This stunning book explores Italian Neorealism in photography, as it documented Italy's economic and social conditions in the mid-20th century and its rise as a democratic nation. Originally used for Fascist propaganda, the camera in Italy became a tool for artists to reveal the poverty and oppression of their country and a way to instigate positive social development and create a national identity. The NeoRealismo style became a call for economic justice as well as an artistic movement that influenced the modern world. The achievements of that movement are celebrated in this book with more than 200 illustrations, including exquisitely reproduced photographs and magazine images as well as film stills and posters. Together these images portray the seismic changes that took place throughout Italy during and after the war. The migration from south to north, the rural and urban poverty, and the desire to establish a national identity are all given expression through the photographers' lenses. Accompanying essays discuss the technological changes that transformed the country, trace the evolution of Neorealist cinema, and explore how writers became part of this revolution. Beautiful, raw, and free of artifice, these images and the people who created them ushered a unique and fascinating moment in modern art history. Copublished by Admira and DelMonico Books

NeoRealismo: The New Image in Italy 1932-1960

Arts & Photography

Viganò, Enrica

Photography & Video

Prestel

W. Eugene Smith (1918-1978) revolutionized the photo-essay form with the works he published in Life magazine between 1948 and 1956. This monograph reproduces images from six classic sequences: Country Doctor, which portrays the selfless and sometimes frustrating work of a doctor in rural America; Spanish Village, the most powerful photographic study of 1950s Spain; Nurse Midwife, which examines the life of a black woman in the American south; A Man of Mercy, which documents Dr. Albert Schweitzer's humanitarian work in Africa; Pittsburgh, Smith's first freelance assignment, previously unpublished; and Minamata, a photo-essay recording the effects caused by a mercury spill in a region inhabited by Japanese fishermen. Writings by W. Eugene Smith, clarifying his field techniques and guiding principles, are included here in an English-language insert, alongside the tale of his most praised photograph, "A Walk to a Paradise Garden," and an essay on Spain in the 1950s, the setting for his Spanish Village essay.

W. Eugene Smith (English and Spanish Edition)

Salvesen, Britt

La Fábrica

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Books by Viganò, Enrica