Blake's stunning photography reveals the remarkable diversity of life and terrain within the lands along the U.S.-Mexico border; Steinhart's inspired text provides environmental awareness and an understanding of the role that humans have played. Together they offer a reminder that the region's human and natural history cannot be separated. Two kinds of experiences await the reader in this moving and beautiful book—those for the eye and those for the mind. Tupper Ansel Blake's stunning photography reveals the remarkable diversity of life and terrain within the lands that lie along the United States-Mexico border; Peter Steinhart's inspired text provides regional history, environmental awareness, and an understanding of the role that humans have played there. The 2,000-mile swath shared by the United States and Mexico is often dismissed as one of worthless scrub, or as a hostile no-man's-land populated by border patrols and furtive immigrants. It is in fact among the richest, most biologically diverse, and most endangered areas in all of North America. Tropical and temperate zones overlap in the borderlands—ocelots and parrots, black bears and elk all make their homes there. It is a region not just of cactus and mesquite, but of pine forests, oak woodlands, lush grasslands, and riverside groves of cottonwood and sycamore. Equally diverse are the people of the borderlands, many of whom share a long heritage of living with the land without despoiling it. If our political view of the borderlands has hidden from us its beauty and fragility, then Two Eagles/Dos Aguilas will reopen our eyes. The recent North American Free Trade Agreement is a reminder that the region's human and natural history cannot be separated, and that the political boundary between the two nations casts a long shadow over the bald eagle of the United States and the caracara, the eagle of Mexico.

Two Eagles / Dos Aguilas: A Natural History of the United States–Mexico Borderlands

Arts & Photography

Steinhart, Peter

Blake, Tupper Ansel

Photography & Video

University of California Press

As wolves return to their old territory in Yellowstone National Park, their presence is reawakening passions as ancient as their tangled relations with human beings. This authoritative and eloquent book coaxes the wolf out from its camouflage of myth and reveals the depth of its kinship with humanity, which shares this animal's complex complex social organization, intense family ties, and predatory streak. From the Trade Paperback edition.

The Company of Wolves

Crafts, Hobbies & Home

Pets & Animal Care

KNOPF

As wolves return to their old territory in Yellowstone National Park, their presence is reawakening passions as ancient as their tangled relations with human beings. This authoritative and eloquent book coaxes the wolf out from its camouflage of myth and reveals the depth of its kinship with humanity, which shares this animal's complex complex social organization, intense family ties, and predatory streak.

Science & Math

Biological Sciences

Knopf Doubleday Publishing Group

California's Wild Heritage Hardcover - 1990, Hardcover: 108 pages Publisher: California Department of Fish and Game (1990) Language: English ISBN-10: 0871566443 ISBN-13: 978-0871566447 Package Dimensions: 10.9 x 8.1 x 0.5 inches

California's Wild Heritage

Nature & Ecology

Department of Fish and Game. Sierra Club

We all draw as children: we scrawl a sunbeamed circle for a face and dots for eyes, and then we move on to portraits of Mom with an upside-down U for hair and Dad with trousers up to his armpits. But sooner or later, almost everyone stops. In this delightful, revelatory book, Peter Steinhart explores why some of us keep on drawing–and what happens when we do. Combining the scientific, the historical, the anecdotal and the personal with marvelous ease, Steinhart asks some provocative questions: Why do drawings often speak to us more eloquently than paintings? What is the mind doing when we draw? Why is so much drawing of the face and of the nude figure? What is the dynamic between a clothed artist and a naked model? Steinhart makes clear that, at its best, drawing is a spontaneous expression of what we see, an “undressed art” unencumbered by affectation or calculated fashion. And he reveals its many rewards: it helps us to focus, to slow down, and to really see the world and ourselves. At once erudite and engaging, The Undressed Art illuminates the allures and joys of a familiar art–and inspires us to pick up a pencil and draw.

The Undressed Art: Why We Draw

Drawing

To draw is to understand what we see. In The Undressed Art, writer-naturalist Peter Steinhart investigates the rituals, struggles, and joys of drawing. Reflecting on what is known about the brain’s role in the drawing process, Steinhart explores the visual learning curve: how children begin to draw, how most of them stop, and what brings adults back to this deeply human art form later in life. He considers why the face and figure are such commanding subjects and describes the delicate collaboration of the artist and model. Here is a powerful reminder that no revolution in art or technology can undermine our vital need to draw.

Undressed Art: Why We Draw

History & Criticism

See the best price to sell, buy, or rent books by Steinhart, Peter. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Steinhart, Peter

See the best price to sell, buy, or rent books by Steinhart, Peter. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Two Eagles / Dos Aguilas: A Natural History of the United States–Mexico Borderlands

The Company of Wolves

The Company of Wolves

California's Wild Heritage

The Undressed Art: Why We Draw

Undressed Art: Why We Draw