This book grew out of a nine-month course first given during 1976-77 in the Division of Engineering Mechanics, University of Texas (Austin), and repeated during 1977-78 in the Department of Engineering Sciences and Applied Mathematics, Northwestern University. Most of the students were in their second year of graduate study, and all were familiar with Fourier series, Lebesgue integration, Hilbert space, and ordinary differential equa tions in finite-dimensional space. This book is primarily an exposition of certain methods of topological dynamics that have been found to be very useful in the analysis of physical systems but appear to be well known only to specialists. The purpose of the book is twofold: to present the material in such a way that the applications-oriented reader will be encouraged to apply these methods in the study of those physical systems of personal interest, and to make the coverage sufficient to render the current research literature intelligible, preparing the more mathematically inclined reader for research in this particular area of applied mathematics. We present only that portion of the theory which seems most useful in applications to physical systems. Adopting the view that the world is deterministic, we consider our basic problem to be predicting the future for a given physical system. This prediction is to be based on a known equation of evolution, describing the forward-time behavior of the system, but it is to be made without explicitly solving the equation.

Dynamical Systems and Evolution Equations: Theory and Applications (Mathematical Concepts and Methods in Science and Engineering)

Computers & Technology

Walker, John A.

Computer Science

Springer

Art and Artists on Screen

Arts & Photography

Performing Arts

Manchester Univ Pr

Aims to provide a critical analysis of key English language examples of films depicting the fine arts and artists from the 1930s to the present day (one French feature film is also considered). It asks - how are fine arts visualized by film-makers and, to what extent are such films accurate?

An essential overview as well as a theoretical critique for all students of design history. Walker studies the intellectual discipline of Design History and the issues that confront scholars writing histories of design. Taking his approach from a range of related fields, he discusses the problems of defining design and writing history. He considers the different methods that leading scholars have used in the absence of a theoretical framework, and looks critically at a number of histories of design and architecture.

Design History and the History of Design

History & Criticism

Pluto Press

An essential overview as well as a theoretical critique for all students of design history. Walker studies the intellectual discipline of Design History and the issues that confront scholars writing histories of design. Taking his approach from a range of related fields, he discusses the problems of defining design and writing history. He considers the different methods that leading scholars have used in the absence of a theoretical framework, and looks critically at a number of histories of design and architecture.

DESIGN HISTORY AND THE HISTORY OF DESIGN

A Pluto Classic.  An invaluable introduction to the continuing debates between high art and low culture for students of media and cultural studies.

Art in the Age of Mass Media

''... brilliantly original ... brings cultural and post-colonial theory to bear on a wide range of authors with great skill and sensitivity.' Terry Eagleton

The vibrant fine arts and mass culture that the United Stated exported to Britain in the postwar period had a powerful and far-reaching impact on many British artists, art students and critics. In a fascinating social and cultural history covering the period from the 1940s to the 1990s, but with emphasis on the 1950s and 1960s, John A. Walker offers a scholarly but accessible account of America's Cold War cultural offensive and the role played by American artists living in Britain. This is the first text to document in detail the variegated responses of British artists to postwar America and its art, criticism and mass media. Their reactions that ranged from Americanism - enthusiasm and compliance - to Anti-Americanism - criticism and resistance. Covering significant art movements such as Abstract Expressionism, the Independent Group and Pop Art, Walker synthesises information from hundreds of published sources and interviews to paint a vivid picture of a crucial period in British culture. Many of the critics, painters and sculptors featured - Lawrence Alloway, Peter Blake, Reyner Banham, Anthony Caro, Clement Greenberg, David Hockney, Richard Hamilton, R.B. Kitaj, John Latham, Claes Oldenburg, Eduardo Paolozzi, Herbert Read, Bridget Riley, Larry Rivers - are now internationally famous. The study is brought up to date with an overview of the decline in American influence during in the 1980s and 1990s and the rise of Brit Art.

Cultural Offensive: America's Impact on British Art Since 1945

When art hits the headlines, it is usually because it has caused offence or is perceived by the media to have shock-value. Over the last fifty years many artists have been censored, vilified, accused of blasphemy and obscenity, threatened with violence, prosecuted and even imprisoned. Their work has been trashed by the media and physically attacked by the public. In Art &amp; Outrage, John A. Walker covers the period from the late 1940s to the 1990s to provide the first detailed survey of the most prominent cases of art that has scandalised. The work of some of Britain’s leading, and less well known, painters and sculptors of the postwar period is considered, such as Richard Hamilton, Bryan Organ, Rachel Whiteread, Reg Butler, Damien Hirst, Jamie Wagg, Barry Flanagan and Antony Gormley. Included are works made famous by the media, such as Carl Andre’s Tate Gallery installation of 120 bricks, Rick Gibson’s foetus earrings, Anthony-Noel Kelly’s cast body-parts sculptures and Marcus Harvey’s portrait of Myra Hindley. Walker describes how each incident emerged, considers the arguments for and against, and examines how each was concluded. While broadly sympathetic to radical contemporary art, Walker has some residual sympathy for the layperson’s bafflement and antagonism. This is a scholarly yet accessible study of the interface between art, society and mass media which offers an alternative history of postwar British art and attitudes.

Art & Outrage

See the best price to sell, buy, or rent books by Walker, John A.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Walker, John A.

See the best price to sell, buy, or rent books by Walker, John A.. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Dynamical Systems and Evolution Equations: Theory and Applications (Mathematical Concepts and Methods in Science and Engineering)

Art and Artists on Screen

Art and Artists on Screen

Design History and the History of Design

DESIGN HISTORY AND THE HISTORY OF DESIGN

Art in the Age of Mass Media

Art in the Age of Mass Media

Cultural Offensive: America's Impact on British Art Since 1945

Cultural Offensive: America's Impact on British Art Since 1945

Art & Outrage