Intended to be used as the basis of a one- or two-term introductory course in the theory of computation, this book concentrates on the fundamental models for languages and computation together with their properties. It contains simple proofs of many results that are usually considered difficult. For example the proof given to show that every finite automaton has an equivalent regular expression is little known. Throughout the text, algorithms are given in a Pascal-like notation, since there is an emphasis on constructions and programming. There is also an emphasis on practical applications throughout the text, eg finite automata and pattern matching, regular expressions and text editing, extended context-free grammars and syntax diagrams, finite transducers and data compression. The text contains an abundance of worked examples to help the student understand the concepts as they are introduced. Each chapter terminates with a summary of the material, its history, and a springboard; the last two items include references to the current literature. The springboard introduces a few topics for further investigation that can be used as projects for high-calibre students.

Theory of Computation

Wood, D.

Computers & Technology

John Wiley and Sons Ltd.

The Game (Vardo, Book 1)

Edwards, P.

Reference

Hodder & Stoughton Educational Division

The Jacob Portfolio

Inter-Varsity Press]

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Experimental Researches in Chemistry and Physics

Faraday,Michael

Goetz, Edward J

History

Andesite Press

Craft is Political

Throughout the 21st century, various craft practices have drawn the attention of academics and the general public in the West. In Craft is Political, D Wood has gathered a collection of essays to argue that this attention is a direct response to and critique of the particular economic, social and technological contexts in which we live.Just as Ruskin and Morris viewed craft and its ethos in the 1800s as a kind of political opposition to the Industrial Revolution, Wood and her authors contend that current craft activities are politically saturated when perspectives from the Global South, Indigenous ideology and even Western government policy are examined. Craft is Political argues that a holistic perspective on craft, in light of colonialism, post-colonialism, critical race theory and globalisation, is overdue.A great diversity of case studies is included, from craft and design in Turkey and craft markets in New Zealand to Indigenous practitioners in Taiwan and Finnish craft education. Craft is Political brings together authors from a variety of disciplines and nations to consider politicised craft.

Crafts, Hobbies & Home

Crafts & Hobbies

Bloomsbury Visual Arts

Throughout the 21st century, various craft practices have drawn the attention of academics and the general public in the West. In Craft is Political, D Wood has gathered a collection of essays to argue that this attention is a direct response to and critique of the particular economic, social and technological contexts in which we live.\nJust as John Ruskin and William Morris viewed craft and its ethos in the 1800s as a kind of political opposition to the Industrial Revolution, Wood and her authors contend that current craft activities are politically saturated when perspectives from the Global South, Indigenous ideology and even Western government policy are examined. Craft is Political argues that a holistic perspective on craft, in light of colonialism, post-colonialism, critical race theory and globalization, is overdue.\nA great diversity of case studies is included, from craft and design in Turkey and craft markets in New Zealand to Indigenous practitioners in Taiwan and Finnish craft education. Craft is Political brings together authors from a variety of disciplines and nations to consider politicized craft.

Whose Boy Is This?

Literature & Fiction

Literary

Leaf Stone Publishing

maison a dormir debout (la)

MIJADE

PETITE SOURIS, LA FRAISE BIEN MURE

Teen & Young Adult

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