<p>This compendium of images is inspired by the dual principle of common good and necessary evil. Canadian photographer Guillaume Simoneau explores a place far removed from our everyday vanities: the Experimental Lakes Area in the sparsely populated region of northwestern Ontario. But rather than a book about the 58 pristine lakes that comprise this world-renowned natural laboratory, Simoneau’s allusive photographs use the freshwater site as a means to look outwards, to consider a world beyond our own reflections. Unhinged from the moorings of narrative readings, the sequence of images floats between botanic life – aquatic and terrestrial – and hand-made apparatus used by an influential community of international scientists based in the area. The findings of their research into human impacts on entire ecosystems have significantly influenced the decisions of governments and industries. By testing, for example, the effects in the lakes of new chemical substances, they have been able</p>

Experimental Lake

Simoneau, Guillaume

MACK BOOKS

<p>The genesis of Guillaume Simoneau's new book, Murder, is in spring 1982. At around the same time Masahisa Fukase was producing his post-war masterpiece Karasu (Ravens), Simoneau's family adopted a nest full of baby crows orphaned from a fallen tree. The photographs from this time, taken by Simoneau's mother, paint an unusual and lyrical vision of childhood. Nearly forty years later, these moments are memorialised in dialogue with Simoneau's new works, produced in the spring of 2016 and 2017 in Kanazawa, Japan. This setting, the birthplace of Karasu, punctuates the book with a further-reaching interest in tradition and timelessness that looks beyond the scope of these events to the landscape, famous thatched houses, the pine forests and coastline. The crisp, architectural qualities of the new photographs evoke a rendering of Fukase's original that is, however, distinctly of its time. In Murder, the original black and white image of the photographer as a child, crows perched on his shoulders, is set alongside visions of violence: one crow hanging by rope, tangled and rotting, another pinned down by a large bird of prey. The mood of this contrast is never cynical: instead, it develops an ambivalent approach to nostalgia that is energetic and cathartic. Several of these photographs directly reference Karasu, and it is this language of violence inherited from Fukase that becomes the mode with which Simoneau challenges this inheritance. Throughout the book, the symbolism of the crow is constantly at stake. In the childhood images, the crow becomes an unlikely symbol of intimacy; coupled with blurred glimpses of the bird in flight, Simoneau threatens to restore the bird to its cultural function as an omen of turbulent times.</p>

Murder

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Books by Simoneau, Guillaume

See the best price to sell, buy, or rent books by Simoneau, Guillaume. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Experimental Lake

Murder