Ami Chi is traveling to Vietnam, where the streets are crowded with scooters and the fruit are shaped like dragons and stars. Her parents still consider Vietnam home. But Ami Chi is confused. How can home be a place you’ve never been? She finds her answer in the green rice paddies that blanket the countryside, in the bustling Cho Lon market, and in the quiet rooms of her grandmother’s house. Vietnam may be nothing like America, but it feels strangely familiar. Before long, Ami Chi finds that you can travel very far and still find yourself at home.

Going Home, Coming Home/Ve Nha, Tham Que Huong

Children's Books

Tran, Truong

Growing Up & Facts of Life

Childrens Book Pr

Poetry. Asian American Studies. This lavishly produced book includes poems by Truong Tran and black-and-white photographs of Vietnam by Chung Hoang Chuong. Tran's work explores the duality of being Vietnamese American and the fragmentation of the self as a result of this dual existence. Chuong, the director of the Vietnamese Ameican Studies Center at San Francisco State University, has added elegant photographs that still perfectly echo Tran's concerns. the other as perceived is language or the loss of other as/ place stranger country beleoved the other when deciphered/ is but the self intently saying in loving you I lose myself. A portion of the proceeds from the book will benefit Huong Viet Community Center.

The Book of Perceptions

Literature & Fiction

Hoang, Chung Chuong

Poetry

Kearney Street Workshop

Poetry. In PLACING THE ACCENTS, Truong Tran makes a poetry at once gestural and minimal, sparse and rich, of my father's broken english and my vietnamese tongue/discarded resewn. As much as this book is concerned with the powers and failures of language, with the complications of negotiating a cultural netherworld born somewhere between rural Vietnam and urban America, it is also the ancient story of lost innocence and childhood, of a boy and his father, each struggling to find a true home, a true family, a true nation --Gillian Conoley. Truong Tran's wonderful book -- his poems are very much of-a-piece -- is brilliant, disarmingly honest, and deeply insightful. He has performed the marvelous: he has given us a world -- Sam Hamill.

Placing the Accents

Apogee Press

Poetry. Asian American Studies. "Truong Tran's work seems to me to be part of a literary undertaking that has both sociological and aesthetic implications. Along with writers like Pamela Lu and Renee Gladman, Tran is advancing the interrelated questions of narration, historiography, and identity and establishing something new in American culture as well as in American literature, DUST AND CONSCIENCE speaks of a cultural position that simultaneously and from the start resists both marginalization and assimilation. The refusal to be displaced or to be incorporated is at the heart of the genre-bending evident in the work—it explains why the writing is, and must be, simultaneously prose and poetry, story and lyric. Something extremely important is going on, something wonderful."—Lyn Hejinian

Dust and Conscience

History & Criticism

Poetry. Asian-American Studies. Vietnamese-American Studies. Gay/Lesbian Studies. This book explores identity within the space and concept of marginality. Tran's publications include The Book of Perceptions (1999), Placing the Accents (1999), and Dust and Conscience, which won the Poetry Center Book Award for 2002.

Within the Margin

United States

Poetry. Asian American Studies. "The word 'in' appears in this book 186 times. Around this word, as if on its own defiant, self-defining margin, exists a kindred lexicon: intention, indignation, innocence, intact, incomplete, inclusion, invite, incite. Truong Tran, a poet of probing inventiveness, plumbs the possibilities of confessional poetry as no one else can. In this book, he shows identity's 'cruel complexity melting on my tongue.' In his own, inimitable tongue he speaks his grief, outrage, and faithfulness. Troung takes the reader on a journey to the interior: in response, in exile, in the word"--Elizabeth Robinson. Truong Tran is the author of WITHIN THE MARGIN, DUST &amp; CONSCIENCE, and PLACING THE ACCENTS.

Four Letter Words

Written as a conversation, 100 Words is an exchange of ideas, dialogues, burdens, and ideals between someone White and someone Brown. Two poets, Damon Potter and Truong Tran, write to each other about one hundred powerful words--like "proximity, "shame," and "hope"--each of which is an abstraction rife with socially inscribed beliefs and denials. They turn to each other in an exchange, a negotiation, and a series of discoveries as they write of their individual histories, share their burdens, and learn to carry weight together. &#8203; Tran explains this project, saying "it is occurring to me even as I am writing this now that this is not an experiment, or case study or collaboration or partnership. Damon is not the subject nor am I. This is a shared endeavor, a lived experience between two very different lives trying to understand what it means to be, to see the other."

100 Words: Poems

Potter, Damon

Omnidawn

A furious, multiform examination of the devastation wrought by anti-Asian racism in America Truong Tran's provocative collection of poetry, prose and essays is a stunning rebuttal to the idea of anti-Asian racism as a victimless crime. Written with a compulsion for lucidity that transforms outrage into clarity, Book of the Other resists the luxury of metaphor to write about the experience of being shut out, shut down and othered as a queer, working-class teacher, immigrant and refugee. What emerges from Tran's sharp-eyed experiments in language and form is an achingly beautiful acknowledgment of the estrangement from self forced upon those seduced by the promise of color-blind acceptance and the rigorous, step by step act of recollection needed to find one's way home to oneself. Truong Tran was born in Saigon, Vietnam, in 1969. He is the author of six previous collections of poetry, The Book of Perceptions, Placing the Accents, Dust and Conscience, Within the Margins, Four Letter Words and 100 words (coauthored with Damon Potter). He also authored the children's book Going Home Coming Home, and an artist monograph, I Meant to Say Please Pass the Sugar. He is the recipient of the Poetry Center Prize, the Fund for Poetry Grant, the California Arts Council Grant and numerous San Francisco Arts Commission Grants. Tran lives in San Francisco where he teaches art and poetry.

Book of the Other: small in comparison

Kaya Press

See the best price to sell, buy, or rent books by Tran, Truong. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Tran, Truong