Theseus is celebrated as the greatest of Athenian heroes. This work explores what he meant to the Athenians at the height of their city-state in the fifth century B.C. Assembling material that has been scattered in scholarly works, Henry Walker examines the evidence for the development of the myth and cult of Theseus in the archaic age. He then looks to major works of classical literature in which Theseus figures, exploring the contradictions between the archaic, primitive side of his character and his refurbished image as the patron of democracy. His ambiguous nature as outsider, flouting accepted standards of behavior, while at the same time being a hero-king and a representative of higher ideals, is analyzed through his representations in the work of Bacchylides, Euripides, and Sophocles. This is the only work of scholarship that examines the literary representation of Theseus so thoroughly. It brings to life a literary character whose virtues, flaws, and contradictions belong in no less a degree to his creators, the people of Athens.

Theseus and Athens

Computers & Technology

Walker, Henry John

Programming

Oxford University Press

The twin deities known by the ancient Greeks as the Dioskouroi, and by the Romans as the Gemini, were popular figures in the classical world. They were especially connected with youth, low status and service, and were embraced by the common people in a way that eluded those gods associated with regal magnificence or the ruling classes. Despite their popularity, no dedicated study has been published on the horse gods for over a hundred years. Henry John Walker here addresses this neglect. His comparative study traces the origins, meanings and applications of the twin divinities to social and ritual settings in Greece, Vedic India (where the brothers named Castor and Pollux were revered as Indo-European gods called the Asvins), Etruria and classical Rome. In the Bronze and Early Iron Ages of Vedic India, the young horse gods are seen to have markedly similar characteristics to their Greco-Roman counterparts. Quick to come to the rescue of those in trouble, the Asvins are ready to assist the old, the weak and the humble. Charting the parallels and correspondences between these ancient myths, Walker uncovers not a single, universal coda but rather a great variety of loosely related beliefs and practices relating to the sibling deities. He demonstrates, for example, that, just as the Dioskouroi were regarded as being halfway between gods and men, so young Spartans - undergoing a fierce and uncompromising military training - saw themselves as standing midway between animal and human. Such diverse and creative interpretations of the myth seem to have played a central role in the culture and society of antiquity.

Twin Horse Gods, The: The Dioskouroi in Mythologies of the Ancient World

History

Ancient Civilizations

Bloomsbury Academic

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