Tracing the Pre-Raphaelite movement through its chronological development rather than by artist, this volume concentrates on the vital years from 1848 (when the Brotherhood was formed) to 1860, but also includes a substantial group of works from the following 20 years - a period during which the movement took new directions. The full range of Pre-Raphaelite painting is represented, from the hard-edged style of Millais's early work to the sensuousness of Rossetti's and Burne-Jones's painting in the 1870s. Altogether 250 works from collections all over the world are illustrated and discussed by scholars such as Mary Bennett, Judith Bronkhurst, John Christian, Alastair Grieve, Benedict Read and Malcolm Warner. In his introduction, Sir Alan Bowness surveys the development of Pre-Raphaelitism and examines to what extent it was ever a shared style. The chronological arrangement of the book is designed to focus on the same question and to suggest the numerous cross-currents of the movement.

The Pre-Raphaelites: A Catalogue for the Tate Exhibition

Arts & Photography

TATE GALLERY

Parrott, E.O.

History & Criticism

Penguin??Books

Leon Kossoff is one of the most distinctive British artists of the post-war period. Born in Islington in 1926, Kossoff has spent most of his life in the city of his birth and the changing face of London's urban landscape has been a major theme of his art.In the 1950s, Kossoff's dramatic paintings and drawings of bomb sites documented the aftermath of war. These led, in the following decade, to panoramic railway landscapes which charted the city's rebirth and regeneration. In London's railways - from King's Cross to Kilburn Underground station - Kossoff found a focus for the lifeblood of the city. His paintings of these motifs, and of swimming pools, street scenes, markets and London's buildings, form a vivid portrait of modern life in a great metropolis.Kossoff's fascination with London has been complemented by his parallel concern with people. The figure has been a central preoccupation. His subjects are members of his family, friends and models with whom he has forged close working relationships. His portraits of these individuals, and his intimate studies of the nude, are powerful and moving evocations of the human presence.This catalogue is published to coincide with the Tate Gallery's major retrospective exhibition of Kossoff's work - the first survey of his career from the 1950s to the present. It reproduces in color every work in the exhibition and contains an illustrated essay by Paul Moorhouse, the exhibition's curator, which explores in detail the development of Kossoff's art. There is also a biographical chronology with archival photographs, and an extensive bibliography.

Leon Kossoff

Moorhouse, Paul

Kossoff, Leon

History

Thames&Hudson

New with pristine dust cover, pages unmarked, binding tight. Unread new condition.

The Pre-Raphaelites

Viking Adult

The Pre-raphaelite Papers

David Hockney: A Retrospective

Offering a look at the artist's life and multifaceted career, this volume contain's more than three hundred reproductions of Hockney's art--more than half in full-color--and seven essays by distinguished critics and artist friends

Barron, Stephanie

Los Angeles County Museum of Art

Kitaj, Geldzahler

TUCHMAN, Maurice

HOCKNEY, DAVID

Metropolitan Museum Of Art (new York, N.y.)

Individual Artists

Harry N.Abrams, Inc.

Leger and Purist Paris (Tata Gallery Art)

Tate Gallery

William Blake: a complete catalogue of the works in the Tate Gallery,

Reference

Catalogs & Directories

The age of Charles I: painting in England, 1620-1649: [catalogue of an exhibition held at the Tate Gallery, 15 November 1972 - 14 January 1973]

A very good clean copy. First printing. Paper wrappers. Sm. 4to. 133 pp. Illus. with 258 color & b/w photos. Catalogue of an exhibition held at the Tate Gallery 15 November 1972-14 January 1973.

Millar, Sir Oliver

Tate Gallery Publications

The Tate Gallery collections;: British painting, modern painting & sculpture

Catalogue for the exhibition at The Tate Gallery, 16 november 1974 - 2 march 1975. Foreword by Thomas Monnington and Norman Reid. Texts by Martin Butlin and Andrew Wilton. With chronology, selected bibliography. Profusely illustrated in colour and black and white . 4to pp. 200 Brossura (wrappers) Molto Buono (Very Good)

Turner, 1775-1851

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