Principles Of Computer-Aided Design

The emphasis throughout this treatment of computer-aided design is on fundamental principles.; Consequently, the book focuses on the ways in which various tasks and procedures in design can be formalized, on the ways in which geometrical and other properties of designed objects may be represented, and on the significance of computer aids for the theory and practice of design. The four-part treatment divides into conceptual and mathematical foundations, geometric modelling, analysis and synthesis, and advanced concepts.

Principles of Computer-Aided Design

Engineering & Transportation

Steadman, Philip

Rooney, Joe

Engineering

PRENTICE/HALL

Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.

Vermeer's Camera: Uncovering the Truth Behind the Masterpieces

Arts & Photography

History & Criticism

Oxford University Press

Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.

Vermeer's Camera: Uncovering the Truth behind the Masterpieces

The Evolution of Designs: Biological Analogy in Architecture and the Applied Arts

Architecture

Routledge

The Geometry of Environment: An Introduction to Spatial Organization in Design Paperback by Lionel March(Author), Philip Steadman(Author)

The Geometry of Environment: An Introduction to Spatial Organization in Design

Science & Math

March, Lionel

Evolution

Mit Pr

In this magnificent book, whick includes 180 color and 40 black and white illustrations, Martin Kemp and Jane Roberts develop a cumulative picture of the visual and intellectual patterns behind Leonardo's creativity as an artist-inventor. After a biographical sketch that pinpoints significant moments in his artistic, technological and scientific careers, the authors discuss such themes as "The Ages of Man" , "Body of Earth and Body of Man", "Structure and Mechanism" and "The Forces of Destruction".

Leonardo Da Vinci, Artist, Scientist, Inventor

Leonardo, Da Vinci

Kemp, Martin

Roberts, Jane.

Yale Univ Pr

The Geometry of Environment (Routledge Revivals)

Computers & Technology

Web Development & Design

Originally published in 1971 The Geometry of Environment is a fusion of art and mathematics introducing stimulating ideas from modern geometry, using illustrations from architecture and design. The revolution in the teaching of mathematics and the advent of the computer in design challenge traditional ways of appreciating the space about us, and expand the ‘structural’ understanding of our surroundings through such concepts as transformations, symmetry groups, sets and graphs. This book aims to show the relevance of ‘new maths’ and encourages exploration of the widening intellectual horizons of environmental design and architecture.

American Cities and Technology: Wilderness to Wired city

Designed to be used on its own or as a companion volume to the American Cities and Technology textbook. Chronologically, this volume ranges from the earliest technological dimensions of Amerindian settlements to the 'wired city' concept of the 1960s and internet communications of the 1990s.Its focus extends beyond the US to include telecomunications in Asian cities in the late 20th century. The topics covered: * the rise of the skyscraper *the coming of the automobile age * relations between private and public transport * the development of infrastructural technologies and systems * the implications of electronic communications * the emergence of city planning.

Roberts, Gerrylynn K.

History

Politics & Social Sciences

Social Sciences

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Books by Steadman, Philip