Juergen Teller, Cindy Sherman, Marc Jacobs

Arts & Photography

Jacobs, Marc

Sherman, Cindy

TELLER, JUERGEN

Graphic Design

Rizzoli

Araki Teller, Teller Araki

Photography & Video

JUERGEN TELLER, DO YOU KNOW WHAT I MEAN ? (FRANCAIS)

Individual Artists

FONDAT CARTIER

This photobook includes 200 illustrations of the work of Jurgen Teller, one of Germany's most popular fashion photographers.

Jurgen Teller

Taschen America, LLC

<div>Carefully designed in accordance with Juergen Teller, the booklet The Clinic combines two distinguishing levels of his work: the private sphere that is always touched upon&nbsp;and the thematically-precise introductions to his photography on photography.&nbsp;Francesco Bonami notes&nbsp;in his accompanying text: "Juergen Teller creates comedy and drama at the same time, and the result is some kind of fiction. Quite often Teller appears in the picture, becoming the subject, the main character, and admits a second voice or gaze into the narrative, suggesting that what we see is not entirely what he sees. Creating distance is a very theatrical strategy to allow the spectator to be aware of his or her own presence and participation in the artist's play."&nbsp;Francesco Bonami's creed regarding Juergen Teller's photography mentions accordingly: "I think that whoever experiences a miracle must have some premonition or better early feelings of it. I believe that is what happens to Juergen Teller day after day. His pictures are all signs of potential miracles. Like at a miracle site, people do not allow disappointment or despair but focus on each moment, just in case that could be the exact moment when the miracle will happen. The miracle maybe is just in every moment--that's why we miss it or cannot see it. In each of Teller's images we have the same feeling. We don't despair or get disappointed because maybe that's exactly it."</div>

Juergen Teller: The Clinic

Bonami, Franceso

Snoeck Publishing Company

Spawned by a commission from fashion designer Marc Jacobs for an advertising campaign, Ohne Titel is a collection of largely unpublished images of Juergen Teller and Cindy Sherman which derived from the initial concept. Both artists are known for blurring boundaries: film and fashion, advertising and art, public and private, real and fictitious. In Sherman`s well known series, Untitled Film Stills series (1977-1980), she played a number of mysterious characters vaguely reminiscent of scenes in international cinema. Sherman`s long career has included several fashion series in 1983 and 1993. Juergen Teller`s debut was marked by the front cover of Sueddeutsche Zeitung featuring a nude model with the word "Versace" drawn in a heart across her chest. Teller epitomises the shift away from formal fashion photography to the more raw, apparently spontaneous look perfected in his Marc Jacobs campaigns and his personal work. Marc Jacobs` ads have often reflected his close relationships with artists, and in this instance he invited Cindy Sherman to work with Teller. Over the years Sherman has regularly used fashion in her work -always working alone in her studio as the photographer, model, stylist and consumer etc. This is her first collaboration with another photographer.

Ohne Titel A Collaboration between Juergen Teller Cindy Sherman and Marc Jacobs /anglais

Steidl

For over a year Juergen Teller contributed a column to the magazine of Die Zeit, Germany's most respected news paper. Given free creative rein, Teller presented a new image each week with an accompanying text he had written. Combining pictures and words in this way was new for Teller, and has since intensified the autobiographical element of his work. Like his images the texts are blunt, often controversial and irresistibly Telleresque. From the very beginning the column was greeted with enthusiasm but also elicited outcry - the magazine received piles of letters each week, most of them complaining that such poor photo graphs were being published in such a respected magazine. Book two Literature contains the best of these letters.

Pictures and Text / Literature

JUERGEN TELLER BILDER UND TEXTE - LITERATUR /ALLEMAND

A joyfully irreverent photo-diary of a riotous wedding 
"We are building our future together," declared Juergen Teller (born 1964) and Dovile Drizyte on their wedding invitation, the words handwritten on a photo of the couple wearing safety hats and jackets as they strike a pose on a construction site. This set the celebratory, irreverent tone for their wedding in Naples, an occasion they ensured was an unforgettable, multiday experience for their guests. 
Auguri is Teller and Drizyte's uninhibited visual diary of their wedding adventure, from the ceremony to the formal dinner--where each lucky guest received an unexpected gift from the bride and groom, a ceramic plate signed and printed with a different motif from the We are building our future together series--and the night's undeniable highlight: a delightfully dirty performance by subversive drag queen Christeene and her band.

The Tellers: Auguri

An unprecedented attempt to capture the life of the Biennale. A portrait of the exhibition during the last days of installation and the first days of vernissage in Venice, conducted through a tightly scheduled but lively photoshoot by one of the masters of contemporary photography. The book not only documents some installations in their finished state but also records and capitalizes on the incredible density of key figures—architects, artists, and other practitioners—who have been invited to participate in Common Ground. The aim is to capture these people and their works against the fabric of Venice, as the Biennale exhibitions are often cut off from the city. Juergen Teller looked for inspiration in the wonderful archival photography of Ugo Mulas and Lorenzo Capellini, held at the Biennale library.

Common Ground: In Photographs

Architecture

Marsilio

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