The Invention of Culture, one of the most important works in symbolic anthropology in recent years, argues that culture is not a given that shapes the lives of the people who share it. Rather, it is people who shape their culture by constantly manipulating conventional symbols taken from a variety of everchanging codes to create new meanings. Wagner sees culture arising from the dialectic between the individual and the social world; his analysis is situated in the relation between invention and convention, innovation and control, meaning and context. Finally, the author points out that the symbolization processes that generate the construction of meaning in culture are the same as those that anthropologists use to "invent" the cultures they study.

The invention of culture (Prentice-Hall anthropology series)

Wagner, Roy

PRENTICE/HALL

In anthropology, a field that is known for its critical edge and intellectual agility, few books manage to maintain both historical value and contemporary relevance. Roy Wagner's The Invention of Culture, originally published in 1975, is one. Wagner breaks new ground by arguing that culture arises from the dialectic between the individual and the social world. Rooting his analysis in the relationships between invention and convention, innovation and control, and meaning and context, he builds a theory that insists on the importance of creativity, placing people-as-inventors at the heart of the process that creates culture. In an elegant twist, he shows that this very process ultimately produces the discipline of anthropology itself. Tim Ingold’s foreword to the new edition captures the exhilaration of Wagner’s book while showing how the reader can journey through it and arrive safely—though transformed—on the other side.

The Invention of Culture

Politics & Social Sciences

Social Sciences

University of Chicago Press

This important new work by Roy Wagner is about the autonomy of symbols and their role in creating culture. Its argument, anticipated in the author's previous book, The Invention of Culture, is at once symbolic, philosophical, and evolutionary: meaning is a form of perception to which human beings are physically and mentally adapted. Using examples from his many years of research among the Daribi people of New Guinea as well as from Western culture, Wagner approaches the question of the creation of meaning by examining the nonreferential qualities of symbols—such as their aesthetic and formal properties—that enable symbols to stand for themselves.

Symbols that Stand for Themselves

The Invention of Culture, one of the most important works in symbolic anthropology in recent years, argues that culture is not a given that shapes the lives of the people who share it. Rather, it is people who shape their culture by constantly manipulating conventional symbols taken from a variety of everchanging codes to create new meanings. Wagner sees culture arising from the dialectic between the individual and the social world; his analysis is situated in the relation between invention and convention, innovation and control, meaning and context. Finally, the author points out that the symbolization processes that generate the construction of meaning in culture are the same as those that anthropologists use to "invent" the cultures they study.

Habu: The Innovation of Meaning in Daribi Religion

Religion & Spirituality

Univ of Chicago Pr

principles of daribi clan definition and alliance

Curse of Souw: Principles of Daribi Clan Definition and Alliance in New Guinea

Sociology

An Anthropology of the Subject rounds out the theoretical-philosophical cosmos of one of the twentieth century's most intellectually adventurous anthropologists. Roy Wagner, having turned "culture" and "symbols" inside out (in The Invention of Culture and Symbols That Stand for Themselves, respectively), now does the same for the "subject" and subjectivity. In studying the human subject and the way human culture mirrors itself, Wagner has redefined holography as "the exact equivalence, or comprehensive identity, of part and whole in any human contingency."

An Anthropology of the Subject: Holographic Worldview in New Guinea and Its Meaning and Significance for the World of Anthropology

University of California Press

An Anthropology of the Subject rounds out the theoretical-philosophical cosmos of one of the twentieth century's most intellectually adventurous anthropologists. Roy Wagner, having turned "culture" and "symbols" inside out (in The Invention of Culture and Symbols That Stand for Themselves, respectively), now does the same for the "subject" and subjectivity. In studying the human subject and the way human culture mirrors itself, Wagner has redefined holography as "the exact equivalence, or comprehensive identity, of part and whole in any human contingency."

History

Australia & Oceania

Professor Wagner's study of Barok social and ritual life pays special attention to the men's-house feasting cycle. The kaba. or culminating death feast" of that cycle, is invoked by the word "asiwinarong," which symbolizes the leadership succession on which Barok claims to ethical integrity and precedence rest   Originally published in 1986.   The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Asiwinarong: Ethos, Image, and Social Power among the Usen Barok of New Ireland (Princeton Legacy Library)

Cookbooks, Food & Wine

Cooking by Ingredient

Princeton University Press

Professor Wagner's study of Barok social and ritual life pays special attention to the men's-house feasting cycle. The kaba. or culminating death feast" of that cycle, is invoked by the word "asiwinarong," which symbolizes the leadership succession on which Barok claims to ethical integrity and precedence rest.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

See the best price to sell, buy, or rent books by Wagner, Roy. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Wagner, Roy

See the best price to sell, buy, or rent books by Wagner, Roy. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The invention of culture (Prentice-Hall anthropology series)

The Invention of Culture

Symbols that Stand for Themselves

The Invention of Culture

Habu: The Innovation of Meaning in Daribi Religion

Curse of Souw: Principles of Daribi Clan Definition and Alliance in New Guinea

An Anthropology of the Subject: Holographic Worldview in New Guinea and Its Meaning and Significance for the World of Anthropology

An Anthropology of the Subject: Holographic Worldview in New Guinea and Its Meaning and Significance for the World of Anthropology

Asiwinarong: Ethos, Image, and Social Power among the Usen Barok of New Ireland (Princeton Legacy Library)

Asiwinarong: Ethos, Image, and Social Power among the Usen Barok of New Ireland (Princeton Legacy Library)