In postbellum America, publishers vigorously reprinted books that were foreign in origin, and Americans thus read internationally even at a moment of national consolidation. A subset of Americans’ international reading—nearly 100 original texts, approximately 180 American translations, more than 1,000 editions and reprint editions, and hundreds of thousands of books strong—comprised popular fiction written by German women and translated by American women. German Writing, American Reading: Women and the Import of Fiction, 1866–1917 by Lynne Tatlock examines the genesis and circulation in America of this hybrid product over four decades and beyond. These entertaining novels came to the consumer altered by processes of creative adaptation and acculturation that occurred in the United States as a result of translation, marketing, publication, and widespread reading over forty years. These processes in turn de-centered and disrupted the national while still transferring certain elements of German national culture. Most of all, this mass translation of German fiction by American women trafficked in happy endings that promised American readers that their fondest wishes for adventure, drama, and bliss within domesticity and their hope for the real power of love, virtue, and sentiment could be pleasurably realized in an imagined and quaintly old-fashioned Germany—even if only in the time it took to read a novel.

German Writing, American Reading: Women and the Import of Fiction, 1866–1917

Literature & Fiction

Tatlock, Lynne

History & Criticism

Ohio State University Press

German Writing, American Reading: Women and the Import of Fiction, 1866 1917

Lynne Tatlock examines the transmission, diffusion, and literary survival of Jane Eyre in the German-speaking territories and the significance and effects thereof, 1848-1918. Engaging with scholarship on the romance novel, she presents an historical case study of the generative power and protean nature of Brontë's new romance narrative in German translation, adaptation, and imitation as it involved multiple agents, from writers and playwrights to readers, publishers, illustrators, reviewers, editors, adaptors, and translators. Jane Eyre in German Lands traces the ramifications in the paths of transfer that testify to widespread creative investment in romance as new ideas of women's freedom and equality topped the horizon and sought a home, especially in the middle classes. As Tatlock outlines, the multiple German instantiations of Brontë's novel-four translations, three abridgments, three adaptations for general readers, nine adaptations for younger readers, plays, farces, and particularly the fiction of the popular German writer E. Marlitt and its many adaptations-evince a struggle over its meaning and promise. Yet precisely this multiplicity (repetition, redundancy, and proliferation) combined with the romance narrative's intrinsic appeal in the decades between the March Revolutions and women's franchise enabled the cultural diffusion, impact, and long-term survival of Jane Eyre as German reading. Though its focus on the circulation of texts across linguistic boundaries and intertwined literary markets and reading cultures, Jane Eyre in German Lands unsettles the national paradigm of literary history and makes a case for a fuller and inclusive account of the German literary field.

Jane Eyre in German Lands: The Import of Romance, 1848–1918 (New Directions in German Studies)

Bloomsbury Academic

Marie von Ebner-Eschenbach (1830-1916) is Austria's most important nineteenth-century woman writer, but her works have remained largely unknown to English speakers, even her most important, the compelling Their Pavel, first published serially in 1887. Based on a true incident, Their Pavel investigates the troubled social relations of a Moravian village that is endowed with the right of local governance but steeped in the habits of its feudal relationship to the local barony. The novel explores the parallel fates of the children of a hanged murderer and thief. Milada, the appealing and alert daughter, is adopted on a whim by the aging baroness, while Pavel, the awkward and taciturn son, is thrown upon the uncertain mercy of the village, but both suffer the stigma of their father's crime. In her sometimes grimly humorous picture of village life, the author spares neither the Catholic Church nor the landed aristocracy nor the villagers themselves.

Their Pavel (Studies in German Literature Linguistics and Culture)

Ebner-Eschenbach, Marie Von

Literary

Camden House

Upon publication in 1895, Gabriele Reuter's From a Good Family (Aus guter Familie) became something of a cultural event, making its author one of Germany's most talked-about women of letters. Set in the first two decades of the Second German Reich, this story of a Prussian bureaucrat's daughter caught between conformity and rebellion struck at the core of the class that upheld the empire, revealing the hypocrisy and misery at the very heart of the bourgeois family. It recorded the conflicted and ultimately interminable adolescence of a middle-class girl who failed to fulfill the destiny prescribed for her by her gender and class, a young woman who, despite an incipient high-spiritedness and independence of mind, internalized the attitudes of her culture to the point of lethal self-censorship. Gabriele Reuter (1859-1941) began writing in her teens but did not experience a literary and commercial breakthrough until the publication of From a Good Family in 1895. This success enabled her finally to live as a freelance writer. In addition to a string of popular novels she wrote essays and sketches for German and Austrian newspapers; in the 1920s and 1930s she regularly reviewed German books for the New York Times. Lynne Tatlock is Hortense and Tobias Lewin Distinguished Professor of Humanities at Washington University in St. Louis.

From A Good Family (Studies in German Literature Linguistics and Culture)

Reuter, Gabriele

Genre Fiction

Upon publication in 1895, Gabriele Reuter's From a Good Family (Aus guter Familie) became something of a cultural event, making its author one of Germany's most talked-about women of letters. Set in the first two decades of the Second German Reich, this story of a Prussian bureaucrat's daughter caught between conformity and rebellion struck at the core of the class that upheld the empire, revealing the hypocrisy and misery at the very heart of the bourgeois family. It recorded the conflicted and ultimately interminable adolescence of a middle-class girl who failed to fulfill the destiny prescribed for her by her gender and class, a young woman who, despite an incipient high-spiritedness and independence of mind, internalized the attitudes of her culture to the point of lethal self-censorship. Gabriele Reuter (1859-1941) began writing in her teens but did not experience a literary and commercial breakthrough until the publication of From a Good Family in 1895. This success enabled her finally to live as a freelance writer. In addition to a string of popular novels she wrote essays and sketches for German and Austrian newspapers; in the 1920s and 1930s she regularly reviewed German books for the New York Times. Lynne Tatlock is Hortense and Tobias Lewin Distinguished Professor in the Humanities at Washington University in St. Louis.

See the best price to sell, buy, or rent books by Tatlock, Lynne. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Tatlock, Lynne

See the best price to sell, buy, or rent books by Tatlock, Lynne. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

German Writing, American Reading: Women and the Import of Fiction, 1866–1917

German Writing, American Reading: Women and the Import of Fiction, 1866 1917

Jane Eyre in German Lands: The Import of Romance, 1848–1918 (New Directions in German Studies)

Jane Eyre in German Lands: The Import of Romance, 1848–1918 (New Directions in German Studies)

Their Pavel (Studies in German Literature Linguistics and Culture)

From A Good Family (Studies in German Literature Linguistics and Culture)

From A Good Family (Studies in German Literature Linguistics and Culture)