LeeSiegel, author of Falling Upwards, Not RemotelyControlled, and Against the Machine delivers a provocative critique ofmodern lightness and frivolity, and a timely guide to being serious in an unserious age. In the vein of The Culture of Narcissism, Shop Class as Soulcraft, and How Proust Can Change Your Life,Siegel offers a revelatory look at how a serious bearing is vital toaccomplishing any worthwhile goal in an era increasingly defined by a sardonicapproach to life.

Are You Serious?: How to Be True and Get Real in the Age of Silly

Humor & Entertainment

Siegel, Lee

Humor

Harper

Circus performer, entertainer, and world traveler Isaac Schlossberg shares, in one hundred chapters, his experiences as the son of Jewish immigrants, a sideshow performer, carnie, stage and movie actor, and lover. Reprint. 15,000 first printing.

Love and Other Games of Chance: A Novelty

Literature & Fiction

Humor & Satire

Penguin??Books

Sacred and Profane Dimensions of Love in Indian Tradition: The Gitagovinda of Jayadeva

Oxford Univ. Pr.

First published in 1978 under the Oxford University South Asian Studies Series, this work is an inquiry into the conceptions of love in its sacred and profane dimensions as a universal theme in religious and secular literature.  The author proceeds from the universal to the particular, and examines the way in which the generic experience finds expression in a specific context, the Indian traditions, and the way in which these are exemplified in Jayadeva's well-known twelfth-century Sanskrit poem, the Gitagovinda.  Simultaneously, the author considers the poem in its own cultural milieu and compares it with texts from other cultures.  The volume also contains a new translation of the poem by Dr. Siegel.

Sacred and Profane Dimensions of Love in Indian Traditions as Exemplified in the Gitagovinda of Jayadeva (Oxford University South Asian Studies Series)

Religion & Spirituality

Oxford University Press

Trance-Migrations: Stories of India, Tales of Hypnosis

Listen to what I am about to tell you: do not read this book alone. You really shouldn’t. In one of the most playful experiments ever put between two covers, every other section of Trance-Migrations prescribes that you read its incantatory tales out loud to a lover, friend, or confidant, in order to hypnotize in preparation for Lee Siegel’s exploration of an enchanting India. To read and hear this book is to experience a particular kind of relationship, and that’s precisely the point: hypnosis, the book will demonstrate, is an essential aspect of our most significant relationships, an inherent dimension of love, religion, medicine, politics, and literature, a fundamental dynamic between lover and beloved, deity and votary, physician and patient, ruler and subject, and, indeed, reader and listener. Even if you can’t read this with a partner―and I stress that you certainly ought to―you will still be in rich company. There is Shambaraswami, an itinerant magician, hypnotist, and storyteller to whom villagers turn for spells that will bring them wealth or love; José-Custodio de Faria, a Goan priest hypnotizing young and beautiful women in nineteenth-century Parisian salons; James Esdaile, a Scottish physician for the East India Company in Calcutta, experimenting on abject Bengalis with mesmerism as a surgical anesthetic; and Lee Siegel, a writer traveling in India to learn all that he can about hypnosis, yoga, past life regressions, colonialism, orientalism, magic spells, and, above all, the power of story. And then there is you: descending through these histories―these tales within tales, trances within trances, dreams within dreams―toward a place where the distinctions between reverie and reality dissolve. Here the world within the book and that in which the book is read come startlingly together. It’s one of the most creative works we have ever published, a dazzling combination of literary prowess, scholarly erudition, and psychological exploration―all tempered by warm humor and a sharp wit. It is informing, entertaining, and, above all, mesmerizing.

History & Criticism

University of Chicago Press

Listen to what I am about to tell you: do not read this book alone. You really shouldn’t. In one of the most playful experiments ever put between two covers, every other section of Trance-Migrations prescribes that you read its incantatory tales out loud to a lover, friend, or confidant, in order to hypnotize in preparation for Lee Siegel’s exploration of an enchanting India. To read and hear this book is to experience a particular kind of relationship, and that’s precisely the point: hypnosis, the book will demonstrate, is an essential aspect of our most significant relationships, an inherent dimension of love, religion, medicine, politics, and literature, a fundamental dynamic between lover and beloved, deity and votary, physician and patient, ruler and subject, and, indeed, reader and listener. Even if you can’t read this with a partner—and I stress that you certainly ought to—you will still be in rich company. There is Shambaraswami, an itinerant magician, hypnotist, and storyteller to whom villagers turn for spells that will bring them wealth or love; José-Custodio de Faria, a Goan priest hypnotizing young and beautiful women in nineteenth-century Parisian salons; James Esdaile, a Scottish physician for the East India Company in Calcutta, experimenting on abject Bengalis with mesmerism as a surgical anesthetic; and Lee Siegel, a writer traveling in India to learn all that he can about hypnosis, yoga, past life regressions, colonialism, orientalism, magic spells, and, above all, the power of story. And then there is you: descending through these histories—these tales within tales, trances within trances, dreams within dreams—toward a place where the distinctions between reverie and reality dissolve. Here the world within the book and that in which the book is read come startlingly together. It’s one of the most creative works we have ever published, a dazzling combination of literary prowess, scholarly erudition, and psychological exploration—all tempered by warm humor and a sharp wit. It is informing, entertaining, and, above all, mesmerizing.

Vast like the subcontinent itself and teeming with outrageous and exotic characters, Net of Magic is an enthralling voyage through the netherworld of Indian magic. Lee Siegel, scholar and magician, uncovers the age-old practices of magic in sacred rites and rituals and unveils the contemporary world of Indian magic of street and stage entertainers. Siegel's journeys take him from ancient Sanskrit texts to the slums of New Delhi to find remnants of a remarkable magical tradition. In the squalid settlement of Shadipur, he is initiated into a band of Muslim street conjurers and performs as their shill while they tutor him in their con and craft. Siegel also becomes acquainted with Hindu theatrical magicians, who claim descent from court illusionists and now dress as maharajahs to perform a repertoire of tricks full of poignant kitsch and glitz. Masterfully using a panoply of narrative sleights to recreate the magical world of India, Net of Magic intersperses travelogue, history, ethnography, and fiction. Siegel's vivid, often comic tale is crowded with shills and stooges, tourists and pickpockets, snake charmers and fakirs. Among the cast of characters are Naseeb, a poor Muslim street magician who guides Siegel into the closed circle of itinerant performers; the Industrial Magician, paid by a bank, who convinces his audience to buy traveler's checks by making twenty-rupee notes disappear; the Government Magician, who does a trick with condoms to encourage family planning; P. C. Sorcar, Jr., the most celebrated Indian stage magician; and the fictive Professor M. T. Bannerji, the world's greatest magician, who assumes various guises over a millennium of Indian history and finally arrives in the conjuring capital of the world—Las Vegas. Like Indra's net—the web of illusion in which Indian performers ensnare their audience—Net of Magic captures the reader in a seductive portrayal of a world where deception is celebrated and lies are transformed into compelling and universal truths.

Net of Magic: Wonders and Deceptions in India

Puzzles & Games

Vast like the subcontinent itself and teeming with outrageous and exotic characters, Net of Magic is an enthralling voyage through the netherworld of Indian magic. Lee Siegel, scholar and magician, uncovers the age-old practices of magic in sacred rites and rituals and unveils the contemporary world of Indian magic of street and stage entertainers. Siegel's journeys take him from ancient Sanskrit texts to the slums of New Delhi to find remnants of a remarkable magical tradition. In the squalid settlement of Shadipur, he is initiated into a band of Muslim street conjurers and performs as their shill while they tutor him in their con and craft. Siegel also becomes acquainted with Hindu theatrical magicians, who claim descent from court illusionists and now dress as maharajahs to perform a repertoire of tricks full of poignant kitsch and glitz. Masterfully using a panoply of narrative sleights to recreate the magical world of India, Net of Magic intersperses travelogue, history, ethnography, and fiction. Siegel's vivid, often comic tale is crowded with shills and stooges, tourists and pickpockets, snake charmers and fakirs. Among the cast of characters are Naseeb, a poor Muslim street magician who guides Siegel into the closed circle of itinerant performers; the Industrial Magician, paid by a bank, who convinces his audience to buy traveler's checks by making twenty-rupee notes disappear; the Government Magician, who does a trick with condoms to encourage family planning; P. C. Sorcar, Jr., the most celebrated Indian stage magician; and the fictive Professor M. T. Bannerji, the world's greatest magician, who assumes various guises over a millennium of Indian history and finally arrives in the conjuring capital of the world—Las Vegas. Like Indra's net—the web of illusion in which Indian performers ensnare their audience—Net of Magic captures the reader in a seductive portrayal of a world where deception is celebrated and lies are transformed into compelling and universal truths.

City of Dreadful Night: A Tale of Horror and the Macabre in India

Contemporary

When Lee Siegel went to India to do research for a book on Sanskrit horror literature, a friend in New Delhi told him about an itinerant teller of ghost and vampire tales, a man with clusters of amulets around his neck and a silk top hat with peacock plumes on his head. Siegel set out in search of the old man—called Brahm Kathuwala—to hear his stories and to learn about his uncommon life. But what started out as a study of other people's stories became a compelling story itself. City of Dreadful Night is an astonishing work of fiction, a tangle of tales that transports the reader from the Medieval India of magicians, witches, and vampires, through the British India of Brahm Kathuwala's childhood, into the chaos and political terror of contemporary India. Vividly recreating Indian literary and oral traditions, Siegel weaves a web of possession, reincarnation, and magical transformation unlike any found in the Western tradition. Flesh-eating demons, Rajiv Gandhi's assassin, even Bram Stoker and Dracula populate the serpentine narrative, which intermingles stories about the characters with the terrifying tales they tell. Siegel pursues Brahm Kathuwala from the ghastly lights of the cremation ground at Banaras through villages all over north India. Brahm's life story is revealed through countless tales along the way. We learn that he was raised, and abandoned, by two mothers—one the destitute floor sweeper who bore him; the other her employer, a wealthy Irish woman who read and reread to him the story of Dracula. We hear of his marriage to the daughter of a cremation ground attendant, his battles against her demonic possession, and their painful parting. We come to understand the daily life and motivations of this "horror professional," who uses terrifying tales to ward off the evil he himself fears. This unorthodox book is more than a story; it blends scholarship, fantasy, travelogue, and autobiography—fusing and overlapping historical accounts and newscasts, literary texts and films, dreams and nocturnal tales. Siegel uses imagination to explore the relation of real terror to horror fiction and to contemplate the ways fear and disgust become thrilling elements in stories of the macabre. This book is the product of Siegel's deep knowledge of both Indian and Western literary and philosophical traditions. It is also an attempt to come to grips with the omnipresence of political and religious terror in contemporary India. Shocking, original, beautifully written, City of Dreadful Night offers readers a captivating immersion in the wonder and terror of India, past and present.

City of Dreadful Night : A Tale of Horror and the Macabre in India

See the best price to sell, buy, or rent books by Siegel, Lee. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Siegel, Lee

See the best price to sell, buy, or rent books by Siegel, Lee. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Are You Serious?: How to Be True and Get Real in the Age of Silly

Love and Other Games of Chance: A Novelty

Sacred and Profane Dimensions of Love in Indian Tradition: The Gitagovinda of Jayadeva

Sacred and Profane Dimensions of Love in Indian Traditions as Exemplified in the Gitagovinda of Jayadeva (Oxford University South Asian Studies Series)

Trance-Migrations: Stories of India, Tales of Hypnosis

Trance-Migrations: Stories of India, Tales of Hypnosis

Net of Magic: Wonders and Deceptions in India

Net of Magic: Wonders and Deceptions in India

City of Dreadful Night: A Tale of Horror and the Macabre in India

City of Dreadful Night : A Tale of Horror and the Macabre in India