Brazilian would really turn them on.</li>
</ol>
After her most recent disaster with the King of the Unrepentant Jerks, Isabel "Izzy" Palmer is finally convinced that the only male she truly needs in her life is Henry, her lovable part wolfhound, part who-knows-what. Henry's faithful, he adores her madly, and he's great fun to sleep with. So who needs the additional heartache? But even armed with powerful knowledge and a new resolve, Izzy starts to feel that familiar itch . . . and it's all because of Nick. He's a vet for goodness sake - confident, handsome and compassionate - if a bit rough around the edges. After teasing her about Henry's unusual looks and questioning her most recent choice in men, Nick then has the gall to turn halfway charming. But he doesn't stop at halfway, and though she already has a best friend, Izzy realizes it doesn't preclude her from having a perfect match, too.

A Girl's Best Friend

Abby Morland's been making mischief since she was not-so-sweet sixteen, when she spied gorgeous Guy from the neighborhood being attacked by curvaceous Cara, the "Topless Piranha." It was a racy, tasty, spicy piece of gossip Abby couldn't resist passing along. But years later, her indiscretion may be coming back to haunt her - since she now wouldn't mind a little nibble of Guy herself. With four cousins, two weddings, and a re-emergent piranha in the offing, the recipe for making more mischief is at hand, and it might just turn Guy in Abby's direction at last!

Making Mischief

Humor & Entertainment

Humor

Avon/Books

One wedding. No funeral. One unqualified catastrophe.
"Dominic" was the little white lie thirty-and-still-unwed Sophy Metcalfe told to soothe her nagging mother. But now her perfect sister Belinda is tying the knot, and Sophy's going to have to produce the charming, successful, ideal boyfriend she invented -- since the genuine article vanished after a single, resoundingly unsuccessful evening. Desperate, she hires a male escort sight unseen to get her through the Nuptials from Hell. But the trouble with white lies is they tend to multiply -- especially at a gala disaster filled with new intrigues and old flames. And the trouble with Josh, her hired date, is he's kind of cute, in a rugged, too-sexy-for-his-own-good way. And then there's the biggest trouble of all -- because every wedding day is followed by a night. And, of course, a morning after ...

The Wedding Date

United States

Abby Morland's been making mischief since she was not-so-sweet sixteen, when she spied gorgeous Guy from the neighborhood being attacked by curvaceous Cara, the "Topless Piranha." It was a racy, tasty, spicy piece of gossip Abby couldn't resist passing along. But years later, her indiscretion may be coming back to haunt her -- since she now wouldn't mind a little nibble of Guy herself. With four cousins, two weddings, and a re-emergent piranha in the offing, the recipe for making more mischief is at hand, and it might just turn Guy in Abby's direction at last!

Romance

Paranormal

ARROW (RAND)

An up-to-date computer hand book enables propective users to understand, evaluate and use CD-ROM systems hardware and software for applications in libraries, corporations, publishing and more by the author of "The Executive Report on CD-ROM"

The Brady Guide to Cd-Rom

Buddine, Larua

Computers & Technology

Brady

Disarming the Nation: Women's Writing and the American Civil War (Women in Culture and Society)

In a study that will radically shift our understanding of Civil War literature, Elizabeth Young shows that American women writers have been profoundly influenced by the Civil War and that, in turn, their works have contributed powerfully to conceptions of the war and its aftermath. Offering fascinating reassessments of works by white writers such as Harriet Beecher Stowe, Louisa May Alcott, and Margaret Mitchell and African-American writers including Elizabeth Keckley, Frances Harper, and Margaret Walker, Young also highlights crucial but lesser-known texts such as the memoirs of women who masqueraded as soldiers. In each case she explores the interdependence of gender with issues of race, sexuality, region, and nation.Combining literary analysis, cultural history, and feminist theory, Disarming the Nation argues that the Civil War functioned in women's writings to connect female bodies with the body politic. Women writers used the idea of "civil war" as a metaphor to represent struggles between and within women—including struggles against the cultural prescriptions of "civility." At the same time, these writers also reimagined the nation itself, foregrounding women in their visions of America at war and in peace. In a substantial afterword, Young shows how contemporary black and white women—including those who crossdress in Civil War reenactments—continue to reshape the meanings of the war in ways startlingly similar to their nineteenth-century counterparts.Learned, witty, and accessible, Disarming the Nation provides fresh and compelling perspectives on the Civil War, women's writing, and the many unresolved "civil wars" within American culture today.

History & Criticism

University of Chicago Press

In a study that will radically shift our understanding of Civil War literature, Elizabeth Young shows that American women writers have been profoundly influenced by the Civil War and that, in turn, their works have contributed powerfully to conceptions of the war and its aftermath. Offering fascinating reassessments of works by white writers such as Harriet Beecher Stowe, Louisa May Alcott, and Margaret Mitchell and African-American writers including Elizabeth Keckley, Frances Harper, and Margaret Walker, Young also highlights crucial but lesser-known texts such as the memoirs of women who masqueraded as soldiers. In each case she explores the interdependence of gender with issues of race, sexuality, region, and nation. Combining literary analysis, cultural history, and feminist theory, Disarming the Nation argues that the Civil War functioned in women's writings to connect female bodies with the body politic. Women writers used the idea of "civil war" as a metaphor to represent struggles between and within women—including struggles against the cultural prescriptions of "civility." At the same time, these writers also reimagined the nation itself, foregrounding women in their visions of America at war and in peace. In a substantial afterword, Young shows how contemporary black and white women—including those who crossdress in Civil War reenactments—continue to reshape the meanings of the war in ways startlingly similar to their nineteenth-century counterparts. Learned, witty, and accessible, Disarming the Nation provides fresh and compelling perspectives on the Civil War, women's writing, and the many unresolved "civil wars" within American culture today.

In Pet Projects, Elizabeth Young joins an analysis of the representation of animals in nineteenth-century fiction, taxidermy, and the visual arts with a first-person reflection on her own scholarly journey. Centering on Margaret Marshall Saunders, a Canadian woman writer once famous for her animal novels, and incorporating Young’s own experience of a beloved animal’s illness, this study highlights the personal and intellectual stakes of a “pet project” of cultural criticism.
Young assembles a broad archive of materials, beginning with Saunders’s novels and widening outward to include fiction, nonfiction, photography, and taxidermy. She coins the term “first-dog voice” to describe the narrative technique of novels, such as Saunders’s Beautiful Joe, written in the first person from the perspective of an animal. She connects this voice to contemporary political issues, revealing how animal fiction such as Saunders’s reanimates nineteenth-century writing about both feminism and slavery. Highlighting the prominence of taxidermy in the late nineteenth century, she suggests that Saunders transforms taxidermic techniques in surprising ways that provide new forms of authority for women. Young adapts Freud to analyze literary representations of mourning by and for animals, and she examines how Canadian writers, including Saunders, use animals to explore race, ethnicity, and national identity. Her wide-ranging investigation incorporates twenty-first as well as nineteenth-century works of literature and culture, including recent art using taxidermy and contemporary film. Throughout, she reflects on the tools she uses to craft her analyses, examining the state of scholarly fields from feminist criticism to animal studies.
With a lively, first-person voice that highlights experiences usually concealed in academic studies by scholarly discourse—such as detours, zigzags, roadblocks, and personal experience—this unique and innovative book will delight animal enthusiasts and academics in the fields of animal studies, gender studies, American studies, and Canadian studies.

Pet Projects: Animal Fiction and Taxidermy in the Nineteenth-Century Archive (Animalibus: Of Animals and Cultures)

Penn State University Press

See the best price to sell, buy, or rent books by Young, Elizabeth. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Young, Elizabeth

See the best price to sell, buy, or rent books by Young, Elizabeth. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

A Promising Man (and About Time, Too)

Asking for Trouble: A Novel

A Girl's Best Friend

Making Mischief

The Wedding Date

Making Mischief

The Brady Guide to Cd-Rom

Disarming the Nation: Women's Writing and the American Civil War (Women in Culture and Society)

Disarming the Nation: Women's Writing and the American Civil War (Women in Culture and Society)

Pet Projects: Animal Fiction and Taxidermy in the Nineteenth-Century Archive (Animalibus: Of Animals and Cultures)