Masterpieces of French Faience: Selections from the Sidney R. Knafel Collection

Crafts, Hobbies & Home

Vignon, Charlotte

Crafts & Hobbies

Frick Collection

The unique and internationally celebrated atmosphere of The Frick Collection has as much to do with the decorative arts as with its iconic collection of old master paintings. As the sumptuous house Henry Clay Frick constructed at 70th Street took shape between 1912 and 1914, he recognized the need for furnishings of a calibre that matched his painting collection. Together with later acquisitions and gifts, Frick's purchases of enamels, clocks and watches, furniture, gilt bronzes, porcelain, ceramics, silver and textiles are the equals of the works on canvas and far exceed them in number. Included here are carefully selected blocs of decorative arts - from stunning collections of Limoges enamels and Sèvres porcelain to French eighteenth-century furniture and an extraordinary collection of clocks and watches. Long overdue, this handbook - the first devoted to the decorative arts in the Frick's collection - provides a valuable introduction to this area.

The Frick Collection: Decorative Arts Handbook

Arts & Photography

Collections, Catalogs & Exhibitions

Scala Arts Publishers, Inc.

Pierre Gouthière: Virtuoso Gilder at the French Court celebrates the life of Pierre Gouthière (1732-1813), considered to be one of the best Parisian bronze chasers and gilders of the eighteenth-century. Gouthière became gilder to Louis XV in 1767, and is credited with inventing a new type of gilding that left a matte finish—dorure au mat—one of the hallmarks of his work. Although incredibly successful in his day, Gouthière died in relative obscurity and poverty; unlike some of his contemporaries his works never regained popularity after the French Revolution.
The inclusion of detailed entries and plates of forty-nine works positively attributed to Gouthière, five essays by leading experts that examine Gouthière's life, career, clientele, and gilding techniques, as well as examples of his work from American, Polish, Portuguese, French, and British collections, ensure that this beautiful volume is an invaluable new resource on Gouthière. The only other volume on this master was published in 1912, and is now long out of print.

Pierre Gouthière: Virtuoso Gilder at the French Court

Baulez, Christian

History & Criticism

GILES

A feat of great technical achievement, French faience was introduced to Lyon in the second half of the sixteenth century by skilled Italian immigrants:mdash;the French word “faience” deriving from the northern Italian city of Faenza. Over the next two centuries, production spread throughout the provinces of metropolitan France. The fine decoration of French faience draws inspiration from multiple sources―Italian maiolica, Asian porcelain, and even contemporary engravings. The forms of its platters, bowls, plates, and ewers derive mostly from European ceramics and silver. This complex interplay of influences comes together in works of great originality.The Knafel Collection of French faience, the finest in private hands, includes outstanding examples of Nevers, Rouen, Moustiers, Moulins, and Marseilles production from the late sixteenth to the mid-eighteenth century. The quality of these masterpieces almost obscures the fact that French faience was essentially a provincial art, largely patronized and commissioned by a local aristocracy and made far from the centres of political power in Versailles and Paris.
In this stunning new volume, Charlotte Vignon traces the history of French faience, offering detailed discussions of key centers of production. Illustrated with more than seventy examples, this valuable resource testifies to the creativity and beauty of an engagingly innovative tradition.

Active in London, Paris, and New York, Duveen Brothers was the most prominent art and antique dealer from the late nineteenth to the mid-twentieth century. The firm’s success came from buying furniture, tapestries, porcelain, and other objets d’art and selling it at high prices to wealthy Americans, including Henry Clay Frick, John D. Rockefeller Jr., Arabella Huntington, and John Pierpont Morgan. Making extensive use of Duveen Brothers records at the Getty Research Institute, as well as letters and invoices in the archives of the firm’s clients, Vignon provides a rich study of this influential firm in the history of collecting.

Duveen Brothers and the Market for Decorative Arts, 1880-1940

This third volume in the Frick's Diptych series offers fresh insight into a pair of candelabra that represent the pinnacle of luxury and taste in the years prior to the French Revolution. Vignon tells the fascinating story of these objects that are made of two small white vases with extraordinary gilt-bronze mounts by Pierre Gouthière, the celebrated eighteenth-century French chaser and gilder. Vignon's essay is paired with a text by De Waal in which he examines what it is to make,own, and desire such complex objects

Gouthière's Candelabras (Frick Diptych)

DE WAAL, EDMUND

See the best price to sell, buy, or rent books by Vignon, Charlotte. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Vignon, Charlotte

See the best price to sell, buy, or rent books by Vignon, Charlotte. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Masterpieces of French Faience: Selections from the Sidney R. Knafel Collection

The Frick Collection: Decorative Arts Handbook

Pierre Gouthière: Virtuoso Gilder at the French Court

Masterpieces of French Faience: Selections from the Sidney R. Knafel Collection

Duveen Brothers and the Market for Decorative Arts, 1880-1940

Gouthière's Candelabras (Frick Diptych)