Rosenberg, Jakob et al., Dutch Art and Architecture 1600-1800

Dutch Art and Architecture: 1600-1800 (The Pelican History of Art)

Arts & Photography

Rosenberg, Jakob

Ter Kuile, E. H.

SLIVE, Seymour

History & Criticism

Puffin

This lavishly illustrated book is an authoritative and perceptive study of Dutch painting from the seventeenth to nineteenth centuries. Seymour Slive focuses on the major artists of the period, analyzing works by Hals, Rembrandt, Vermeer, Jacob van Ruisdael, and others. He discusses the kinds of painting that became Dutch specialties―portraits, genre scenes, landscapes, seascapes, Italianate pictures, architectural painting, and still lifes―as well as traditional biblical and historical subjects painted by artists of the period. He also examines patronage and trends of art theory, criticism, and collecting. This book replaces the classic section on painting in Dutch Art and Architecture: 1600-1800, jointly written by Slive and Jakob Rosenberg in the 1960s. Slive has completely rewritten and expanded the original text, taking into account his own and other recent scholarship on Dutch painting as well as new archival finds, technical analyses of paintings made by conservators and scientists, and significant pictures that have been discovered. The number of illustrations has doubled, and the result is a book that will immediately establish itself as the new standard work on this great period of painting.

Dutch Painting, 1600-1800 (The Yale University Press Pelican History of Art Series)

Yale University Press

Shipped from UK, please allow 10 to 21 business days for arrival. Fine, Previous owner's inscription to fly leaf.

The Drawings of Rembrandt A New Study /anglais

Reference

Thames&Hudson

This sweeping overview of Rembrandts extraordinary achievement as a draughtsman fills a gap in the otherwise enormous literature on the artist. Beautifully illustrated, mostly in colour, the more than 150 drawings culled from a corpus of some 800 are discussed in detail. The drawings span Rembrandts entire productive life as an artist, from early self-portraits in the 1620s to late drawings from the 1660s of the victim of an execution, a state coach, and historical and mythological images. The scope of the book allows readers to delve into the very broad range of Rembrandts oeuvre of drawings.

The Drawings of Rembrandt (Paperback) /anglais

Individual Artists

. with dw, ex college lib, stamps etc, lge fmt, 1970

Frans Hals (3 Volume Set)

Frans Hals (National Gallery of Art: Kress Foundation studies in the history of European art)

Phaidon Press

4to. 448 pp. Illustrated. As new in wraps.

Frans Hals, Vol. 2: Plates

Phaidon

Frans Hals

Phaidon Press~ Inc

My greatest debt in the writing of this book is to my teacher Dr. Ulrich Middeldorf, who taught me the methodology of research in art history, and who guided my studies of art theory and criticism. This study, which in an earlier form was accepted as a doctoral dissertation by the University of Chicago, was begun under Dr. Middeldorf's guidance, and during all stages of its preparation I benefited from his invaluable suggestions and criticism. A United States Government Grant enabled me to complete my researches on Rembrandt in the Netherlands, where I studied at the Rijksuniversiteit te Utrecht with Dr. J. G. van Gelder, who was particularly generous with his knowledge and time. He read the manuscript and proofs, and offered numerous suggestions and additions which have been of great benefit to me. Special acknowledgement is made to the Kunsthistorisch lnstituut der Rijksuniversiteit te Utrecht for generously finding a place for this study in the Utrechtse Bij dragen tot de Kunstgeschiedenis. I am also much indebted to Dr. H. Schulte Nordholt of the Kunsthistorisch lnstituut for his valuable advice and his help inseeing the book through the press.

Rembrandt and His Critics, 1630-1730

Hacker Art Books

Rembrandt Drawings

Although the extensive literature on Rembrandt could fill a small library, there has been no up-to-date survey of his extraordinary achievement as a draftsman. Renowned Rembrandt scholar Seymour Slive fills this void with his scrutiny of some 150 drawings culled from a corpus of about eight hundred by the master. The drawings, reproduced in color, are accompanied by etchings and paintings by Rembrandt and others, including Leonardo and Raphael. Unlike other publications of Rembrandt's drawings, they are here arranged thematically, which makes his genius crystal clear. Individual chapters focus on self-portraits, portraits of family members and friends, the lives of women and children, nudes, copies, model and study sheets, animals, landscapes and buildings, religious and mythological subjects, historical subjects, and genre scenes. Slive further discusses possible doubtful attributions, which account for the considerable reduction from earlier times in the number of drawings now ascribed to the master.

J.paul Getty Museum

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