A sumptuous survey of the fashion for art, architecture, and decorative arts that evoked or imitated Turkish culture and captivated eighteenth-century Europe This is the first book, painstakingly researched from many scattered sources, to identify the key elements of what in our own time has become a popular and collectable area of the fine art and decorative arts: turquerie. With the arrival of Ottoman embassies and their elaborate entourages at the courts of Europe in the early eighteenth century, a fascination with all things Turkish took hold among royalty and aristocracy that lasted until the French Revolution. Turbaned figures appeared in paintings, as ceramic figures, and on the stage; tented boudoirs became the rage; and crossed crescents, palm trees, and camels featured on wall panels, furniture, and enamel boxes. Here Haydn Williams, an expert on the decorative arts, shows how it was a theme that sparked varied responses in different places. Its most intense and long-lasting expression was in France, but its reach was broad–from a pavilion built by Catherine II in Russia to the Turkish tents erected along the Elbe to celebrate a royal marriage in Dresden in 1719; from an ivory statuette of a janissary created for King Augustus II of Poland to the costumes worn for a carnival celebration in Rome in 1748. The book is organized into eight thematic and chronological chapters that concentrate on particular subjects, such as painting, tents, interiors, and costumes and settings for the stage. In all, this splendid volume enables the reader to indulge in the whimsies and fancies of the European elite of the eighteenth century. 270 illustrations in color and black-and-white

Turquerie: An Eighteenth-Century European Fantasy

History

Williams, Haydn

Europe

Thames&Hudson

'Enamels of the World 1700-2000', consisting of some twelve hundred works, is the largest and most comprehensive private collection known. It provides an unparalleled opportunity to appreciate the richness and diversity of the art of enamelling during the past three centuries, ranging from the imposing work of Qing dynasty China and Meiji Japan, to the magnificent creations of Romanov Russia and the royal courts of Europe and the East. Formed with the innovative criterion of considering the subject in a globally, it covers work from all major centres of production, allowing the enamelwork of a specific country to be viewed within its own context and as part of a wider history. This volume presents over three hundred pieces from the collection. The survey starts with an account of the evolution and refinement of the different enamelling techniques. Thereafter it studies the subject thematically, considering the impact of patronage and travel, as well as the role of nationalism in the development of historical revivalism. The enamelwork of China, Japan, the Islamic Lands and Europe are examined both in terms of local development and the assimilation of foreign influence. The history of three firms is reviewed in greater focus - Jean George Rémond, Fabergé and Cartier. Representing different periods within three hundred years covered by the collection, the character of these firms, though largely shaped by the genius of their directors, was also formed by the era in which they flourished. Whether looking at the subject in general or in detail, the reader is presented with an illuminating display of the great technical skill and creative ingenuity of the enamellers of the world. The volume is accompanied by a CD that presents the Khalili Collection of 'Enamels of the World 1700-2000' in its entirety.

Enamels of the World 1700-2000

Arts & Photography

History & Criticism

Khalili Collections

Turquerie: Une fantaisie européenne du XVIIIᵉ siècle

Gallimard]

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