Straight: Constructions of Heterosexuality in the Cinema (Cultural Studies Cinema (Dis))

This is a book about the many meanings of straight / 'strat (adj.) . . . without curves . . . correct . . . honest . . . not deviating from the normal . . . conventional . . . and explores the ways that stereotypes of heterosexuality are portrayed and constructed in film.

Straight: Constructions of Heterosexuality in the Cinema (Suny Series, Cultural Studies in Cinema/Video)

Humor & Entertainment

Wheeler Winston Dixon

Movies

State Univ of New York Pr

This is a book about the many meanings of straight / 'strat (adj.) . . . without curves . . . correct . . . honest . . . not deviating from the normal . . . conventional . . . and explores the ways that stereotypes of heterosexuality are portrayed and constructed in film.

State University of New York Press

Collected Interviews: Voices from Twentieth-Century Cinema

Noted film scholar Wheeler Winston Dixon offers a behind-the-scenes look into the lives of both major and marginalized figures who have dynamically transformed the landscape of international cinema in the twentieth century. Fifteen interviews spanning two decades of research are collected here, with many appearing in uncut form for the first time. Dixon’s interviewees represent a wide range of cinematic professions (directors, animators, actors, writers, and producers) from several branches of cinema (artistic, avant-garde, and commercial) with Dixon providing an introduction prior to each interview. Purposeful in his selections, Dixon offers up voices from twentieth-century cinema that have never before had the chance to speak at such length and detail, as well as much more well-known figures addressing unique and obscure aspects of their respective careers. Collectively, this volume presents a treasure trove of firsthand information of keen interest to film scholars and movie buffs alike, while providing a glimpse into the future of cinema in the twenty-first century.

Southern Illinois University Press

Film and Television After 9/11

In Film and Television After 9/11, editor Wheeler Winston Dixon and eleven other distinguished film scholars discuss the production, reception, and distribution of Hollywood and foreign films after the terrorist attacks of September 11, 2001, and examine how moviemaking has changed to reflect the new world climate. While some contemporary films offer escapism, much of mainstream American cinema since 9/11 is centered on the desire for a “just war” in which military reprisals and escalation of warfare appear to be both inevitable and justified. Films of 2002 such as Black Hawk Down, Collateral Damage, and We Were Soldiers demonstrate a renewed audience appetite for narratives of conflict, reminiscent of the wave of filmmaking that surrounded American involvement in World War II.  The attacks on the World Trade Center and the Pentagon galvanized the American public initially, yet film critics wonder how this will play out over time. Film and Television After 9/11 is the first book to provide original insights into topics ranging from the international reception of post-9/11 American cinema, re-viewing films of our shared cinematic past in light of the attacks, and exploring parallels between post-9/11 cinema and World War II-era productions.

History

In Film and Television After 9/11, editor Wheeler Winston Dixon and eleven other distinguished film scholars discuss the production, reception, and distribution of Hollywood and foreign films after the terrorist attacks of September 11, 2001, and examine how moviemaking has changed to reflect the new world climate.
While some contemporary films offer escapism, much of mainstream American cinema since 9/11 is centered on the desire for a “just war” in which military reprisals and escalation of warfare appear to be both inevitable and justified. Films of 2002 such as Black Hawk Down, Collateral Damage, and We Were Soldiers demonstrate a renewed audience appetite for narratives of conflict, reminiscent of the wave of filmmaking that surrounded American involvement in World War II. 
The attacks on the World Trade Center and the Pentagon galvanized the American public initially, yet film critics wonder how this will play out over time. Film and Television After 9/11 is the first book to provide original insights into topics ranging from the international reception of post-9/11 American cinema, re-viewing films of our shared cinematic past in light of the attacks, and exploring parallels between post-9/11 cinema and World War II-era productions.

Harry Fraser was a tried and true professional director who could be counted upon to bring a picture in on time and on budget. In fifty years in film and theatre, he worked with many important figures in motion picture history, particularly in westerns: Wild Bill Cody, Tom Tyler, Bob Steele, Gene Autry, Rex Bell, Tom Mix, Harry Carey, Buster Crabbe, Lash La Rue, William S. Hart, John Wayne, Yakima Canutt, and many others.

I Went That-a-Way

Biographies & Memoirs

Harry L. Fraser

Audrey Brown Fraser

Arts & Literature

Scarecrow Press

Terence Fisher was the director who brought the modern Gothic horror film to life in the second half of the twentieth century. As director John Carpenter (Halloween) notes in his introduction to the volume, "to see [Fisher's] films now...is to witness a focused and coherent world-view emerging from the Gothic horror formula...Terence Fisher and The Curse of Frankenstein was the beginning of it all for the modern horror film..." But Fisher's career is much more than the Hammer horror films. He worked in every conceivable genre and left his stamp on every aspect of the medium. In this book, the first full-length study of Fisher in English, Wheeler Dixon discusses in detail Fisher's entire work as a director.

The Charm of Evil: The Life and Films of Terence Fisher

Streaming: Movies, Media, and Instant Access

Film stocks are vanishing, but the iconic images of the silver screen remain―albeit in new, sleeker formats. Today, viewers can instantly stream movies on televisions, computers, and smartphones. Gone are the days when films could only be seen in theaters or rented at video stores: movies are now accessible at the click of a button, and there are no reels, tapes, or discs to store. Any film or show worth keeping may be collected in the virtual cloud and accessed at will through services like Netflix, Hulu, and Amazon Instant. The movies have changed, and we are changing with them. The ways we communicate, receive information, travel, and socialize have all been revolutionized. In Streaming, Wheeler Winston Dixon reveals the positive and negative consequences of the transition to digital formatting and distribution, exploring the ways in which digital cinema has altered contemporary filmmaking and our culture. Many industry professionals and audience members feel that the new format fundamentally alters the art, while others laud the liberation of the moving image from the "imperfect" medium of film, asserting that it is both inevitable and desirable. Dixon argues that the change is neither good nor bad; it's simply a fact. Hollywood has embraced digital production and distribution because it is easier, faster, and cheaper, but the displacement of older technology will not come without controversy. This groundbreaking book illuminates the challenges of preserving media in the digital age and explores what stands to be lost, from the rich hues of traditional film stocks to the classic movies that are not profitable enough to offer in streaming formats. Dixon also investigates the financial challenges of the new distribution model, the incorporation of new content such as webisodes, and the issue of ownership in an age when companies have the power to pull purchased items from consumer devices at their own discretion. Streaming touches on every aspect of the shift to digital production and distribution. It explains not only how the new technology is affecting movies, music, books, and games, but also how instant access is permanently changing the habits of viewers and influencing our culture.

University Press of Kentucky

Film stocks are vanishing, but the iconic images of the silver screen remain―albeit in new, sleeker formats. Today, viewers can instantly stream movies on televisions, computers, and smartphones. Gone are the days when films could only be seen in theaters or rented at video stores: movies are now accessible at the click of a button, and there are no reels, tapes, or discs to store. Any film or show worth keeping may be collected in the virtual cloud and accessed at will through services like Netflix, Hulu, and Amazon Instant.The movies have changed, and we are changing with them. The ways we communicate, receive information, travel, and socialize have all been revolutionized. In Streaming, Wheeler Winston Dixon reveals the positive and negative consequences of the transition to digital formatting and distribution, exploring the ways in which digital cinema has altered contemporary filmmaking and our culture. Many industry professionals and audience members feel that the new format fundamentally alters the art, while others laud the liberation of the moving image from the "imperfect" medium of film, asserting that it is both inevitable and desirable. Dixon argues that the change is neither good nor bad; it's simply a fact.Hollywood has embraced digital production and distribution because it is easier, faster, and cheaper, but the displacement of older technology will not come without controversy. This groundbreaking book illuminates the challenges of preserving media in the digital age and explores what stands to be lost, from the rich hues of traditional film stocks to the classic movies that are not profitable enough to offer in streaming formats. Dixon also investigates the financial challenges of the new distribution model, the incorporation of new content such as webisodes, and the issue of ownership in an age when companies have the power to pull purchased items from consumer devices at their own discretion.Streaming touches on every aspect of the shift to digital production and distribution. It explains not only how the new technology is affecting movies, music, books, and games, but also how instant access is permanently changing the habits of viewers and influencing our culture.

The history of international cinema is now available in a concise, conveniently sized, and affordable volume. Succinct yet comprehensive, A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present. More than 250 rare stills and illustrations accompany the text, bringing readers face to face with many of the key players and films that have marked the industry. Beginning with precursors of what we call moving pictures, Wheeler Winston Dixon and Gwendolyn Audrey Foster lead a fast-paced tour through the invention of the kinetoscope, the introduction of sound and color between the two world wars, and ultimately the computer generated imagery of the present day. They detail significant periods in world cinema, including the early major industries in Europe, the dominance of the Hollywood studio system in the 1930s and 1940s, and the French New Wave of the 1960s. Special attention is also given to small independent efforts in developing nations and the corresponding more personal independent film movement that briefly flourished in the United States, the significant filmmakers of all nations, censorship and regulation and how they have affected production everywhere, and a wide range of studios and genres. Along the way, the authors take great care to incorporate the stories of women and other minority filmmakers who have often been overlooked in other texts. Compact and easily readable, this is the best one-stop source for the history of world film available to students, teachers, and general audiences alike.

A Short History of Film

Gwendolyn Audrey Foster

Rutgers Univ Pr

See the best price to sell, buy, or rent books by Wheeler Winston Dixon. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Wheeler Winston Dixon

See the best price to sell, buy, or rent books by Wheeler Winston Dixon. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Straight: Constructions of Heterosexuality in the Cinema (Suny Series, Cultural Studies in Cinema/Video)

Straight: Constructions of Heterosexuality in the Cinema (Cultural Studies Cinema (Dis))

Collected Interviews: Voices from Twentieth-Century Cinema

Film and Television After 9/11

Film and Television After 9/11

I Went That-a-Way

The Charm of Evil: The Life and Films of Terence Fisher

Streaming: Movies, Media, and Instant Access

Streaming: Movies, Media, and Instant Access

A Short History of Film