Art. Art Criticism. This monograph traces Sonia Boyce's trajectory from early graphic work to her recent mixed-media pieces which draw on elements of British popular culture and cinema to address society's positioning of individuals in terms of race, class and gender. Unquestionably serious and with an unquestionable sense of humor, Boyce's work, ranging from photography to painting and installations, is here widely represented, and well-complemented by three intelligent essays by Gilane Tawadros, a biography of the artist, and, alongside the essays, excellently chosen excerpts from Boyce's working diaries. Tawadros' essays address cultural, racial, gender and visual/art historical issues raised over the trajectory of Boyce's artistic development, using such theorists as Homi Bhabha, Frantz Fanon, Italo Calvino, and Stuart Hall to contextualize the artist's magnificent and provocative work.

Sonia Boyce: Speaking in Tongues

Arts & Photography

Tawadros, Gilane

Individual Artists

Kala Press

A Fiction of Authenticity presents seminal moments for challenging prevailing notions about interculturalism and postcolonial subjects. This full-color catalogue features specially commissioned work by 11 contemporary artists of African descent--each of whom lives and works in either the United States or Europe and examines the invented idea of an “authentic” Africa. Each of these artists has positioned themselves outside the frame of Africa, but each remains connected, and by doing so has created a shift in the way the world considers postmodern and postcolonial art production. The participating artists are Siemon Allen, Fatma Charfi, Godfried Donkor, Mary Evans, Meschac Gaba, Kendell Geers, Moshekwa Langa, Ingrid Mwangi, Odili Donald Odita, Owusu-Ankomah and Zineb Sedira. Also included are seven new essays by some of the most exciting and critical voices working internationally today. A Fiction of Authenticity considers the diasporic positioning of these artists, as well as paradigms of discourse concerned with aesthetics, nationhood, citizenship, community, locality and sense of place.

A Fiction of Authenticity: Contemporary Africa Abroad

Ha, Paul

Cámara, Ery

Britto Jinorio, Orlando

History & Criticism

Contemporary Art Museum St. Louis

The Fertile Crescent examines the work of 24 women artists of Middle East heritage: Negar Ahkami (Iranian), Shiva Ahmadi (Iranian), Jananne Al-Ani (Iraqi), Fatima and Monira Al Qadiri (Kuwaiti), Ghada Amer (Egyptian), Zeina Barakeh (Lebanese), Ofri Cnaani (Israeli), Nezaket Ekici (Turkish), Diana El Jeiroudi (Syrian), Parastou Forouhar (Iranian), Ayana Friedman (Israeli), Shadi Ghadirian (Iranian), Mona Hatoum (Palestinian), Hayv Kahraman (Iraqi), Efrat Kedem (Israeli), Sigalit Landau (Israeli), Ariane Littman (Israeli), Shirin Neshat (Iranian), Ebru Özseçen (Turkish), Laila Shawa (Palestinian), Shahzia Sikander (Pakistani), Fatimah Tuggar (Nigerian) and Nil Yalter (Turkish). These artists all explore matters of gender, homeland, geopolitics, theology and the environment. The authors in this volume address transnationalism and the interaction between Muslim culture and Jewish, Christian and Euro-American cultures, resulting in U.S. and European relationships that are sometimes congenial and at other times problematic. The book also addresses the Middle East’s cultural diaspora in black Africa and South Asia. The Fertile Crescent is published in conjunction with a fall 2012 multi-venue exhibition at Rutgers and Princeton Universities and the Arts Council of Princeton/Paul Robeson Center for the Arts.

The Fertile Crescent: Gender, Art, and Society

Badran, Margot

Olin, Ferris

Baum, Kelly

Brodsky, Judith

Collections, Catalogs & Exhibitions

Rutgers University Institute for Women and Art

The Sphinx Contemplating Napoleon: Global Perspectives on Contemporary Art and Difference

Anchored in artistic practice, this vibrant collection of essays and writings spans a period from 1992-2017 and the work of leading artists such as Adel Abdessemed, Richard Avedon, Sonia Boyce, Frank Bowling, Omer Fast, Mona Hatoum, Susan Hiller, Alfredo Jaar, Glenn Ligon and Shen Yuan. A key figure in British and international art,Gilane Tawadros draws difference to the surface, recuperating it as a potentially radical frame through which to understand contemporary art and the everyday world. Playing with forms of writing, from critical analyses to fictional narratives, the book functions as a practice-based meditation on how to write about contemporary art.

Bloomsbury Visual Arts

Anchored in artistic practice, this vibrant collection of essays and writings spans a period from 1992-2017 and the work of leading artists such as Adel Abdessemed, Richard Avedon, Sonia Boyce, Frank Bowling, Omer Fast, Mona Hatoum, Susan Hiller, Alfredo Jaar, Glenn Ligon and Shen Yuan. A key figure in British and international art, Gilane Tawadros draws difference to the surface, recuperating it as a potentially radical frame through which to understand contemporary art and the everyday world. Playing with forms of writing, from critical analyses to fictional narratives, the book functions as a practice-based meditation on how to write about contemporary art.

Changing States: Contemporary Art and Ideas in an Era of Globalisation

Institute of International Visual Arts

Claudette Johnson: I Came to Dance

Martin, Courtney J.

Ridgway, Emma

MCQUEEN STEVE

Mills, Ella S.

Johnson, Claudette

Modern Art Oxford

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