The nation didn't know it, but 1960 would change American film forever, and the revolution would occur nowhere near a Hollywood set. With the opening of the New Yorker Theater, a cinema located at the heart of Manhattan's Upper West Side, cutting-edge films from around the world were screened for an eager audience, including the city's most influential producers, directors, critics, and writers. Woody Allen, Martin Scorsese, Susan Sontag, Andrew Sarris, and Pauline Kael, among many others, would make the New Yorker their home, trusting in the owners' impeccable taste and incorporating much of what they viewed into their work. In this irresistible memoir, Toby Talbot, co-owner and proud "matron" of the New Yorker Theater, reveals the story behind Manhattan's wild and wonderful affair with art-house film. With her husband Dan, Talbot showcased a range of eclectic films, introducing French New Wave and New German cinema, along with other groundbreaking genres and styles. As Vietnam protests and the struggle for civil rights raged outside, the Talbots also took the lead in distributing political films, such as Bernard Bertolucci's Before the Revolution, and documentaries, such as Shoah and Point of Order. Talbot enhances her stories with selections from the New Yorker's essential archives, including program notes by Jack Kerouac, Jules Feiffer, Peter Bogdanovich, Jonas Mekas, Jack Gelber, and Harold Humes. These artifacts testify to the deeply engaged and collaborative spirit behind each showing, and they illuminate the myriad—and often entertaining—aspects of theater operation. All in all, Talbot's tales capture the highs and lows of a thrilling era in filmmaking.

The New Yorker Theater and Other Scenes from a Life at the Movies

Biographies & Memoirs

Talbot, Toby

Arts & Literature

Columbia University Press

This concise, elegant essay on the roots and historical justification of philosophy marks a decisive step in posing the problem of what philosophy is. With consummate clarity and the charisma that distinguished him as a lecturer, Jos Ortega y Gasset re-creates "that moment when Parmenides began talking about something exceptionally strange, which he called 'being'". How and why, he asks, did such a surprising adventure come about? Considering the human qualities that prompt a curiosity about existence and eternity, Ortega examines philosophy's etymology, its connection to poetry, and its differentiation from religion and other modes of thought. He lucidly delineates radical differences of doctrine and style among early Greek thinkers, especially the "madman of reason" Parmenides and the "absolute individual" Heraclitus. He also considers philosophy's fundamental task of revealing the latent world poised behind the manifest world and discovering the relations between them. "Unable to find lodging among the philosophies of the past", Ortega observes, "we have no choice but to attempt to construct one of our own". "The Origin of Philosophy" argues for the vital importance of philosophy as a human endeavor, even while noting that each generation of thought reveals the past as "a defunct world of errors".

The Origin of Philosophy

Politics & Social Sciences

Gasset, Jose Ortega

Philosophy

University of Illinois Press

To deal with her intense grief over her mother's death, Talbot writes of her mother's Polish childhood, life in the Bronx, and role as confidante and adviser to her family and chronicles her death and funeral

A Book About My Mother

History

Americas

Farrar. Straus & Giroux

A bucketful of moon

Lothrop, Lee and Shepard Co

The world of the child;: Clinical and cultural studies from birth to adolescence

Health, Fitness & Dieting

Psychology & Counseling

J. Aronson

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Books by Talbot, Toby