The Devil's Juggler

Mystery, Thriller & Suspense

SMITH, Murray

Thrillers & Suspense

Pocket

Racing to Beirut to answer a distress call from a beautiful  double agent, British spymaster David Jardine is caught in a Mossad  ambush and agrees to help them catch an international counterfeiter.  25,000 first printing. Major ad/promo.

Stone Dancer

Penguin

Thrillers, weepies, horror movies, melodramas... Like so many movie terms, these genre designations immediately evoke characteristic kinds of emotional response. Yet emotion is a subject that film and literary theory have hitherto dealt with in only the most impressionistic and tangential fashion. Engaging Characters discusses the varieties of emotional response to films with precision, integrating them into a larger theory of our engagement (or `identification') with characters in both cinematic and literary fictions. Films and film-makers discussed include The Accused; Hitchcock (including detailed analyses of The Man Who Knew Too Much [1956] and Saboteur); Godard; Ruiz; Bunuel's That Obscure Object of Desire; Dovzhenko's Arsenal and Preminger's Daisy Kenyon; Bresson's L'Argent; Eisenstein's Strike; and Melville's Le Doulos.

Engaging Characters: Fiction, Emotion, and the Cinema

Humor & Entertainment

Movies

Oxford University Press

Thrillers, tear jerkers, horror movies, melodramas--like so many movie terms, these genre designations immediately evoke characteristic kinds of emotional response. Yet emotion is a subject that film and literary theory have traditionally dealt with in only the most impressionistic and tangential fashion. Engaging Characters presents a precise discussion of the varieties of emotional response to films, integrating them into a larger theory of our engagement (or "identification") with characters in both cinematic and literary fictions. Films and filmmakers discussed include The Accused; Hitchcock (including detailed analyses of The Man Who Knew Too Much [1956] and Saboteur); Godard; Ruiz; Buñuel's That Obscure Object of Desire; Dovzhenko's Arsenal and Preminger's Daisy Kenyon; Bresson's L'Argent; Eisenstein's Strike; and Melville's Le Doulos.

Clarendon Press

In the mid-1950s C.P. Snow began his campaign against the 'two cultures' - the debilitating divide, as he saw it, between traditional 'literary intellectual' culture, and the culture of the sciences, urging in its place a 'third culture' which would draw upon and integrate the resources of disciplines spanning the natural and social sciences, the arts and the humanities. Murray Smith argues that, with the ever-increasing influence of evolutionary theory and neuroscience, and the pervasive presence of digital technologies, Snow's challenge is more relevant than ever. Working out how the 'scientific' and everyday images of the world 'hang' together is no simple matter. In Film, Art, and the Third Culture, Smith explores this question in relation to the art, technology, and science of film in particular, and to the world of the arts and aesthetic activity more generally. In the first part of his book, Smith explores the general strategies and principles necessary to build a 'third cultural' or naturalized approach to film and art - one that roots itself in an appreciation of scientific knowledge and method. Smith then goes on to focus on the role of emotion in film and the other arts, as an extended experiment in the 'third cultural' integration of ideas on emotion spanning the arts, humanities and sciences. While acknowledging that not all of the questions we ask are scientific in nature, Smith contends that we cannot disregard the insights wrought by taking a naturalized approach to the aesthetics of film and the other arts.

Film, Art, and the Third Culture: A Naturalized Aesthetics of Film

Arts & Photography

Photography & Video

In the mid-1950s C.P. Snow began his campaign against the 'two cultures' - the debilitating divide, as he saw it, between traditional 'literary intellectual' culture, and the culture of the sciences, urging in its place a 'third culture' which would draw upon and integrate the resources of disciplines spanning the natural and social sciences, the arts and the humanities. Murray Smith argues that, with the ever-increasing influence of evolutionary theory and neuroscience, and the pervasive presence of digital technologies, Snow's challenge is more relevant than ever.\nWorking out how the 'scientific' and everyday images of the world 'hang' together is no simple matter. In Film, Art, and the Third Culture, Smith explores this question in relation to the art, technology, and science of film in particular, and to the world of the arts and aesthetic activity more generally. In the first part of his book, Smith explores the general strategies and principles necessary to build a 'third cultural' or naturalized approach to film and art - one that roots itself in an appreciation of scientific knowledge and method. Smith then goes on to focus on the role of emotion in film and the other arts, as an extended experiment in the 'third cultural' integration of ideas on emotion spanning the arts, humanities and sciences. While acknowledging that not all of the questions we ask are scientific in nature, Smith contends that we cannot disregard the insights wrought by taking a naturalized approach to the aesthetics of film and the other arts.

Characters - those fictional agents populating the fictional worlds we spend so much time absorbed in - are ubiquitous in our lives. We track their fortunes, judge their actions, and respond to them with anger, amusement, and affection - indeed the whole palette of human emotions. Powerfully drawn characters transcend their stories, entering into our imaginations and deliberations about the actual world, acting as analogies and points of reference. And yet there has been remarkably little sustained and systematic reflection on these creatures that absorb so much of our attention and emotional lives. In Engaging Characters, Murray Smith sets out a comprehensive analysis of character, exploring the role of characters in our experience of narrative and fiction. Smith's analysis focuses on film, and also illuminates character in literature, opera, song, cartoons, new and social media. At the heart of this account is an explanation of the capacity of characters to move us. Teasing out the various dimensions of character, Smith explores the means by which films draw us close to characters, or hold us at a distance from them, and how our beliefs and attitudes are formed and sometimes reformed by these encounters. Integrating these arguments with research on emotion in philosophy, psychology, evolutionary theory, and anthropology, Engaging Characters advances an account of the nature of fictional characters and their functions in fiction, imagination, and human experience. In this revised, twenty-fifth anniversary edition of Engaging Characters, Smith refines and extends the arguments of the first edition, with a substantial new introduction reviewing the debates on emotion, empathy, and film spectatorship that the book has inspired.

While a tough New York cop investigates a young woman's drug overdose, an Irish judge is blackmailed into helping the IRA, and the British Secret Intelligence Service attempts to plant an informer inside Colombia's most ruthless drug cartel. A first novel. 50,000 first printing. $30,000 ad/promo.

Devil's Juggler

Literature & Fiction

Pocket_Books

Obsessed with discovering the identity of the beautiful dead junkie he has vainly tried to resuscitate, veteran detective Eddie Lucco decides to locate the source of the cocaine that killed her

Genre Fiction

Michael, Joseph

See the best price to sell, buy, or rent books by SMITH, Murray. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by SMITH, Murray

See the best price to sell, buy, or rent books by SMITH, Murray. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Devil's Juggler

Stone Dancer

Engaging Characters: Fiction, Emotion, and the Cinema

Engaging Characters: Fiction, Emotion, and the Cinema

Film, Art, and the Third Culture: A Naturalized Aesthetics of Film

Film, Art, and the Third Culture: A Naturalized Aesthetics of Film

Engaging Characters: Fiction, Emotion, and the Cinema

Devil's Juggler

Devil's Juggler

The Devil's Juggler