<p>The articles in this volume are revised versions of the best papers presented at the Fifth Workshop on Languages and Compilers for Parallel Computing, held at Yale University, August 1992. The previous workshops in this series were held in Santa Clara (1991), Irvine (1990), Urbana (1989), and Ithaca (1988). As in previous years, a reasonable cross-section of some of the best work in the field is presented. The volume contains 35 papers, mostly by authors working in the U.S. or Canada but also by authors from Austria, Denmark, Israel, Italy, Japan and the U.K.</p>

Languages and Compilers for Parallel Computing: 5th International Workshop, New Haven, Connecticut, Usa, August 3-5, 1992 : Proceedings (Lecture)

Computers & Technology

David Gelernter

Utpal K Banerjee

David A. Padua

Uptal Banerjee

Computer Science

Springer-Verlag New York, Inc.

A well-researched book on the universal resonance in indian art and culture, covering the grand indian heritage by providing an overview of the visual and performing arts votive traditions are also taken up, followed by an inquiry into traditions and rituals

Luminous Harmony: Indian Art And Culture

Niyogi Books

The six dance-dramas translated in this book cover a culmination of rabindranath tagores dance-interest in the latters most effulgent manifestation it was only in the last half decade of tagores life that his dance-consciousness reached its zenith and he could offer the best of his life-time passion for dance in the form of six dance-dramas, namely, two music-dramas: taser desh(interspersed with prose dialogue), shapmochan(with narrator) and four full-bodied dance-dramas: chitrangada, shyama, chandalika and mayarkhela(re-visited) all the dance-dramas are predominantly recitative music dramas the clear story-line is piggybacked mainly on the recitative pattern of the melodiously articulated dialogues and narratives, interlaced with songs the translation follows closely the letter and spirit of the original(including the lyrics), in trying to do justice not only to the rhythm and metre of the original, but also the internal rhymes, so that the exquisite poetry and lyrical beauty of tagore can be savoured even in the translation

Tagore's Dance-Drama Omnibus

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