A House in St John’s Wood

A intimate portrait of Stephen Spender’s extraordinary life written by his son, Matthew Spender, with new insights drawn from personal recollections and unpublished archives.
Stephen Spender’s life was a vivid prism on the twentieth century. Having met Auden and Isherwood at Oxford, he joined the early vocal critics of Hitler participated in the Spanish Civil War. His efforts there became distracted by the need to save his lover from being shot as a deserter, and by the outbreak of the Second World War he was judged unfit to fight. He served instead as a fireman and later produced propaganda for the war effort – establishing a mysterious connection with the Foreign Office which has generated much speculation until now. Examining on the growth of Spender’s literary reputation and his later encounters with the CIA, this book sheds new light on his career.
Always susceptible to the allure of young men, Spender remained married to his second wife, Natasha Litvin but continued to believe in male relationships as an essential creative inspiration. In tension with Natasha’s career as a musician after the birth of their two children, a considerable creative tension developed in the household. Stoical in her suffering, Natasha began to agonise over their marriage during her close friendship with Raymond Chandler.
Insightful and revelatory, ‘A House in St John’s Wood’ is the portrait of a marriage, a movement and a father whose complex brilliance continues to be felt widely – and among those closest to him.

Biographies & Memoirs

Spender, Matthew

Arts & Literature

William Collins

An intimate portrait of Stephen Spender’s extraordinary life written by Matthew Spender, shifting between memoir and biography, with new insights drawn from personal recollections and his father’s copious unpublished archives.
Stephen Spender's life is a vivid snapshot of the twentieth century. Making friends with Auden and Isherwood while at Oxford, together they enjoyed adventures in Europe, becoming early opponents of the rise of fascism. Whilst pioneering modern poetry, Stephen later produced propaganda for the war effort – establishing an enduring reputation for mysterious activity. Despite marrying Natasha Litvin, an ambitious young concert pianist, Stephen was often entangled with young men and never able to reveal his secrets, leaving her to introspective questions, as the artistic world of London circled them. In this elegant memoir, his son Matthew offers an intimate portrait of a father, a marriage and an extraordinary life.

A combination of historical enquiry, observation and fictional intrigue. Together with family, or accompanied by the mischevious archaelogist Vittoria, Matthew Spender encounters the Magus of Montecapraia, film makers from Rome, a funeral party, the leader of the local band and many craftsmen who still follow traditions that have endured for 2000 years.

Within Tuscany

Travel

Europe

Penguin Uk

In an informative and entertaining book, sculptor Matthew Spender takes readers on a captivating tour of his adopted homeland, Tuscany--a region unsurpassed in a richness of history, artistry, and culture. "A rare delight."--The Boston Globe. Photographs.

Within Tuscany: Reflections on a Time and Place

Penguin??Books

Arshile Gorky and the Genesis of Abstraction: Drawings from the Early 1930s

Arts & Photography

Rose, Barbara

Individual Artists

Univ of Washington Pr

A son's personal exploration of one of the most influential--and troubled--artistic couples of the twentieth century Stephen Spender's life, with all its secrets, successes, and contradictions, is a vivid prism through which to view the twentieth century. He befriended Auden and Isherwood while at Oxford, and together the three had wildly transgressive adventures in Europe and were early vocal critics of Hitler and the rise of fascism in their celebrated writings. Like his friends, Spender was drawn to other men, yet he eventually married Natasha, a world-renowned concert pianist, and started a family.
In the midst of a heady world of poetry and liberal politics, gay love affairs and tense silences, Matthew Spender grew up the child of two brilliant artists. Taught how to use adjectives by Uncle Auden and raised among the British cultural elite, Matthew led what might have been a charmed existence were it not for the tensions in his own household. His father, always susceptible to the allure of young men, was unable to stop himself, or reveal his secret, for the sake of his family; and his mother's suffering led her to infatuations of her own. A House in St John's Woods: In Search of My Parents is a son's attempt to reconstruct a portrait of his magnetic father and unconventional family out of the ambiguous experiences of his childhood.
Drawing on unpublished letters and diaries, family keepsakes and youthful memories, Matthew Spender tells the story of a singular family in the midst of its own cold war, as the artistic world of mid-century London circled around them.

A House in St John's Wood: In Search of My Parents

Farrar. Straus and Giroux

A son's personal exploration of one of the most influential--and troubled--artistic couples of the twentieth century
Stephen Spender's life, with all its secrets, successes, and contradictions, is a vivid prism through which to view the twentieth century. He made friends with W. H. Auden and Christopher Isherwood while at Oxford, and together the three had wild adventures in Europe, where they became early critics of Hitler and the rise of fascism. Like his friends, Stephen was drawn to other men, yet he eventually married Natasha Litvin, an ambitious young concert pianist, and they started a family. 
Matthew Spender grew up in postwar England as the child of two celebrated artists deeply immersed in the political and cultural life of their times. Taught how to use adjectives by Auden and raised among an influential elite, Matthew led what might have been a charmed existence were it not for the tensions within his own household. His father, always susceptible to the allure of young men, was unable either to stop himself for the sake of his family or to reveal his secret; and his mother's suffering led her on a strange introspective quest of her own. Drawing on a wide range of unpublished letters and diaries, secret documents, and youthful memories, A House in St John's Wood is Matthew's remarkably clear-eyed attempt to make sense of the many conflicting messages of his unconventional youth and a deeply felt portrait of his magnetic father and guarded mother.

From a High Place: A Life of Arshile Gorky

Arshile Gorky, one of the most intriguing figures in modern art, was at the center of the New York art world in the twenties, thirties, and forties. Yet he was never fully recognized as an important painter in his lifetime, and it was only after his death that his reputation soared. In this deeply felt and penetrating biography, Matthew Spender--himself a sculptor and the husband of Gorky's elder daughter--writes with extraordinary sympathy and perception, and he gets to the heart of his elusive subject. Born in Khorkom, a small Armenian village in eastern Turkey, Arshile Gorky grew up haunted by memories of his alternately idyllic and terrifying childhood: the scars of the 1896 Turkish massacres of his people; then the mass slaughter of 1915 from which his own family fled; the desertion of his father; the dominance of his headstrong and loving mother, who died of starvation after they found shelter in the Caucasus. Making his way to the United States, the young Gorky determined against all odds to become a painter. He buried his past by assuming a new name and identity, and brazened his way into the art world. At once charming and peremptory, seemingly an extrovert but secretive at heart, he could both dazzle and alienate his art students (Rothko was one of his earliest), his fellow painters, and his young loves, as well as potential dealers and patrons. In telling Gorky's story, Matthew Spender gives us the most illuminating picture of the New York art scene that has yet been written--from the affluent twenties, when the Ash Can school was emerging, to the depressed thirties, which marked the high point of Gorky's career, when he painted a huge abstract mural for Newark Airport. During the explosive postwar years, Gorky withdrew into a world of increasing solitude, even as Andre Breton, the founder of surrealism, was championing him, along with other artist friends like Willem de Kooning, Roberto Matta, and Isamu Noguchi. His last years, dogged by tragedy and illness, threatened even the haven of his marriage and family, until finally, in 1948, he took his own life. With his artist's eye, Matthew Spender helps us to see what lies behind the paintings--to recognize in the abstraction, for instance, the onion with feathers that hung from a cross above the fire pit in Gorky's childhood home in Khorkom. Above all, Spender understands the enormity of Gorky's sense of isolation in an America he did not fully understand, and that his need to invent the imaginary artist was what sustained his paintings. It is the perfect conjunction of writer and subject that makes this biography so rich in insight and so compelling as a human document.

KNOPF

An immigrant from a small Armenian village in eastern Turkey, Arshile Gorky (c. 1900-1948) made his way to the U.S. to become a painter in 1920. Having grown up haunted by memories of his alternately idyllic and terrifying childhood―his family fled the Turks' genocide of Armenians in 1915―he changed his name and created a new identity for himself in America. As an artist, Gorky bridged the generation of the surrealists and that of the abstract expressionists and was a very influential figure among the latter. His work was an inspiration to Willem de Kooning and Mark Rothko, among others. Matthew Spender illuminates this world as he tells the story of Gorky's life and career.

History & Criticism

University of California Press

A British expatriate introduces readers to his adopted Tuscany, discussing the region's history, Siena's last defeat of Florence, Byron and Shelley's experiences in Pisa, Tuscany's artisans, the making of olive oil, and more.

History

Americas

Viking Adult

See the best price to sell, buy, or rent books by Spender, Matthew. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Spender, Matthew

See the best price to sell, buy, or rent books by Spender, Matthew. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

A House in St John’s Wood

A House in St John’s Wood

Within Tuscany

Within Tuscany: Reflections on a Time and Place

Arshile Gorky and the Genesis of Abstraction: Drawings from the Early 1930s

A House in St John's Wood: In Search of My Parents

A House in St John's Wood: In Search of My Parents

From a High Place: A Life of Arshile Gorky

From a High Place: A Life of Arshile Gorky

Within Tuscany