NEW YORK TIMES BESTSELLER NAMED A BEST BOOK OF THE YEAR BY: NPR, ESQUIRE, The LA Times, and NEWSWEEK WINNER OF THE STRANGER GENIUS AWARD Shrill is an uproarious memoir, a feminist rallying cry in a world that thinks gender politics are tedious and that women, especially feminists, can't be funny. Coming of age in a culture that demands women be as small, quiet, and compliant as possible--like a porcelain dove that will also have sex with you--writer and humorist Lindy West quickly discovered that she was anything but. From a painfully shy childhood in which she tried, unsuccessfully, to hide her big body and even bigger opinions; to her public war with stand-up comedians over rape jokes; to her struggle to convince herself, and then the world, that fat people have value; to her accidental activism and never-ending battle royale with Internet trolls, Lindy narrates her life with a blend of humor and pathos that manages to make a trip to the abortion clinic funny and wring tears out of a story about diarrhea. With inimitable good humor, vulnerability, and boundless charm, Lindy boldly shares how to survive in a world where not all stories are created equal and not all bodies are treated with equal respect, and how to weather hatred, loneliness, harassment, and loss, and walk away laughing. Shrill provocatively dissects what it means to become self-aware the hard way, to go from wanting to be silent and invisible to earning a living defending the silenced in all caps.

Shrill: Notes from a Loud Woman

Biographies & Memoirs

West, Lindy

Community & Culture

Grand Central Publishing

Shrill

Reference

One of the "Best Books of 2020" by NPR's Book Concierge **Your Favorite Movies, Re-Watched** <div>&nbsp;</div> <div>New York Times opinion writer and bestselling author Lindy West was once the in-house movie critic for Seattle's alternative newsweekly The Stranger, where she covered film with brutal honesty and giddy irreverence. In Shit, Actually, Lindy returns to those roots, re-examining beloved and iconic movies from the past 40 years with an eye toward the big questions of our time: Is Twilight the horniest movie in history? Why do the zebras in The Lion King trust Mufasa-WHO IS A LION-to look out for their best interests? Why did anyone bother making any more movies after The Fugitive achieved perfection? And, my god, why don't any of the women in Love, Actually ever fucking talk?!?! From Forrest Gump, Honey I Shrunk the Kids, and Bad Boys II, to Face/Off, Top Gun, and The Notebook, Lindy combines her razor-sharp wit and trademark humor with a genuine adoration for nostalgic trash to shed new critical light on some of our defining cultural touchstones-the stories we've long been telling ourselves about who we are. At once outrageously funny and piercingly incisive, Shit, Actually reminds us to pause and ask, "How does this movie hold up?", all while teaching us how to laugh at the things we love without ever letting them or ourselves off the hook. Shit, Actually is a love letter and a break-up note all in one: to the films that shaped us and the ones that ruined us. More often than not, Lindy finds, they're one and the same.</div>

Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema

Humor & Entertainment

Humor

The Witches Are Coming

In this wickedly funny cultural critique, the author of the critically acclaimed memoir and Hulu series Shrill exposes misogyny in the #MeToo era. This is a witch hunt. We're witches, and we're hunting you. From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author of the New York Times bestselling memoir and now critically acclaimed Hulu TV series Shrill, Lindy West, turns that refrain on its head. You think this is a witch hunt? Fine. You've got one. In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging readers to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first century. She tracks the misogyny and propaganda hidden (or not so hidden) in the media she and her peers devoured growing up, a buffet of distortions, delusions, prejudice, and outright bullsh*t that has allowed white male mediocrity to maintain a death grip on American culture and politics-and that delivered us to this precarious, disorienting moment in history. West writes, "We were just a hair's breadth from electing America's first female president to succeed America's first black president. We weren't done, but we were doing it. And then, true to form--like the Balrog's whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, 'If I can't have you, no one can'--white American voters shoved an incompetent, racist con man into the White House." We cannot understand how we got here,--how the land of the free became Trump's America--without examining the chasm between who we are and who we think we are, without fact-checking the stories we tell ourselves about ourselves and each other. The truth can transform us; there is witchcraft in it. Lindy West turns on the light.

Witches Are Coming

Hachette Books

In this wickedly funny cultural critique, the author of the critically acclaimed memoir and Hulu series Shrill exposes misogyny in the #MeToo era. THIS IS A WITCH HUNT.WE'RE WITCHES,AND WE'RE HUNTING YOU.From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author of the New York Times bestselling memoir and now critically acclaimed Hulu TV series Shrill, Lindy West, turns that refrain on its head. You think this is a witch hunt? Fine. You've got one. In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging readers to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first century. She tracks the misogyny and propaganda hidden (or not so hidden) in the media she and her peers devoured growing up, a buffet of distortions, delusions, prejudice, and outright bullsh*t that has allowed white male mediocrity to maintain a death grip on American culture and politics-and that delivered us to this precarious, disorienting moment in history. West writes, "We were just a hair's breadth from electing America's first female president to succeed America's first black president. We weren't done, but we were doing it. And then, true to form-like the Balrog's whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, 'If I can't have you, no one can'-white American voters shoved an incompetent, racist con man into the White House." We cannot understand how we got here-how the land of the free became Trump's America-without examining the chasm between who we are and who we think we are, without fact-checking the stories we tell ourselves about ourselves and each other. The truth can transform us; there is witchcraft in it. Lindy West turns on the light.

The firebrand New York Times columnist and bestselling author of Shrill--soon to be a Hulu series starring Aidy Bryant--provides a brilliant and incisive look at how patriarchy, intolerance, and misogyny have conquered not just politics but American culture itself. What do Adam Sandler, Donald Trump, and South Park have in common? Why are myths like "reverse sexism" and "political correctness" so seductive? And why do movie classics of yore, from Sixteen Candles to Revenge of the Nerds, make rape look like so much silly fun? With Lindy West's signature wit and in her uniquely incendiary voice, THE WITCHES ARE COMING lays out a grand theory of America that explains why Trump's election was, in many ways, a foregone conclusion. As West reveals through fascinating journeys across the landscapes of pop culture, the lies that fostered the catastrophic resentment that boiled over in the 2016 presidential race did not spring from a vacuum. They have in fact been woven into America's DNA, cultivated by generations of mediocre white men and fed to the masses with such fury that we have become unable to recognize them as lies at all. Whether it be the notion overheard since the earliest moments of the #MeToo movement that feminism has gone too far or the insistence that holding someone accountable for his actions amounts to a "witch hunt," THE WITCHES ARE COMING exposes the lies that many have chosen to believe and the often unexpected figures who have furthered them. Along the way, it unravels the tightening link between culture and politics, identifying in the memes, music, and movies we've loved the seeds of the neoreactionary movement now surging through the nation. Sprawling, funny, scorching, and illuminating, THE WITCHES ARE COMING shows West at the top of her intellectual and comic powers. As much a celebration of America's potential as a condemnation of our failures, some will call it a witch hunt. To which West would reply, so be it: "I'm a witch and I'm hunting you."

In this wickedly funny cultural critique, the author of the critically acclaimed memoir and Hulu series Shrill exposes misogyny in the #MeToo era. THIS IS A WITCH HUNT.WE'RE WITCHES,AND WE'RE HUNTING YOU.From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author of the New York Times bestselling memoir and now critically acclaimed Hulu TV series Shrill, Lindy West, turns that refrain on its head. You think this is a witch hunt? Fine. You've got one. In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging readers to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first century. She tracks the misogyny and propaganda hidden (or not so hidden) in the media she and her peers devoured growing up, a buffet of distortions, delusions, prejudice, and outright bullsh*t that has allowed white male mediocrity to maintain a death grip on American culture and politics-and that delivered us to this precarious, disorienting moment in history. West writes, "We were just a hair's breadth from electing America's first female president to succeed America's first black president. We weren't done, but we were doing it. And then, true to form-like the Balrog's whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, 'If I can't have you, no one can'-white American voters shoved an incompetent, racist con man into the White House." We cannot understand how we got here-how the land of the free became Trump's America-without examining the chasm between who we are and who we think we are, without fact-checking the stories we tell ourselves about ourselves and each other. The truth can transform us; there is witchcraft in it. Lindy West turns on the light.

**Your Favorite Movies, Re-Watched** <div> </div> <div>New York Times opinion writer and bestselling author Lindy West was once the in-house movie critic for Seattle's alternative newsweekly The Stranger, where she covered film with brutal honesty and giddy irreverence. In Shit, Actually, Lindy returns to those roots, re-examining beloved and iconic movies from the past 40 years with an eye toward the big questions of our time: Is Twilight the horniest movie in history? Why do the zebras in The Lion King trust Mufasa-WHO IS A LION-to look out for their best interests? Why did anyone bother making any more movies after The Fugitive achieved perfection? And, my god, why don't any of the women in Love, Actually ever fucking talk?!?! From Forrest Gump, Honey I Shrunk the Kids, and Bad Boys II, to Face/Off, Top Gun, and The Notebook, Lindy combines her razor-sharp wit and trademark humor with a genuine adoration for nostalgic trash to shed new critical light on some of our defining cultural touchstones-the stories we've long been telling ourselves about who we are. At once outrageously funny and piercingly incisive, Shit, Actually reminds us to pause and ask, "How does this movie hold up?", all while teaching us how to laugh at the things we love without ever letting them or ourselves off the hook. Shit, Actually is a love letter and a break-up note all in one: to the films that shaped us and the ones that ruined us. More often than not, Lindy finds, they're one and the same.</div>

See the best price to sell, buy, or rent books by West, Lindy. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by West, Lindy

See the best price to sell, buy, or rent books by West, Lindy. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Shrill: Notes from a Loud Woman

Shrill

Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema

Witches Are Coming

Witches Are Coming

The Witches Are Coming

The Witches Are Coming

Witches Are Coming

The Witches Are Coming

Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema