No one can tell us more about jazz than the musicians themselves. Unfortunately, most oral histories have limited scope--focusing on a particular era or style--and fail to capture the full, rich story of jazz. Now, in this vivid oral history, W. Royal Stokes presents nearly a century of jazz--its people, places, periods, and styles--as it was seen by the artists who created America's most distinctive music. Here, along with the author's enlightening commentary, are the words of musicians famous and little-known, veterans of the early years and pathbreakers of the present, telling us about their origins and adventures, about the places and performers they have known. We read of young artists learning their skills surrounded by poverty, going on to win fame around the world. We feel the excitement of jazz before the war ("The music was all over the place," recalled Wild Bill Davison. "It's just unbelievable how many bands there were in Chicago. You could go anywhere and there'd be a band."). And we glimpse the gritty, hard life hidden beneath the beauty of the notes they played: "I remember not eating practically a month several times," said Mary Lou Williams. "During the depression we played engagements and we knew we weren't going to get any money because Andy would scatch his face when he was walking toward the band and the trumpet player would pull out his horn and play the 'Weary Blues.' And we'd laugh about it. We hadn't eaten in a couple of days and nothing was said, because the music was our survival." Stokes not only uncovers the history of jazz in the major cities and regions--New Orleans, for instance, Chicago in the '20s and '30s, Kansas City, and California from the '50s to the present--but he goes on to bring us the story of the big bands, post-bebop developments, vocalists, jazz around the globe, and the contemporary scene ("I was about eleven and my brother Mike started to bring home a lot of Miles Davis records from school and that did it for me," remembers Pat Metheny. "First time I heard Miles playing 'My Funny Valentine,' that whole record just destroyed me."). And he takes a close look at the rising place of women as instrumentalists in the last decade. Jazz is America's most original contribution to music, and--as the late Dexter Gordon lamented--America is the one country where it is little known. But W. Royal Stokes uncovers a scene that is as alive as ever, with this fascinating look at how it has been made and remade from the first decades of the century to today.

The Jazz Scene: An Informal History from New Orleans to 1990

Arts & Photography

Stokes, W. Royal

Music

Oxford University Press

No music is as individual as jazz. And no writer is as deft at bringing out what is individual in each artist as W. Royal Stokes. As a reviewer, feature writer, public radio host, and author of three books on the subject, Stokes has spent three decades covering the jazz scene. Now he draws on that rich store of knowledge and friendship to introduce us to the jazz life. Stokes illuminates the lives of the artists and the sheer pleasure of the sounds they create. In some forty interviews with saxophonists, pianists, singers, composers, and string, brass, and rhythm players, he paints a vivid portrait of their lives and influences, including the role of their families and childhood environments. The musicians discuss how they became interested in jazz as youngsters and how they became part of the jazz scene. Nat Adderley recalls how he and his brother Cannonball grew up across from a Tabernacle Baptist Church and how as boys on Sunday they would listen to the music from the church--tambourines and trombones and a blind man playing the piano. Stokes ranges across the globe, both physically and culturally, in his interviews, introducing us to vaudeville stars, blues musicians, and a dozen women instrumentalists--such as acclaimed violinist Regina Carter--out of the many who now shine on a scene where they were once limited to vocals alone. From legendary veterans Jackie McLean and Louie Bellson to such rising stars as Diana Krall, Cyrus Chestnut, and Ingrid Jensen, Stokes gathers together the brightest lights in the jazz firmament, capturing not only the life of the musician, but how the musician gives life to jazz.

Living the Jazz Life: Conversations with Forty Musicians about Their Careers in Jazz

Biographies & Memoirs

Arts & Literature

No one can tell us more about jazz than the musicians themselves. Unfortunately, most oral histories have limited scope--focusing on a particular era or style--and fail to capture the full, rich story of jazz. Now, in this vivid oral history, W. Royal Stokes presents nearly a century of jazz--its people, places, periods, and styles--as it was seen by the artists who created America's most distinctive music. Here, along with the author's enlightening commentary, are the words of musicians famous and little-known, veterans of the early years and pathbreakers of the present, telling us about their origins and adventures, about the places and performers they have known. We read of young artists learning their skills surrounded by poverty, going on to win fame around the world. We feel the excitement of jazz before the war ("The music was all over the place," recalled Wild Bill Davison. "It's just unbelievable how many bands there were in Chicago. You could go anywhere and there'd be a band."). And we glimpse the gritty, hard life hidden beneath the beauty of the notes they played: "I remember not eating practically a month several times," said Mary Lou Williams. "During the depression we played engagements and we knew we weren't going to get any money because Andy would scatch his face when he was walking toward the band and the trumpet player would pull out his horn and play the 'Weary Blues.' And we'd laugh about it. We hadn't eaten in a couple of days and nothing was said, because the music was our survival." Stokes not only uncovers the history of jazz in the major cities and regions--New Orleans, for instance, Chicago in the '20s and '30s, Kansas City, and California from the '50s to the present--but he goes on to bring us the story of the big bands, post-bebop developments, vocalists, jazz around the globe, and the contemporary scene ("I was about eleven and my brother Mike started to bring home a lot of Miles Davis records from school and that did it for me," remembers Pat Metheny. "First time I heard Miles playing 'My Funny Valentine,' that whole record just destroyed me."). And he takes a close look at the rising place of women as instrumentalists in the last decade. Jazz is America's most original contribution to music, and--as the late Dexter Gordon lamented--America is the one country where it is little known. But W. Royal Stokes uncovers a scene that is as alive as ever, with this fascinating look at how it has been made and remade from the first decades of the century to today.

No music is as individual as jazz. And no writer is as deft at bringing out what is individual in each jazz artist as W. Royal Stokes. As a reviewer, feature writer, public radio host, and author, Stokes has spent three decades covering the jazz scene. Now he draws on that rich store of knowledge and friendship to introduce us to the jazz life. In some forty interviews with saxophonists, pianists, singers, composers, and string, brass, and rhythm players, Stokes illuminates the lives of the artists and the sheer pleasure of the sounds they create. Stokes paints a vivid portrait of jazz musicians--bringing to life their influences, their careers, and their art. We hear firsthand how they became interested in jazz and how they emerged onto the jazz scene. Stokes ranges across the globe in his interviews, introducing us to vaudeville stars, blues musicians, and a dozen women instrumentalists--like the acclaimed violinist Regina Carter--from the many who now shine on a stage where they were once limited to vocals alone. From legendary veterans Jackie McLean and Louie Bellson to such rising stars as Diana Krall, Cyrus Chestnut, and Ingrid Jensen, Stokes gathers together the brightest lights in the jazz firmament, capturing not only the life of the musician, but how the musician gives life to jazz.

A jazz writer for three decades, W. Royal Stokes has a special talent for capturing the initial spark that launches a musician's career. In Growing Up With Jazz, he has interviewed twenty-four instrumentalists and singers who talk candidly about the early influences that started them on the road to jazz and where that road has taken them. Stokes offers a kaleidoscopic look at the jazz scene, featuring musicians from a dazzling array of backgrounds. Ray Gelato recalls the life of a working class youth in London, Patrizia Scascitelli recounts being a child prodigy in Rome who became the first woman of Italian jazz, and Billy Taylor tells about his childhood in Washington, DC, where his grandfather was a Baptist minister and his father a dentist--and everyone in the family seemed well trained in music. Perhaps most exotic is Luluk Purwanto, an Indonesian violinist who as a child listened to gamelan music in the morning and took violin lessons in the afternoon (on an instrument so expensive she didn't dare quit). For some, the flame burned bright at an early age. Jane Monheit sang before she could speak and was set on a musical career by age eight. Lisa Sokolov played classical piano, sang opera and choral music, and was in a jazz band--all by high school. But Carol Sudhalter, though born into a very musical family ("a Bix Beiderbecke family"), was a botany major at Smith, and only became a serious musician after college, quitting a government job to study the flute and saxophone in Italy. From Art Blakey to Claire Daly to Don Byron, here are the compelling stories of two dozen top musicians finding their way in the world of jazz.

Growing Up with Jazz: Twenty-Four Musicians Talk about Their Lives and Careers

A jazz writer for three decades, W. Royal Stokes has a special talent for capturing the initial spark that launches a musician's career. In Growing Up With Jazz , he has interviewed twenty-four instrumentalists and singers who talk candidly about the early influences that started them on the road to jazz and where that road has taken them. Stokes offers a kaleidoscopic look at the jazz scene, featuring musicians from a dazzling array of backgrounds. Ray Gelato recalls the life of a working class youth in London, Patrizia Scascitelli recounts being a child prodigy in Rome who became the first woman of Italian jazz, and Billy Taylor tells about his childhood in Washington, DC, where his grandfather was a Baptist minister and his father a dentist--and everyone in the family seemed well trained in music. Perhaps most exotic is Luluk Purwanto, an Indonesian violinist who as a child listened to gamelan music in the morning and took violin lessons in the afternoon (on an instrument so expensive she didn't dare quit). For some, the flame burned bright at an early age. Jane Monheit sang before she could speak and was set on a musical career by age eight. Lisa Sokolov played classical piano, sang opera and choral music, and was in a jazz band--all by high school. But Carol Sudhalter, though born into a very musical family ("a Bix Beiderbecke family"), was a botany major at Smith, and only became a serious musician after college, quitting a government job to study the flute and saxophone in Italy. From Art Blakey to Claire Daly to Don Byron, here are the compelling stories of two dozen top musicians finding their way in the world of jazz.

Growing up with Jazz: Twenty Four Musicians Talk About Their Lives and Careers

Humor & Entertainment

Living The Jazz Life: Conversations With Forty Musicians About Their Careers In Jazz

Diane Pub Co.

Swing Era New York: The Jazz Photographs of Charles Peterson

Charles Peterson entered the jazz world of New York as a guitarist but made his true contribution documenting an era and its most notable performers. A photographer whose images captured the passion and intensity of his subjects, Peterson took up the camera in the mid-1930s and transformed himself from a performer on stage to a visual recorder and observer of the stage. Creating a photographic style that combines artistic sensibility and technical skill, he became a preeminent New York jazz photographer of the pre-bebop, small combos and Big Band era. A deep love of jazz led Peterson to the legendary clubs of Harlem, 52nd Street, and Greenwich Village; concert halls and ballrooms; jam sessions; recording studios; backstage get-togethers; and private parties. As a jazz scene insider, Peterson had access to all of these formal and informal venues and was often recommended to shoot special events by musicians, record producers, and club owners because, as Eddie Condon once noted, "he knows how to handle musicians. He won't bother them when he shouldn't bother them and he'll get what you want." And he did. Among the countless subjects he enshrined on film are Louis Armstrong, Billie Holiday, Duke Ellington, Benny Goodman, Zutty Singleton, Fats Waller, Mildred Bailey, Cab Calloway, Pee Wee Russell, Lester Young, and Jack Teagarden. Peterson's photographs expose a startling contrast between integrated bandstands and audiences and the segregated world, and reveal the determination of those who refused to be confined by such oppressive conventions of the time. They depict musicianship and camaraderie, dancing, and technical innovation, as well as the harsh contrast of an all-too-pervasive alcoholism that interrupted the lives of many in that New York scene. Jazz historian and critic W. Royal Stokes provides commentary, historical and biographical information, and lively anecdotes that connect the musicians featured in Peterson's photographs to each other and to the music within the social world of jazz. Don Peterson, the son of Charles Peterson, restored the 229 photographs included here from his father's original negatives. More than half have never been published, while many others have not been seen in print since the 1940s. This striking collection represents a historical document of a city and an era that brought the great jazz and swing musicians of the time to the height of success and solidified their reputations.

Peterson, Charles

Peterson, Don

Photography & Video

Temple Univ Pr

The Essential W. Royal Stokes Jazz, Blues, and Beyond Reader

Independently published

See the best price to sell, buy, or rent books by Stokes, W. Royal. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Stokes, W. Royal

See the best price to sell, buy, or rent books by Stokes, W. Royal. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Jazz Scene: An Informal History from New Orleans to 1990

Living the Jazz Life: Conversations with Forty Musicians about Their Careers in Jazz

The Jazz Scene: An Informal History from New Orleans to 1990

Living the Jazz Life: Conversations with Forty Musicians about Their Careers in Jazz

Growing Up with Jazz: Twenty-Four Musicians Talk about Their Lives and Careers

Growing up with Jazz: Twenty Four Musicians Talk About Their Lives and Careers

Living The Jazz Life: Conversations With Forty Musicians About Their Careers In Jazz

Swing Era New York: The Jazz Photographs of Charles Peterson

The Essential W. Royal Stokes Jazz, Blues, and Beyond Reader