The wealth of pre-Conquest sculpture in Lincolnshire, recorded here definitively for the first time, forms a crucial source for our understanding of the Anglo-Scandinavian period in this region. Illustrated by excellent photographs, the catalogue contains fresh discussions of such famous carvings as Crowle, Edenham, and South Kyme. It also includes many newly discovered pieces and important re-evaluations of others.

Corpus of Anglo-Saxon Stone Sculpture

Arts & Photography

Stocker, David

Everson, Paul

History & Criticism

Oxford University Press

Carved and decorated stone-work is a rare survival from the period before the Norman Conquest. In Nottinghamshire, it survives as large crosses and as small fragments--to be found in churches, in public spaces, and in museum collections. This is the first book to provide an authoritative listing, description, and illustration of all examples of this type of decorated stone sculpture in Nottinghamshire. Each example is illustrated in a substantial catalog containing high quality photographs, maps, and interpretative drawings. In the introductory chapters, the authors explore the geological and historical background of the sculptures and provide an overview of the types of style and ornament.The new information revealed by the systematic study of these major survivals of Anglo-Saxon art and archaeology demonstrates the major contribution that this category of material can make to an obscure and under-investigated period in Midlands history. Nottinghamshire emerges with a distinctive identity in the pre-conquest period, having strong connections both with the Mercian state to its south and with the Northumbrians to the north.

Corpus of Anglo-Saxon Stone Sculpture, XII, Nottinghamshire

Corpus of Anglo-Saxon Sculpture, XIV, Cambridgeshire and Huntingdonshire surveys the counties of Cambridgeshire and Huntingdonshire with a substantial catalogue of all known pre-Conquest stone sculpture, illustrated by high-quality photographs, maps, and interpretive drawings. A series of introductory chapters explore such topics as the history of previous scholarship, the geological and historical background, plus a detailed analysis of the new information afforded by these major survivals of Anglo-Saxon art and archaeology. Stocker and Everson conclude that the great majority of stone sculpture from these two counties belongs to the final century of Anglo-Saxon England, during which period they were rapidly expanding ecclesiastical societies, and deeply influenced by the great monasteries of Peterborough and Ely. The quantity of eleventh-century material permits an analysis of the impact of the Norman conquest on aspects of social, ecclesiastical, and cultural life, which is a running theme through the narrative.

Corpus of Anglo-Saxon Stone Sculpture, XIV, Cambridgeshire and Huntingdonshire

Here, David Stocker has crafted 50 thoughtful and accessible lesson plans designed for grades 6-9. The two objectives are: 1) To offer math activities that can be used to teach and reinforce the math skills that teachers are required to have their students learn. 2) To provide content that captures and increases student interest in justice, fairness and kindness, replacing purposeless content that furthers no student's ability to engage with their social reality.

MATHTHATMATTERS: A Teacher Resource Linking Math and Social Justice

Education & Teaching

Schools & Teaching

Canadian Ctr for Policy

In his follow-up to the groundbreaking Maththatmatters, David Stocker gives us Maththatmatters2 a collection of 50 brilliant lessons for grades 6-9 that link mathematics and social justice. For educators keen to provide rich leaning opportunities and differentiated content that engages students with their lived realities, these lessons are sure to spark meaningful discussions…and action.

Maththatmatters 2: A Teacher Resource Linking Math and Social Justice, 50 Lessons

Politics & Social Sciences

Social Sciences

Between the Lines

The earliest Romanesque towers of Lincolnshire constitute one of the most remarkable groupings of architectural remains at parish level, of the era of the Norman conquest of England. Forming west towers to a series of ordinary parish churches rather than parts of cathedrals or great monastic institutions, they are a distinctive feature of a number of the county's towns and villages. They have been variously described - as a group or individually - as Late Anglo-Saxon, Norman, or overlap in period. The fieldwork on which this study was based was undertaken as part of the British Academy's Corpus of Anglo-Saxon Stone Sculpture series. Given their late date, however, (all the sculptural material post-dated, and was probably stylistically derived from, work on the new Lincoln Cathedral of 1073 onwards) it was recognised that the value of the Lincolnshire material, and the way to extract a rich understanding from it, lay in treating the architecture of the towers as a whole, rather than soley cataloguing items of sculpture. The present book, while fully reporting on the sculptural details, also addresses the towers as whole architectural artefacts. It seeks an understanding of the social context in which late 11-Century buildings were erected, and explores the role of towers in the contemporary liturgy. Table of Contents Introduction Description and Definition of the 'Lincolnshire Tower' Group Discussion Inventory

Summoning St Michael: Early Romanesque Towers in Lincolnshire

Architecture

Oxbow Books

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