This Very Short Introduction decodes the key themes, signs, and symbols found in Christian art: the Eucharist, the image of the Crucifixion, the Virgin Mary, the Saints, Old and New Testament narrative imagery, and iconography. It also explores the theological and historical background of Christian imagery, from the devotional works of the Medieval and Renaissance periods, to the twenty-first century. Williamson uses examples from, amongst others, Cimabue, Michelangelo, and Rosetti. She concludes by outlining the co-existence in contemporary 'post-Christian' culture of the deliberately controversial works of artists such as Andres Serrano and Chris Ofili, alongside the consciously devotional works of those such as Eric Gill and Peter Blake.

Christian Art: A Very Short Introduction (Very Short Introductions)

Arts & Photography

Williamson, Beth

History & Criticism

Oxford University Press

Between Art Practice and Psychoanalysis Mid-Twentieth Century: Anton Ehrenzweig in Context

Routledge

There's one sure way for a person to get what they want in this world... Alex Finley knows the hard life. Her father abandoned her and her dying mother, only to reclaim the family's Wyoming ranch with a new wife. Alex's rage drove her away to Los Angeles to live with a man who could never satisfy her. Ten years later she comes home and hits the town with a vengeance, unleashing her pent-up lust on cowpoke Connor Matthews. She's shocked to learn that her family ranch is now a resort, and that bucking bronco Connor is running the place. Now Alex is torn between accepting a lover who can give her everything she needs-or selling out to a smooth-talking neighbor and leaving the past behind her...

Unbridled

Literature & Fiction

United States

Penguin Publishing Group

Madeline Brewster practically owns Plum City, Colorado. But at thirty-two, she knows she has missed any chance for happiness. Until she finds a tall, strong, handsome Irishman on the wrong end of the hangman's noose. Suddenly this unconventional woman comes up with an outrageous idea...Teague O'Neal has rugged cheekbones, tousled black curls, and eyes as blue as the sky, even if he is caked in Colorado mud. The men insist they caught him horse-thieving, and there's something desperate about him that says he'd do anything for a buck. Maybe it was pure chance, or maybe it was something more that brough Madeline and Teague together. But one thing's clear, between a woman who has just about everything she could ever want, and a man who's lost that and more, they might find something in between worth living for.

The Education of Madeline

Brava

ONCE UPON A TIME, THEY LOVED EACH OTHER Nothing about the room that Eppie awakens in feels like home--not the furnishings, the ill-fitting clothes, or the Colorado sunlight streaming in through the windows. And certainly not the stranger with long dark hair and silver eyes who claims to have been waiting for her for three long years. Micah Spalding has spent each day hoping that Eppie would open her eyes and return to him. Yet the Eppie he loved was spirited and outspoken--utterly different to this reserved, aloof woman. Since her injury, Eppie has no memory of Micah or their daughter, or of a passion that was powerful enough to defy every convention. And though his scent and touch trigger something deep within her, Eppie can't bring herself to believe in him. "A lively heroine and deliciously sexy hero scorch the pages of this sensual tale. Enjoy!" --Sabrina Jeffries on THE EDUCATION OF MADELINE

The Redemption of Micah

Sarah Spalding has learned to forge her own way and never to trust anyone - least of all a Yankee. But when her companion abandons her while on a train to Colorado, Sarah begrudgingly accepts the help of Whitman Kendrick - a Yankee, yes, but one with the most bewitching green eyes. Allowing Whit to be her travelling escort is one thing, taking him as a lover is another - even though she's tempted beyond reason...Whit Kendrick isn't quite sure what to make of the sharp-tongued, sassy woman sharing his train compartment. All he knows is that Sarah is refreshingly different from most women - and his urgent, primal attraction for her is unlike any he's experienced. Breaking down Sarah's wall of defence won't be easy. But Whit is determined to prove to Sarah that they're more alike than different - and loving each other is all they need.

The Stranger's Secrets

Wicked Witches of the West: Book 1A rancher and witch. A down on his luck cowboy. A love foretold for hundreds of years.People called them the Wicked Witches of the West from the time the Murphy triplets were five and accidentally set their house on fire. Nothing they did disabused the notion they were different from the rest of the children in Saddlebrook, Wyoming. After their mother died giving birth to them, the girls were in the care of their father, big Gus Murphy, who didn’t know a thing about how to raise three little girls.Much less little witches.When the Triad Ranch is at its lowest point, and Gus injured, Rowan, the eldest, runs the horse ranch as best she can, but things are desperate. Then Jesse Nelson appears and she recognizes him as the boy and then man of her dreams—her mate. She is drawn to him as her powers strengthen with each passing moment.Jesse doesn’t know what to make of the crazy ranch, or the oddball characters on it, but he is hungry and alone. Rowan is everything he ever wanted and all that he can’t have. Little does he know what awaits him and Rowan when the world around them explodes with magic, black and white.When Rowan ascends to her true power with her cowboy at her side, she and her sisters have to use their combined strength to triumph or die in the darkest of magic.

Wicked Witches of the West: Rowan's Ascension

Romance

Western & Frontier

Beth Williamson

Art, Politics and Civic Religion in Central Italy, 1261–1352 (Routledge Revivals)

This was first published in 2000: Introduced by Joanna Cannon, this volume of essays by postgraduate students at the Courtauld Institute, University of London, explores some of the ways in which art was used to express, to celebrate, and to promote the political and religious aims and aspirations of those in power in the city states of central Italy in the thirteenth and fourteenth centuries. The contributions focus on four centres: Siena, Arezzo, Pisa and Orvieto, and range over a number of media: fresco, panel painting, sculpture, metalwork, and translucent enamel. Employing a variety of methods and approaches, these stimulating essays offer a fresh look at some of the key artistic projects of the period. The dates cited in the title, 1261 and 1352, refer to two well-known works, Coppo di Marcovaldo’s Madonna del Bordone and the Guidoriccio Fresco in the Palazzo Pubblico of Siena, here newly assigned to this date. By concentrating on individual cases such as these, the essays provide rewardingly sustained consideration, at the same time raising crucial issues concerning the role of art in the public life of the period. These generously-illustrated studies introduce new material and advance new arguments, and are all based on original research. Clear and lively presentation ensures that they are also accessible to students and scholars from other disciplines. Art, Politics and Civic Religion in Central Italy, 1261-1352 is the first volume in the new series Courtauld Institute Research Papers. The series makes available original recently researched material on western art history from classical antiquity to the present day.

Art, Politics and Civic Religion in Central Italy, 1261–1352: Essays by Postgraduate Students at the Courtauld Institute of Art (Routledge Revivals)

The work of mid-twentieth century art theorist Anton Ehrenzweig is explored in this original and timely study. An analysis of the dynamic and invigorating intellectual influences, institutional framework and legacy of his work, Between Art Practice and Psychoanalysis reveals the context within which Ehrenzweig worked, how that influenced him and those artists with whom he worked closely. Beth Williamson looks to the writing of Melanie Klein, Marion Milner, Adrian Stokes and others to elaborate Ehrenzweig’s theory of art, a theory that extends beyond the visual arts to music. In this first full-length study on his work, including an inventory of his library, previously unexamined archival material and unseen artworks sit at the heart of a book that examines Ehrenzweig’s working relationships with important British artists such as Bridget Riley, Eduardo Paolozzi and other members of the Independent Group in London in the 1950s and 1960s. In Ehrenzweig’s second book The Hidden Order of Art (1967) his thinking on Jackson Pollock is important too. It was this book that inspired American artists Robert Smithson and Robert Morris when they deployed his concept of ’dedifferentiation’. Here Williamson offers new readings of process art c. 1970 showing how Ehrenzweig’s aesthetic retains relevance beyond the immediate post-war era.

See the best price to sell, buy, or rent books by Williamson, Beth. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Williamson, Beth

See the best price to sell, buy, or rent books by Williamson, Beth. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Christian Art: A Very Short Introduction (Very Short Introductions)

Between Art Practice and Psychoanalysis Mid-Twentieth Century: Anton Ehrenzweig in Context

Unbridled

The Education of Madeline

The Redemption of Micah

The Stranger's Secrets

Wicked Witches of the West: Rowan's Ascension

Art, Politics and Civic Religion in Central Italy, 1261–1352: Essays by Postgraduate Students at the Courtauld Institute of Art (Routledge Revivals)

Art, Politics and Civic Religion in Central Italy, 1261–1352 (Routledge Revivals)

Between Art Practice and Psychoanalysis Mid-Twentieth Century: Anton Ehrenzweig in Context