The spectacular transformation of China in the last decade is symbolized by its architecture. The booming cities of China are evolving at a speed which is hard to comprehend, and their skylines have seen a profusion of new architectural styles. An economic metamorphosis and an invasion of Western culture have created a dynamic environment for architecture and construction, both at the public and the domestic scale. This push to prosperity has excited architects from around the globe, who have seen a unique opportunity to produce remarkable and innovative designs. New China Architecture seizes this moment in time. It documents both the stunning designs of famed architects and the emergence of a whole new generation of Chinese architects. The selected projects cover a broad range of residential homes, public buildings, office towers and the adaptive reuse of older city precincts. The buildings featured include skyscrapers in Shanghai, the dazzling new designs for the Beijing Olympic Games venues, innovative private houses such as those at the Commune by the Great Wall and the now mandatory gleaming new airports and city landmarks.

New China Architecture

History

Xing, Ruan

Asia

Periplus Editions(HK) Ltd.

"This may seem a specialized study of a minority group in Southeast China--whose partially transcribed language he learnt while studying their buildings--yet Xing Ruan has used this marvelous miniature to illuminate the complex relation between many other societies, their daily life, their rituals and ceremonies, and their buildings. But the book is much more. Xing Ruan extrapolates from his miniature a timely and very important reminder of how building and behavior interweave and how essential some understanding of that complex and vital relation must be for the future of the built environment." --Joseph Rykwert, Paul Philippe Cret Professor of Architecture Emeritus, University of Pennsylvania "Allegorical Architecture is a truly remarkable achievement in that it is both a detailed ethno-architectural study of a small minority group, the Dong, in China, and also a work of far broader scope, one that boldly and subtly addresses major issues in built form and life, such as the importance of architecture as conveyor of meaning in the absence of written texts, the impact of majority culture on minority culture, and vice versa, change within tradition, tradition as change, and the implication of these findings and concepts for modern architecture and the modern world." --Yi-Fu Tuan, Professor Emeritus of Geography, University of Wisconsin Allegorical Architecture offers the first detailed architectural analysis of built forms and building types of the minority groups in southern China and of the Dong nationality in particular. It argues that Dong architecture symbolically resembles its inhabitants in many ways. The built world is an extension of their body and mind; their experience of architecture is figurative and their understanding of it allegorical. Unlike the symbolism of historical architecture, which must be decoded through a speculative reconstruction of the past, the Dong tell stories about inhabitants in their living state in the recurrent process of ritualistic making and inhabiting of their built world. This book thus offers architectural analysis of both spatial dispositions (building types) and social life (the workings of buildings). Xing Ruan likens the built world to allegory to develop an alternative to textual understanding. The allegorical analogy enables him to decipher minority architecture less as a didactic "text" and more as a "shell," the inhabitation of which enables the Dong to renew and reinvent continually the myths and stories that provide them with an assurance of home and authenticity. Attention is focused less on the supposed meanings (symbolic, practical) of the architecture and more on how it is used, inhabited, and hence understood by people. Throughout, Ruan artfully avoids the temptation to textualize the built world and read from it all sorts of significance and symbolism that may or may not be shared by the inhabitants themselves. By likening architecture to allegory, he also subtlety avoids the well-worn path of accounting for rich traditions via a "salvage ethnography"; on the contrary, he argues that cultural reinvention is an ongoing process and architecture is one of the fundamental ingredients to understanding that process. Ruan offers "thick description" of Dong architecture in an attempt to understand the workings of architecture in the social world. Paying attention to Dong architecture within a regional as well as a global context makes it possible to combine detailed formal analysis of settlement patterns and building types and their spatial dispositions with their effects in a social context. Architecture, in a broad sense, is assumed to be an art form in which the feelings and lives of its makers and inhabitants are embodied. The artifice of architecture--its physical laws--is therefore analyzed and contested in terms of its instrumental capacity. Allegorical Architecture is a work of refreshing originality and compelling significance. It will provide timely lessons for those concerned with the meaning and social sustainability of the built world and will appeal to architects, planners, cultural geographers, anthropologists, historians, and students of these disciplines.

Allegorical Architecture: Living Myth and Architectonics in Southern China (Spatial Habitus)

Arts & Photography

Architecture

Univ of Hawaii Pr

Perhaps China's most internationally acclaimed architect, Yung Ho Chang is particularly concerned with architecture's role in expressing and reflecting the indigenous culture. He advocates the wide use of bamboo as a building material in Chinese urban design, as put forth in his Bamboo City, exhibited at the Venice Biennale in 2000, but while he focuses attention on the changes taking place in Beijing, he is mindful of the globalizing context in which the city is developing. In the past decade, Chang and his Atelier FCJZ (fei chang jan zhu, or "unusual architecture"), which he founded in the early 1990s as Beijing's first private architectural firm, have created a wide range of intellectually provocative urban projects in China that continue to receive acclaim.

Yung Ho Chang: Atelier Feichang Jianzhu--A Chinese Practice

Hanru, Hou

Map Book Publishers

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Books by Xing, Ruan