The Regulation and Reform of Music Criticism in Nineteenth-Century England (Royal Musical Association Monographs)

Arts & Photography

Watt, Paul

Music

Routledge

Understanding Social Inequality

Moving beyond the traditional dichotomies of social theory, Understanding Social Inequality brings the study of social stratification and inequality into the 21st century. Starting with the widely agreed "fact" that the world is becoming more unequal, this book pulls together the "identity of displacement" in sociology and the "spaces of flow" of geography to show how place has become an increasingly important focus for understanding new trends in social inequality. The book charts a path through current debates and issues that studies of social inequality cannot afford to ignore. Accessible and engagingly written, this book stimulates the "sociological imagination", prompting readers to link personal experiences and public issues.

Politics & Social Sciences

Butler, Tim

Social Sciences

Sage Publications Ltd.

Music criticism in England underwent profound change from the 1880s to the 1920s. It gave rise to ‘New criticism’ that aimed to be rational, impartial and intellectually authoritative. It was a break from the criticism of old: the work of the opinionated journalist who wrote descriptive concert reviews with invective, cliché, bias and bombast. Critics such as Ernest Newman (1868–1959), John F. Runciman (1866–1916) and Michel D. Calvocoressi (1877–1944) fostered this new school and wrote extensively of their aspirations for musical criticism in their own times and for the future. This book charts the genesis of this new wave of musical criticism that sought to regulate and reform the profession of music critic. Alongside the establishment of principles, training manuals and schools for critics, hundreds of journal articles and dozens of books were written that encouraged new criticism, which also had a bearing on scholarly writing in biography, aesthetics and history. The Regulation and Reform of Music Criticism in Nineteenth-Century England considers the influence and advocacy of individual critics and the role that institutions, such as the Musical Association and the Musical Times, played in this period of change. The book also explores the impact that French and German writers had on their English counterparts, demonstrating the internationalization of critical thought of the period.

Estate Regeneration and Its Discontents: Public Housing, Place and Inequality in London

Public housing estates are disappearing from London's skyline in the name of regeneration, while new mixed-tenure developments are arising in their place. This richly illustrated book provides a vivid interdisciplinary account of the controversial urban policy of demolition and rebuilding amid London's housing crisis and the polarisation between the city's have-nots and have-lots.Drawing on extensive fieldwork and interviews with over 180 residents living in some of the capital's most deprived areas, Watt shows the dramatic ways that estate regeneration is reshaping London, fuelling socio-spatial inequalities via state-led gentrification. Foregrounding resident experiences and perspectives both before and during regeneration, he examines class, place belonging, home and neighbourhood, and argues that the endless regeneration process results in degeneration, displacement and fragmented communities.

Policy Press

Ernest Newman (1868-1959) left an indelible mark on British musical criticism in a career spanning more than seventy years. His magisterial Life of Richard Wagner, published in four volumes between 1933 and 1946, is regarded as his crowning achievement, but Newman wrote many other influential books and essays on a variety of subjects ranging from early music to Schoenberg. In this book, the geneses of Newman's major publications are examined in the context of prevailing intellectual trends in history, criticism and biography. Newman's career as a writer is traced across a wide range of subjects including English and French literature, evolutionary theory and biographical method, and French, German and Russian music. Underpinning many of these works is Newman's preoccupation with rationalism and historical method. By examining particular sets of writings such as composer-biographies and essays from leading newspapers such as the Manchester Guardian and the Sunday Times, this book illustrates the ways in which Newman's work was grounded in late nineteenth-century intellectual paradigms that made him a unique and at times controversial figure.

Ernest Newman: A Critical Biography (Music in Britain, 1600-2000, 16)

Biographies & Memoirs

Arts & Literature

Boydell Press

Music, Morality and Social Reform in Nineteenth-Century Britain

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