Hours of Infinity is the catalogue of an exhibition and performance by artist John Kannenberg at the Kelsey Museum of Archaeology and the Work Gallery in Ann Arbor, Michigan. The three bodies of work comprising Hours of Infinity use an imprecise drawing method coupled with a disciplined approach to sonic observation that merge with elements of ancient Egyptian and Greek philosophies, contemporary museum theory and mathematical proofs to investigate the timelessly beautiful imperfection inherent within the human experience of the Infinite. The catalogue features full color plates of the drawings in the exhibition, photographs documenting the making of the exhibitions and performance, and images showing the relationship of both to the collections and space of the Kelsey Museum of Archaeology. The catalog is designed and written by artist John Kannenberg and features a foreword by sonic arts critic Marc Weidenbaum and an introduction by Egyptologist T.G. Wilfong.

Hours of Infinity: Recording the Imperfect Eternal (Kelsey Museum Publication)

Arts & Photography

Kannenberg, John

Weidenbaum, Marc

Wilfong, Terry G.

Individual Artists

Kelsey Museum of Archaeology

Extravagantly opaque, willfully vaporous ― Aphex Twin's Selected Ambient Works Volume II, released by the estimable British label Warp Records in 1994, rejuvenated ambient music for the Internet Age that was just dawning. In the United States, it was his first full length on Sire Records (home to Madonna and Depeche Mode), which helped usher in Richard D. James, for whom Aphex Twin is but one of numerous monikers, as a major force in music, electronic or otherwise.
Faithful to Brian Eno's definition of ambient music, Selected Ambient Works Volume II was intentionally functional: it furnished chill out rooms, the sanctuaries amid intense raves. Choreographers and film directors began to employ it to their own ends, and in the intervening decades this background music came to the fore, adapted by classical composers who reverse-engineer its fragile textures for performance on acoustic instruments. Simultaneously, "ambient" has moved from esoteric sound art to central tenet of online culture. This book contends that despite a reputation for being beat-less, the album exudes percussive curiosity, providing a sonic metaphor for our technologically mediated era of countless synchronized nanosecond metronomes.

Aphex Twin's Selected Ambient Works, Vol. 2 (33 1/3)

Music

Bloomsbury Academic

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