Anton Corbijn 1-2-3-4 dt. (aktual. NA)

Van Sinderen, Wim

Prestel-Verlag

This updated edition of the ultimate publication on the music photography of Anton Corbijn, one of the most importantphotographers and directors working today, focuses on Corbijn's evolving fascination with the music industry, from the 1970s to the present day. Corbijn's interest in music has been the engine of an illustrious decades-long career that has most recently involved the making of feature length films such as The American, A Most Wanted Man, and Life. This gloriously illustrated, oversized book pays homage to Corbijn's obsession with rock and roll--an interest that has led to lifelong friendships with Bono, Michael Stipe, Dave Gahan, and other iconic musicians. Looking back over three decades, it features hundreds of creative, offbeat images that Corbijn was able to capture largely as a result of his close relationships with his subjects. Nearly every revered musician and band is represented in Corbijn's archives: Nick Cave to Nirvana, U2 to R.E.M., the Rolling Stones to Siouxie and the Banshees. Many of the portraits are accompanied by their subjects' own take on Corbijn's distinct style and approach. Also included here are previously unpublished photos of the band Depeche Mode, who considered him an honorary member. A fitting tribute to an innovative and deeply passionate photographer, this book will rock fans of music and photography.

Anton Corbijn: 1-2-3-4

Arts & Photography

Photography & Video

Prestel

Leonard Freed ranks among the giants of twentieth-century photojournalism. His work as a member of Magnum regularly graced the front pages of major newspapers around the world, as well as the covers of many international magazines. Worldview, the most ambitious collection of Freed's work ever produced, spans his full 50-year career, from coverage of the Israeli-Palestinian conflict back through the American Civil Rights movement to post-war German reconstruction. Among other highlights, it includes a key selection of images from his New York City Police Department project that became the landmark book, Police Work. There, as throughout his career, Freed's vision was sharp, insightful and critical, but always deeply sympathetic to his fellow human beings--he was a pioneer in what has aptly been called "concerned photography." He died in 2006.

Leonard Freed: Worldview

Ewing, William

Herschdorfer, Nathalie

Individual Artists

Steidl/Muse de L'Elyse, Lausanne

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