This book examines types of resistance in contemporary poetry to the authority of scientific knowledge, tracing the source of these resistances to both their literary precedents and the scientific zeitgeists that helped to produce them. Walpert argues that contemporary poetry offers a palimpsest of resistance, using as case studies the poets Alison Hawthorne Deming, Pattiann Rogers, Albert Goldbarth, and Joan Retallack to trace the recapitulation of romantic arguments (inherited from Keats, Shelly, and Coleridge, which in turn were produced in part in response to Newtonian physics), modernist arguments (inherited from Eliot and Pound, arguments influenced in part by relativity and quantum theory), and postmodernist arguments (arguments informed by post-structuralist theory, e.g. Barthes, Derrida, Foucault, with affinities to arguments for the limitations of science in the philosophy, sociology, and rhetoric of science). Some of these poems reveal the discursive ideologies of scientific language―reveal, in other words, the performativity of scientific language. In doing so, these poems themselves can also be read as performative acts and, therefore, as forms of intervention rather than representation. Reading Retallack alongside science studies scholar Karen Barad, the book concludes by proposing that viewing knowledge as a form of intervention, rather than representation, offers a bridge between contemporary poetry and science.

Resistance to Science in Contemporary American Poetry (Routledge Interdisciplinary Perspectives on Literature)

Walpert, Bryan

Science & Math

Routledge

The characters in this collection of stories by Bryan Walpert have each had their lives disrupted by personal tragedy. Left to face up to both their responsibility and lack of control over the events, characters weave their own stories and enter into their own worlds as they psychologically resist grief but are driven to explain. Bryan Walpert's intriguing, well-crafted stories span the realms of philosophy, astronomy, mycology, super heroes, science fiction and religion. Hopping between America and New Zealand, he explores the human need to rationalize experiences and the way these explanations change over time.

Ephraim's Eyes

Literature & Fiction

Short Stories & Anthologies

Pewter Rose Press

This book examines types of resistance in contemporary poetry to the authority of scientific knowledge, tracing the source of these resistances to both their literary precedents and the scientific zeitgeists that helped to produce them. Walpert argues that contemporary poetry offers a palimpsest of resistance, using as case studies the poets Alison Hawthorne Deming, Pattiann Rogers, Albert Goldbarth, and Joan Retallack to trace the recapitulation of romantic arguments (inherited from Keats, Shelly, and Coleridge, which in turn were produced in part in response to Newtonian physics), modernist arguments (inherited from Eliot and Pound, arguments influenced in part by relativity and quantum theory), and postmodernist arguments (arguments informed by post-structuralist theory, e.g. Barthes, Derrida, Foucault, with affinities to arguments for the limitations of science in the philosophy, sociology, and rhetoric of science). Some of these poems reveal the discursive ideologies of scientific language--reveal, in other words, the performativity of scientific language. In doing so, these poems themselves can also be read as performative acts and, therefore, as forms of intervention rather than representation. Reading Retallack alongside science studies scholar Karen Barad, the book concludes by proposing that viewing knowledge as a form of intervention, rather than representation, offers a bridge between contemporary poetry and science.

Late Sonata (Viva La Novella)

Literary

Booktopia Direct Pty Ltd

“So many poems articulate either certainty or its opposite, nihilism. What I love…is that the speaker takes the time to change his or her mind; this is a poem that thinks…And what thoughts: goats, lutes, and shot glasses abound, as do intelligence and sly humor."—David Kirby, judge, James Wright Poetry Award “I imagine it was a matter of the sheer control, the precision of the descriptive language, the beautiful cadences. We are participants…standing at the shoulder of the poet in the deeper darkness before dawn as description gives way to meditation and thence to the more personal conversation we overhear. It is a beautifully measured poem which deepens even as the day lightens.”—James Norcliffe, judge, New Zealand Poetry Society International Poetry Competition

A History of Glass

Poetry

Stephen F. Austin University Press

Brass Band to Follow

Otago University Press

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Books by Walpert, Bryan