This is the catalogue of an American exhibition on the manifestation of the 'Liberty style' of the early 20th century in the decorative arts of Italy. The First International Exposition of Modern Decorative Art, held in Turin in 1902, was the starting point for the evolution of the style in the country, largely through the work of the furniture-maker and entrepreneur Agostino Lauro (1861-1924). His creations are among those illustrated here, alongside preparatory drawings, contemporary photographs and other items from the archives.

Stile Floreale: The Cult of Nature in Italian Design

Weisberg, Gabriel P.

Arts & Photography

Univ of Washington Pr

Decorative Arts & Design

Book by Weisberg, Gabriel P., Chu, Petra Ten-Doesschate

Redefining Genre: French and American Painting 1850-1900

Chu, Petra Ten-Doesschate

Trust for Museum Exhibitions

Dixon Gallery and Gardens

History & Criticism

Trust for Museum Exhibition

The triumph of the forward-looking Impressionists over the deadwood of the French Academy is a familiar story to art lovers. Now this challenging book adds a new dimension to that period, showing that at the same time the Naturalists were shaping a different view of painting.

Beyond Impressionism: The Naturalist Impulse

History

Harry N. Abrams

The catalogue of an exhibition organized by the Smithsonian Institution Traveling Service and shown from September 1986 through September 1987 at four museums. 260 objects are described and illustrated.

Art Nouveau Bing: Paris style 1900

Smithsonian Institution Traveling Exhibition Service

Chardin and the Still-life Tradition in France

Indiana Univ. Pr

The Realist Tradition: French Painting and Drawing, Eighteen Hundred Thirty - Nineteen Hundred

Cleveland Museum of Art

Americans in Paris 1850–1910 represents the profound French influence—both in style and subject—on American painters following the Civil War. There was a great deal of French art in America, mainly in the hands of urban industrialists and financiers eager to display their wealth. Meanwhile, American artists traveled to France to study under the masters, either at the École des Beaux-Arts or at one of the independent academies or studios. Paris proved immensely appealing as a locale in which artists were supported and valued, cultural life was rich, the surrounding countryside ispiring, and the cost of living relatively low. The landscapes and human figures favored by French painters offered a nostalgic appeal that American artists translated into a national vernacular. 
Alternating beautiful color plates of some of the most influential artists from America and France—among them, James McNeill Whistler, Kenyon Cox, Mary Cassatt, Camille Cordot, and Honoré Daumier—with informative essays describing biographical, historical, and stylistic influences, this volume brings to life this pivotal and creatively vibrant moment in art history.

Americans in Paris 1850-1910: The Academy, the Salon, the Studio, and the Artists Colony

Hardy, George

Weinberg, Barbara H.

Oklahoma Museum of Arts

Oversized hardcover book, quarto, includes 100 black &amp; white illustrations, 23 in full color. From dust jacket notes: "...Jules Breton and the French Rural Tradition is the most comprehensive exhibition ever mounted on the artist. Organized by Hollister Sturges, Joslyn Art Museum's Curator of European Art, the exhibition includes Breton's Salon paintings from five decades and many oil sketches and drawings still in the colleciton of the artist's descendants. Leading scholars on nineteenth-century French painting have contributed essays to this publication. In addition to Hollister Sturtges's text...Gabriel P. Weisberg has written on Breton in a social and political context and Madeleine Fidell-Beaufort on 'Collectors of Breton in Late Nineteenth-Century America.' Drawing on letters and documents from the Breton family archives, Annette Bourrut-Lacouture has contributed a discussion on 'The Origins and Youth of Jules Breton.'"

Jules Breton and the French Rural Tradition

Sturges, Hollister

Joslyn Art Museum / The Arts Publisher

Collecting in the Gilded Age: Art Patronage in Pittsburgh, 1890-1910

McIntosh, DeCourcy E.

McQueen, Alison

Frick Art & Historical Center

Frick Art Museum

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Books by Weisberg, Gabriel P.