The second edition of the Colour Atlas of Anatomical Pathology by Cooke and Stewart is revised and updated, featuring illustrations of unfixed pathological specimens combined with explanatory captions.

Colour Atlas of Anatomical Pathology

Medical Books

Stewart, Brian

Cooke, Robin A.

Medicine

Churchill/Livingstone

University of Queensland, Brisbane, Australia. Second edition of a student color photographic atlas of fresh, unfixed pathologic specimens. Previous edition 1987. Arranged by body system.

This book gives a comprehensive collection of photographs of anatomical (gross) pathology. The majority of photographs are of unfixed specimens as seen at autopsy. For this new third edition some imaging, clinical photographs and endoscopic photographs has been introduced to set the pathology in clinical context.
<ul>
<li>Comprehensive collection of superb gross pathology photographs </li>
<li>Give access to a huge range of pathological appearances that are almost impossible to find elsewhere.</li>
</ul>
<ul>
<li>For the first time endoscopic photographs and imaging included to set pathology in greater clinical context. </li>
<li>Explanatory captions expanded to emphasise clinical learning points.</li>
</ul>

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Test Preparation

College & High School

A powerful memoir revealing the pressures, joys, and traumas of witnessing history up close and personal, from one of Canada's most prominent and decorated foreign correspondents. Brian Stewart is a trusted voice who brought stories of the world home to Canadians for decades on CBC's The National. He saw it all firsthand--triumph and ecstasy; carnage and unspeakable suffering--and bore the responsibility of shining a light on the most exciting and most horrifying moments of the late 20th century, including the Gulf War and the Ethiopian famine, reporting from sandstorms and shootouts, palaces and embassies. He spoke with the likes of Margaret Thatcher, Pope John Paul II, and Nelson Mandela; with armed militants, activists, aid workers, and more. Now, for the first time, he is sharing his experience of the cost, both personal and professional, of bringing truth home from around the world. Reading like a whirlwind trip through the highs and lows of modern history from one of its most passionate students, On the Ground brings politics, war, and social change to vivid life. An arresting tale of courage, curiosity, and empathy from a time when the news media held the public's trust, Stewart's honest and balanced storytelling is not only the fascinating tale of where one man's quest to witness history took him but also a sobering reminder of the staggering value of wise, responsible, and honorable journalism.

On the Ground: My Life as a Foreign Correspondent

Biographies & Memoirs

Leaders & Notable People

Simon&Schuster

Review\n"Brian Stewart's book is an educative one. His life and career took in many of the formative wars of the 20th century. . . . Helpfully demystifying, the book is written in clear and frank language: it cuts through the circumlocutions of officialese. He is particularly clear in his view of the process that led to the 2002 dossier on Iraq, which he includes in a section on intelligence failures. . . . . Overall, the life that Stewart depicts is more George Smiley than James Bond. . . A sobering lesson. And a good, useful book from a remarkable man."-- Gerard Russell, Literary Review\n"Why Spy? is a great introduction to the intelligence field, especially for American consumers of intelligence: the policy-maker and the military decision-maker."-- Parameters (US Army War College)\n"Brian Stewart's musings on his long career in intelligence-related work - ably aided by the researcher Samantha Newbery - have the aroma of a good whisky, well-distilled. ... Stewart takes a historical and philosophical perspective, rightly emphasising that 'good assessment is the key to good intelligence' and regretfully observing that 'it has been well said that customers sometimes use intelligence as a drunk uses a lamp post: for support, not illumination.' ... His book reads like an extended ambassadorial valedictory, as they used to be - and is all the better for it." -- The Spectator\n"[F]ascinating ... [Why Spy's] four parts are divided into 13 short chapters, which are in fact concise essays on all aspects of spying. The chapters on types of intelligence, how intelligence is (or should be) assessed and deception operations are riveting, full of illuminating detail." -- The Scotsman\n"An interesting, thoughtful and readable book . . . . There is much to ponder over." -- Asian Affairs\n"Stewart . . . argues from deep experience with intelligence in the Malayan crisis, service as a diplomat in Hanoi, as secretary to the Joint Intelligence Committee, and long experience in China. . . . [His book is] elegantly written and a delight to read.'"-- The World Today\n"Drawing on a lifetime of personal experience and wisdom Brian Stewart, together with his co-author Samantha Newbury, explains why nations engage in espionage and how intelligence can impact on policy-making for good or ill. The authors do not shy away from addressing the more controversial aspects of intelligence work but make a convincing case that in this arena issues cannot be seen in black or white terms. This book, written with a deceptively light touch, is an important contribution to the field of intelligence studies."-- Nigel Inkster, Director of Transnational Threats and Political Risk, IISS, and former Director of Operations and Intelligence for the British Secret Intelligence Service\nWhy Spy? is the result of Brian Stewart's seventy years of working in, and studying the uses and abuses of, intelligence in the real world. Few books currently available to those involved either as professionals or students in this area have been written by someone like the present author, who has practical experience both of field work and of the intelligence bureaucracy at home and abroad. It relates successes and failures via case studies, and draws conclusions that should be pondered by all those concerned with the limitations and usefulness of the intelligence product, as well as with how to avoid the tendency to abuse or ignore it when its conclusions do not fit with preconceived ideas. It reminds the reader of the multiplicity of methods and organisations and the wide range of talents making up the intelligence world. The co-author, scholar Samantha Newbery, examines such current issues as the growth of intelligence studies in universities, and the general emphasis 
throughout the volume is on the necessity of embracing a range of sources, including police, political, military and overt, to ensure that secret intelligence is placed in as wide a context as possible wh

Why Spy?: On the Art of Intelligence (Intelligence and Security)

Newbery, Samantha

True Crime

Hurst

Why Spy? is the result of Brian Stewart's seventy years of working in, and studying the uses and abuses of, intelligence in the real world. Few books currently available to those involved either as professionals or students in this area have been written by someone like the present author, who has practical experience both of field work and of the intelligence bureaucracy at home and abroad. It relates successes and failures via case studies, and draws conclusions that should be pondered by all those concerned with the limitations and usefulness of the intelligence product, as well as with how to avoid the tendency to abuse or ignore it when its conclusions do not fit with preconceived ideas. It reminds the reader of the multiplicity of methods and organisations and the wide range of talents making up the intelligence world. The co-author, scholar Samantha Newbery, examines such current issues as the growth of intelligence studies in universities, and the general emphasis throughout the volume is on the necessity of embracing a range of sources, including police, political, military and overt, to ensure that secret intelligence is placed in as wide a context as possible when decisions are made.

To appreciate the phenomenon one only has to attend a standard auction sale of British paintings where as many as a third of the items are portraits. Moreover there are galleries devoted exclusively to portraiture in London, Edinburgh and Dublin - an indication of an enthusiasm for the subject unmatched anywhere else in the world. This seemingly unquenchable thirst for portraits of individuals, families and friends has meant that for over four hundred years, native-born portrait artists have been joined by their foreign-born colleagues, attracted to these isles by the vast number of commissions available. Yet, ironically, most general art historical dictionaries give scant coverage to the many men and women who specialised in what is arguably the most difficult of all subject matter to paint. Attention has been focused on court painters and a favoured few, rarely if ever on the full spectrum of the profession with its wealth of talent. This dictionary redresses the balance. Listing over 5,000 por

Dictionary of Portrait Painters in Britain up to 1920

Arts & Photography

Painting

ACC Publishing Group

See the best price to sell, buy, or rent books by Stewart, Brian. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Stewart, Brian

See the best price to sell, buy, or rent books by Stewart, Brian. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Colour Atlas of Anatomical Pathology

Colour Atlas of Anatomical Pathology

Colour Atlas of Anatomical Pathology

Strategies and Practice for the PSAT/NMSQT (Barron's Test Prep)

ACT Premium Study Guide with 6 Practice Tests (Barron's Test Prep)

Barron's ACT Study Guide Premium, 2023: 6 Practice Tests + Comprehensive Review + Online Practice (Barron's ACT Prep)

On the Ground: My Life as a Foreign Correspondent

Why Spy?: On the Art of Intelligence (Intelligence and Security)

Why Spy?: On the Art of Intelligence (Intelligence and Security)

Dictionary of Portrait Painters in Britain up to 1920