This third volume in Skira’s History of Photography series serves as a major reference in the field of photography. The third volume (1941-1980) of the Skira History of Photography series considers the years signed by the revolution of color that marked the start of a radical change in the very nature of amateur photography. At the same time, through photojournalism, photography became a mirror of society and a tool for attempts to change it. This monograph traces the historical evolution of photography, focusing on artists such as Helen Levitt, Weegee, Robert Doisneau, Henri Cartier-Bresson, Josef Sudek, William Klein, Robert Frank, Richard Avedon, Shomei Tomatsu, William Eugene Smith, Gerhard Richter, Bernhard and Hilla Becher, Ugo Mulas, Ed Ruscha, and Larry Clark, just to name a few. The essays provide an in-depth discussion of some of the primary themes of the historical period: the evolution of documentary photography between 1950 and 1980, the color revolution, and the relationship between photography and conceptual art.

Photography: From the Press to the Museum 1941-1980 (History of Photography)

Arts & Photography

van Winkel, Camiel

Fashion

Skira

By Camiel van Winkel. Edited by Matthjis Bouw, Michelle Provoost. Text by Pauline Terreehorst, Marieke van Rooy.

The Stadium: Architecture of Mass Sport

Sports & Outdoors

Terreehorst, Pauline

van Rooy, Marieke

Miscellaneous

NAi Publishers

Many of today's artists display an affinity for the techniques and subjects of 1960s and 70s conceptual art. A new look at the work of Bas Jan Ader, Carl Andre, Art &amp; Language, John Baldessari, Marcel Broodthaers, Daniel Buren, Jan Dibbets, Gilbert &amp; George, Joseph Kosuth, Sol Lewitt, Bruce Nauman, On Kawara, Edward Ruscha, Robert Ryman, Robert Smithson, Lawrence Weiner, and others bears exploring in relation to the processes and themes of contemporary art. By considering conceptual art in the Netherlands and Belgium from 1965-1975, this publication hopes to answer such questions, especially in relation to the Netherlands as a melting pot for ideas and the importance of Dutch institutions in supporting and disseminating conceptual art.

Conceptual Art In The Netherlands And Belgium 1965-1975

Visser, Hripsimé

BLOTKAMP, Carel

History & Criticism

NAi Publishers/Stedelijk Museum, Amsterdam

Camiel van Winkel, the longtime editor of Archis: Magazine for Architecture, the City and Visual Culture, examines and interprets key interfaces between visual art and other forms of culture, and argues that our continuously expanding visual culture makes it necessary to reconsider the relationship between art and mass culture, between forms of autonomous and applied art. Van Winkel examines specific cases, from Rotterdam's sculpture terrace to the Netherlands Architecture Institute's national architecture plaque, to the behavior of politicians on the campaign trail*as well as film posters, reality shows, and films like The Matrix.

The Regime of Visibility

nai010 publishers

Conventions In Contemporary Art arose from the highly entertaining and much-discussed series of debates organized by Witte de With in 2001. Without lapsing into dull theoryspeak, it explores and questions the routines and fashions that dominate the art world today. Catherine David and Iwona Blazwick explore the curator's heightened profile; Jeroen Boomgaard and Koen Brams tackle theory and art; Anthony Dunne and Fiona Raby question the relationship between design and art; Bart Lootsma and Camiel van Winkel look at art in public spaces; and Janneke Wesseling and Kitty Zijlmans discuss the position of non-western art in the western world.

Conventions in Contemporary Art: Lectures and Debates Witte de With 2001

Dunne, Anthony

Raby, Fiona

Lootsma, Bart

Zijlmans, Kitty

Van Der Plas, Els

Murray, Alan.

Thissen, Siebe

Wesseling, Janneke

Brams, Koen

Huygens, Charlotte

Witte de With Publishers

In this collection of essays, Amsterdam art historian and critic Camiel van Winkel digs up the conceptual roots of contemporary art, design and photography to argue that the art of today is, as a whole, “post-conceptual.” Focusing on the conceptual artists of the years 1965–1975, van Winkel examines how the art of that era continues to inform the art world today. Highly polemical and very readable, During the Exhibition the Gallery Will Be Closed looks at the cultural dominance of information in art discourse, the professionalization of artistic practices, the debate over “good design” in art and the role institutions play in art theory. It is an essential collection for any understanding of that idea, belief and desire we today call “the artist.”

During the Exhibition the Gallery Will Be Closed: Contemporary Art and the Paradoxes of Conceptualism

Valiz

Since the late 1970s, Dutch artist Joke Robaard has accumulated a collection of fashion images―a vast archive of photographs from fashion magazines and other media sources, concentrated on posture, context, background, narrative, image, text and textile. Since 2014, together with art critic Camiel van Winkel, Robaard has been reassembling and rereading her archive to explore the historical, political and social information embedded in these images, and considering how this content emerges in her own artistic and photographic work. Archive Species gathers and rearranges these lines of thought in a richly illustrated publication, featuring some 1,200 images, all part of Robaard's archive. It is a product of collecting and collaborative working, giving insight into an artist's approach to the archive. The book has the quality of a conceptual image bank, reappropriating, renaming and restructuring fashion photographs in order to chart the changing relationships between fashion, photography and mass culture over the past four decades. Archive Species captures shifts in time and visual culture under the influence of historical change and globalization, looking at how the human body is constructed through its clothing and representation.

Archive Species: Bodies, Habits, Practices

Graphic Design

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Books by van Winkel, Camiel