Like many of us, I was raised with Disney characters and stories surrounding my childhood in Europe. When I discovered the Scaramucci's collection, I immediately wanted to put together an exhibition including the historical impact of Disney on our society, but also wanted to celebrate his creativity. This exhibition is built around 83 beautiful animation cells from the collection covering a large part of Walt Disney's career.

A Century of Magic: The Amination of the Walt Disney Studio

Walt Disney Studios

White, Mark Andrew

Fred Jones Jr. Museum of Art

In the 1950s, the American Southwest became a crossroads for Abstract Expressionists from the New York School and the San Francisco Bay Area. Elaine de Kooning, Richard Diebenkorn, and others found inspiration in the expansive land and sky of the region and used gestural brushwork and veils of color to depict the vast spaces and distinctive coloring of the landscape. They joined with local artists in Arizona, Colorado, New Mexico, Oklahoma, and Texas to create a distinctly modern view of the Southwest that expressed the aesthetic and cultural concerns of postwar America. Macrocosm/Microcosm: Abstract Expressionism in the American Southwest traces the spread of Abstract Expressionism from the East and West Coasts. The vacant yet astounding immensity of the Southwest prompted many to pause in contemplation of both the limitless cosmos above and the nuanced variations of the natural world below. As if the spaces of the Southwest were not vast enough, scientific and technological advances in the postwar era changed perceptions regarding the extent of the universe. The establishment of the Los Alamos National Laboratory in New Mexico and the NASA space launches, organized and controlled in Houston, linked the Southwest to the expansion of human knowledge into microcosmic and macrocosmic spaces of the atom and the solar system.

Macrocosm/Microcosm: Abstract Expressionism in the American Southwest

Arts & Photography

History & Criticism

Oscar Brousse Jacobson (1882–1966) was a prolific artist who devoted much of his career to the depiction of the wilderness of the American West, especially Arizona, Colorado, New Mexico, and Oklahoma. He also became a passionate supporter of the visual arts in the Southwest and an enthusiastic promoter of Native American fine artists, such as the early Kiowa artists, Acee Blue Eagle, and others. Over the course of his forty-year career at the University of Oklahoma, he oversaw the dramatic expansion of the School of Art and the creation of an art museum in 1936 that would eventually become the Fred Jones Jr. Museum of Art. A World Unconquered: The Art of Oscar Brousse Jacobson surveys the career of this important yet often overlooked artist. Following his study at Bethany College in Lindsborg, Kansas, with Birger Sandzén, Jacobson became an advocate for modernism and embraced the wilderness as his primary subject. Drawn to the seemingly inhospitable and desolate, Jacobson favored the desert, which eventually led him to paint the Sahara in 1925–26. He balanced a productive painting career with an inexorable desire to promote appreciation for and knowledge of world cultures in the new state of Oklahoma. Jacobson organized exhibits of Asian, Native American, and North African art and culture at OU and played an important role in facilitating New Deal post office murals in the state. Published in conjunction with a retrospective exhibition of Jacobson’s career, A World Unconquered offers the first critical analysis of his work as both an artist and a cultural figure and coincides with the centennial of his arrival in Oklahoma in 1915.

A World Unconquered: The Art of Oscar Brousse Jacobson

Berlo, Janet Catherine

Allbright, Anne

Individual Artists

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Books by White, Mark Andrew