This book is centered on the Venetian humanist Pietro Bembo (1470-1547), on his two-year stay in Sicily in 1492-4 to study the ancient Greek language under one of its most distinguished contemporary teachers, the Byzantine émigré Constantine Lascaris, and above all on his ascent of Mount Etna in 1493. The more particular focus of this study is on the imaginative capacities that crucially shape Bembo's elegantly crafted account, in Latin, of his Etna adventure in his so-called De Aetna, published at the Aldine press in Venice in 1496. This work is cast in the form of a dialogue that takes place between the young Bembo and his father Bernardo (himself a prominent Venetian statesman with strong humanist involvements) after Pietro's return to Venice from Sicily in 1494. But De Aetna offers much more than a one-dimensional account of the facts, sights and findings of Pietro's climb. Far more important in the present study is his eye for creative elaboration, or for transforming his literal experience on the mountain into a meditation on his coming-of-age at a remove from the conventional career-path expected of one of his station within the Venetian patriciate. Three mutually informing features that are critical to the artistic originality of De Aetna receive detailed treatment in this study: (i) the stimulus that Pietro drew from the complex history of Mount Etna as treated in the Greco-Roman literary tradition from Pindar onwards; (ii) the striking novelty of De Aetna's status as the first Latin text produced at the nascent Aldine press in the prototype of what modern typography knows as Bembo typeface; and (iii) Pietro's ingenious deployment of Etna as a powerful, multivalent symbol that simultaneously reflects the diverse characterizations of, and the generational differences between, father and son in the course of their dialogical exchanges within De Aetna.

Pietro Bembo on Etna: The Ascent of a Venetian Humanist

Literature & Fiction

Williams, Gareth D.

Classics

Oxford University Press

This book is centered on the Venetian humanist Pietro Bembo (1470-1547), on his two-year stay in Sicily in 1492-4 to study the ancient Greek language under one of its most distinguished contemporary teachers, the Byzantine émigré Constantine Lascaris, and above all on his ascent of Mount Etna in 1493. The more particular focus of this study is on the imaginative capacities that crucially shape Bembo's elegantly crafted account, in Latin, of his Etna adventure in his so-called De Aetna, published at the Aldine press in Venice in 1496. This work is cast in the form of a dialogue that takes place between the young Bembo and his father Bernardo (himself a prominent Venetian statesman with strong humanist involvements) after Pietro's return to Venice from Sicily in 1494. But De Aetna offers much more than a one-dimensional account of the facts, sights and findings of Pietro's climb. Far more important in the present study is his eye for creative elaboration, or for transforming his 
literal experience on the mountain into a meditation on his coming-of-age at a remove from the conventional career-path expected of one of his station within the Venetian patriciate. Three mutually informing features that are critical to the artistic originality of De Aetna receive detailed treatment in this study: (i) the stimulus that Pietro drew from the complex history of Mount Etna as treated in the Greco-Roman literary tradition from Pindar onwards; (ii) the striking novelty of De Aetna's status as the first Latin text produced at the nascent Aldine press in the prototype of what modern typography knows as Bembo typeface; and (iii) Pietro's ingenious deployment of Etna as a powerful, multivalent symbol that simultaneously reflects the diverse characterizations of, and the generational differences between, father and son in the course of their dialogical exchanges within De Aetna.

Arts & Photography

History & Criticism

This study examines the literary complexities of the poetry Ovid wrote in Tomis, the poet's place of exile on the Black Sea after he was banished from Rome by the emperor Augustus in A.D. 8. Exile transforms Ovid into a melancholic poet of despair who claims that his creative faculties are in terminal decline. These claims are contested in this study through close and original analysis of the literary maneuvers that contradict Ovid's pose. The evidence thus revealed counteracts traditional scholarly antipathy to these poems.

Banished Voices: Readings in Ovid's Exile Poetry (Cambridge Classical Studies)

Poetry

Cambridge University Press

This study examines the literary complexities of the poetry Ovid wrote in Tomis, the poet's place of exile on the Black Sea after he was banished from Rome by the emperor Augustus in A.D. 8. Exile transforms Ovid into a melancholic poet of despair who claims that his creative faculties are in terminal decline. These claims are contested in this study through close and original analysis of the literary maneuvers that contradict Ovid's pose. The evidence thus revealed counteracts traditional scholarly antipathy to these poems.

George Ewart Evans (University of Wales Press - Writers of Wales)

Biographies & Memoirs

Arts & Literature

University of Wales Press

Like all clichés, Wales as 'the Land of Song' has a solid basis in historical fact. Welsh choral singing was a form of popular culture in the nineteenth century. Crowds followed the choirs in even greater numbers than in football matches, and Eisteddfod competitions frequently became 'choral bull-fights' where keenly honed rivalries spilled over into betting, missile throwing, assaults on adjudicators and general violence. This is the story of Wales as the 'the Land of Song' as it has never been told before - colourful, dramatic and uplifting. Vividly written in a lucid style by an accomplished social and cultural historian, this is a celebration of the land of song in its hey-day that will appeal to a wide audience

Valleys of Song: Music and Society in Wales 1840 - 1914

Music

Williams shows how an understanding of Ovid's exile poetry is incomplete without recognition of the contribution of Ibis , particularly for its persona and mood.

The Curse of Exile: A Study of Ovid's Ibis

Cambridge Philological Society

Cut and Shut: The History of Creative Salvage

Williams Wright Publishing

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Books by Williams, Gareth D.

See the best price to sell, buy, or rent books by Williams, Gareth D.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Pietro Bembo on Etna: The Ascent of a Venetian Humanist

Pietro Bembo on Etna: The Ascent of a Venetian Humanist

Banished Voices: Readings in Ovid's Exile Poetry (Cambridge Classical Studies)

Banished Voices: Readings in Ovid's Exile Poetry (Cambridge Classical Studies)

George Ewart Evans (University of Wales Press - Writers of Wales)

Valleys of Song: Music and Society in Wales 1840 - 1914

The Curse of Exile: A Study of Ovid's Ibis

Cut and Shut: The History of Creative Salvage