Planning the Megacity: Jakarta in the Twentieth Century (Planning, History and Environment Series)

Planning the Megacity examines the dramatic transformation of Jakarta over the past century. In 1900, the colonial capital of the Netherland Indies, then known as Batavia, was a compact city of approximately 150,000 inhabitants. During the next hundred years, but especially after 1950, it was transformed into the sprawling ‘megacity’ of more than 9 million in an urbanized region that boasted nearly 18 million by 2000. How this metamorphosis took place and what it meant for the life of Jakartans are questions central to the story of the city, as is the role of both local and national leaders in the control and manipulation of processes of growth. As Christopher Silver reveals, Jakarta’s place as Indonesia’s most prestigious city, and its capital city, subjected it to conflicting approaches to planning, and placed its development within the vortex of national development. He reveals how colonialism, the struggle for independence and for improving the national condition, together with aspirations for economic modernization, contributed to the distinctive character of Southeast Asia’s largest metropolitan area.

Silver, Christopher

Reference

Routledge

In this book, the first on the planning history of Jarkarta, able expert Christopher Silver describes how planning has shaped urban development in Southeast Asia, and in particular how its largest city, Jakarta, Indonesia, was transformed from a colonial capital of approximately 150,000 in 1900 to a megacity of 12–13 million inhabitants in 2000. Placing the city's planning history within local, national and international contexts, exploring not only the formal planning actions, but how planning was shaped by broader political, economic, social and cultural factors in Indonesia’s development, this book is an excellent resource for academics, students and professionals involved in urban planning, history and geography as well as other interested parties.

The districts in which southern blacks lived from the pre-World War II era to the mid-1960s differed markedly from those of their northern counterparts.The African-American community in the South was (and to some extent still is) a physically expansive, distinct, and socially heterogeneous zone within the larger metropolis. It found itself functioning both politically and economically as a "separate city" - a city set apart from its predominantly white counterpart.Examining the racial politics of such diverse cities as Atlanta, Richmond, and Memphis, Christopher Silver and John Moeser look at the interplay between competing groups within the separate city and between the separate city and the white power structure. They describe the effects of development policies, urban renewal programs, and the battle over desegregation in public schools.Within the separate city itself, internal conflicts reflected a structural divide between an empowered black middle class and a larger group comprising the working class and the disadvantaged. Even with these conflicts, the South's new black leadership gained political control in many cities, but it could not overcome the economic forces shaping the metropolis. The persistence of a separate city admitted to the profound ineffectiveness of decades of struggle to eliminate the racial barriers with which southern urban leaders - indeed all urban America - continue to grapple today.

The Separate City: Black Communities in the Urban South, 1940-1968

Biographies & Memoirs

Moeser, John V.

Community & Culture

Univ Pr of Kentucky

A ground-breaking collaborative study merging perspectives from history, political science, and urban planning, The Separate City is a trenchant analysis of the development of the African-American community in the urban South. While similar in some respects to the racially defined ghettos of the North, the districts in which southern blacks lived from the pre-World War II era to the mid-1960s differed markedly from those of their northern counterparts. The African- American community in the South was (and to some extent still is) a physically expansive, distinct, and socially heterogeneous zone within the larger metropolis. It found itself functioning both politically and economically as a "separate city"―a city set apart from its predominantly white counterpart.Within the separate city itself, internal conflicts reflected a structural divide between an empowered black middle class and a larger group comprising the working class and the disadvantaged. Even with these conflicts, the South's new black leadership gained political control in many cities, but it could not overcome the economic forces shaping the metropolis. The persistence of a separate city admitted to the profound ineffectiveness of decades of struggle to eliminate the racial barriers with which southern urban leaders―indeed all urban America―continue to grapple today.

University Press of Kentucky

Twentieth-Century Richmond: Planning, Politics, and Race (Twentieth-Century America Series)

History

Americas

Univ of Tennessee Pr

Politics & Social Sciences

Social Sciences

Critical Criminology

Planning the Megacity

Recording History: Jews, Muslims, and Music across Twentieth-Century North Africa

A new history of twentieth-century North Africa, that gives voice to the musicians who defined an era and the vibrant recording industry that carried their popular sounds from the colonial period through decolonization. If twentieth-century stories of Jews and Muslims in North Africa are usually told separately, Recording History demonstrates that we have not been listening to what brought these communities together: Arab music. For decades, thousands of phonograph records flowed across North African borders. The sounds embedded in their grooves were shaped in large part by Jewish musicians, who gave voice to a changing world around them. Their popular songs broadcast on radio, performed in concert, and circulated on disc carried with them the power to delight audiences, stir national sentiments, and frustrate French colonial authorities. With this book, Christopher Silver provides the first history of the music scene and recording industry across Morocco, Algeria, and Tunisia, and offers striking insights into Jewish-Muslim relations through the rhythms that animated them. He traces the path of hit-makers and their hit records, illuminating regional and transnational connections. In asking what North Africa once sounded like, Silver recovers a world of many voices--of pioneering impresarios, daring female stars, cantors turned composers, witnesses and survivors of war, and national and nationalist icons--whose music still resonates well into our present.

Arts & Photography

Music

Stanford University Press

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Books by Silver, Christopher