In Notes from a Colored Girl, Karsonya Wise Whitehead examines the life and experiences of Emilie Frances Davis, a freeborn twenty-one-year-old mulatto woman, through a close reading of three pocket diaries she kept from 1863 to 1865. Whitehead explores Davis�s worldviews and politics, her perceptions of both public and private events, her personal relationships, and her place in Philadelphia�s free black community in the nineteenth century. Although Davis�s daily entries are sparse, brief snapshots of her life, Whitehead interprets them in ways that situate Davis in historical and literary contexts that illuminate nineteenth-century black American women�s experiences. Whitehead�s contribution of edited text and original narrative fills a void in scholarly documentation of women who dwelled in spaces between white elites, black entrepreneurs, and urban dwellers of every race and class. Notes from a Colored Girl is a unique offering to the fields of history and documentary editing as the book includes both a six-chapter historical reconstruction of Davis�s life and a full, heavily annotated edition of her Civil War�era pocket diaries. Drawing on scholarly traditions from history, literature, feminist studies, and sociolinguistics, Whitehead investigates Davis�s diary both as a complete literary artifact and in terms of her specific daily entries. From a historical perspective, Whitehead re-creates the narrative of Davis�s life for those three years and analyzes the black community where she lived and worked. From a literary perspective, Whitehead examines Davis�s diary as a socially, racially, and gendered nonfiction text. From a feminist studies perspective, she examines Davis�s agency and identity, grounded in theories elaborated by black feminist scholars. And, from linguistic and rhetorical perspectives, she studies Davis�s discourse about her interpersonal relationships, her work, and external events in her life in an effort to understand how she used language to construct her social, racial, and gendered identities. Since there are few primary sources written by black women during this time in history, Davis�s diary�though ordinary in its content�is rendered extraordinary simply because it has survived to be included in this very small class of resources. Whitehead�s extensive analysis illuminates the lives of many through the simple words of one.

Notes from a Colored Girl: The Civil War Pocket Diaries of Emilie Frances Davis (Women's Diaries and Letters of the South)

History

Whitehead, Karsonya (Kaye) Wise

Whitehead, Karsonya Wise

Americas

University of South Carolina Press

RaceBrave: new and selected works

Passionate, edgy, unapologetic... RaceBrave: new and selected works provides another glimpse into Karsonya Wise Whitehead's work to document her experience raising two black boys in a post-racial America. On July 7, 2014, the day Eric Garner was murdered, Whitehead set out to write about what was happening across America to unarmed black people, in doing so she explores the feelings of hopelessness and helplessness that resonate with parents around the country-sometimes with humor, sometimes with sadness, but always with an ear that bends toward the truth. In marking these moments, Whitehead also reached back into her childhood diaries to examine how life has changed for her, as a writer, a poet, and a mother over the years. RaceBrave is a masterwork that covers multiple topics and captures every mood: today, my heart stopped is both dolorous and heartbreaking as it examines what happens when black men demand the right to be seen and to be able to breathe, while the birth of your activism examines the days leading up the Baltimore Uprising as Whitehead's sons chose to march for ten days straight for justice, for Freddie Grey, and ultimately in search of the world that they are hoping to co-create. Going back into her archives, comfedderate flag memories highlights Whitehead's feelings about the confederate flag in both 1980 and in 2015 while speaking my truth, finally reveals a story that she has been trying to write about for twenty-five years. In the section, "Black Love is Black Wealth," Whitehead celebrates the many aspects of love with we are gathered, a poem in memory of her favorite uncle; a regenerative descant, in celebration of the retirement of a Marine after thirty-years of service; and, soulmates and soulfood (kuro ai), five short playful tender poems about being brave enough to fall and remain in love. At once personal and political, poignant and apoplectic, these forty-five poems evoke a society where all voices are heard, all perspectives are respected, and everyone has the courage to be RaceBrave.

Politics & Social Sciences

Social Sciences

Apprentice House

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Books by Whitehead, Karsonya Wise