Photographing the Holocaust: Interpretations of the Evidence

Arts & Photography

Struk, Janina

Photography & Video

Routledge

Photography And Resistance

Abingdon, Oxon ; New York, NY : Routledge

Photography and Resistance: Securing the Evidence in Nazi-Occupied Europe

Photography and Resistance tells the stories of the people who resisted fascism in Europe by taking or securing photographs. It complements Janina Struk's ground-breaking 2004 book Photographing the Holocaust, which has become a standard text on images of the Holocaust. Now she focuses on images taken at enormous risk by those resisting the Nazis, whether political activists or volunteers in underground networks, workers in photographic studios or public institutions, prisoners in the concentration camps, professional photographers, or individuals - all of whom believed in photography as a form of resistance. It includes images never seen before, and accounts of actions and heroism barely reported in the past. Many images were clandestinely taken, and the book discusses the means photographers employed and the motivation that compelled them to risk their lives to compile the evidence. The book also questions whether the importance of their contribution to the defeat of fascism has been recognized and whether the aspirations that drove them have been realized. This original study will be an essential resource for students and scholars of photography, visual culture, Holocaust studies and history, as well as anyone interested in the history of the Second World War.

Private Pictures: Soldiers' Inside View of War

Snapshots taken by American soldiers of Iraqi prisoners stripped naked, humiliated and tortured shocked the world in 2004 but, as this remarkable book relates, soldiers have taken photographs of the gruesome or sociable, shocking or mundane aspects of war for more than 100 years. Now, with the twenty-first century shift to simple digital photography and internet communications, a glut of highly disturbing images -- videos and stills -- is being posted on the inernet by western forces in Iraq and Afghanistan, with alarming results. Private Pictures traces this unacknowledged genre of photography from the origins of popular photography in the Boer War through the two World Wars, to the digital age. It discusses how the images have been used and it asks: what effect might the wider appreciation of soldiers' pictures have on the popular perception of war?

Atrocities committed by the Nazis during the Holocaust were photographed more intensely that any before. In the time since the images were taken they have been subjected to a perplexing variety of treatments: variously ignored, suppressed, distorted and above all exploited for propaganda purposes. With the use of many photographs, including some never before seen, this book traces the history of this process and asks whether the images can be true representations of the events they were depicting. Yet their provenance, Janina Struk argues, has been less important that the uses to which a wide range of political interests has put them, from the desperate attempts of the war-time underground to provide hard evidence of the death camps to the memorial museums of Europe, the US and Israel today.

Photographing the Holocaust

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Books by Struk, Janina