Schiller and the Historical Character: Presentation and Interpretation in the Historiographical Works and in the Historical Dramas (Oxford Modern Languages & Literature Monographs)

Literature & Fiction

Sharpe, Lesley

History & Criticism

Oxford Univ. Pr.

The complete story of the Wannsee Conference, the meeting that paved the way for the Holocaust.\nOn 20 January 1942, fifteen men arrived for a meeting in a luxurious villa on the shores of the Wannsee in the far-western outskirts of Berlin. They came at the invitation of Reinhard Heydrich and were almost all high-ranking Nazi Party, government, and SS officials. The exquisite position by the lake, the imposing driveway up to the villa, culminating in a generously sized roundabout in front of the house, the expansive, carefully landscaped park, the generous suite of rooms that opened on to the park and the lake, the three-level terrace that stretched the entire garden side of the house, and the winter garden with its marble fountain, all give today's visitor to the villa a good idea of its owner's aspiration to build a sophisticated, almost palatial structure as a testament to his cultivation and worldly success.\nBut the beauty of the situation stood in stark contrast to the purpose of the meeting to which the fifteen had come in January 1942: the 'Final Solution of the Jewish Question'. According to the surviving records of the meeting, items on the agenda included the precise definition of exactly which group of people was to be affected, followed by a discussion of how upwards of eleven million people were to be deported and subjected to the toughest form of forced labour, and following on from this a discussion of how the survivors of this forced labour as well as those not capable of it were ultimately to be killed. The next item on the agenda was breakfast.

Wannsee: The Road to the Final Solution

History

Noakes, Jeremy

Longerich, Peter

World

Oxford University Press

Friedrich Schiller: Drama, Thought and Politics (Cambridge Studies in German)

In this important study, Lesley Sharpe assesses Schiller's development as a dramatist, poet and thinker, and provides detailed discussions of all his major works, including his essays on aesthetics. His works are viewed against the social, political and literary background of the late eighteenth century. Spanning a period from the late 1770s to 1805 they explore the insistent themes of the age - the loss of tradition and authority, the individual's claim to self-expression and the search for stability. While the early works focus on the turbulent individual, Schiller later turns to the great public concerns of the French Revolutionary era - legitimacy and power, the exercise of freedom and the relationship between morality and politics. The aesthetic essays explore the vital role of art in integrating the aesthetic, moral and political realms.

Dramas & Plays

Cambridge University Press

In this important study, Lesley Sharpe assesses Schiller's development as a dramatist, poet and thinker, and provides detailed discussions of all his major works, including his essays on aesthetics. His works are viewed against the social, political and literary background of the late eighteenth century. Spanning a period from the late 1770s to 1805 they explore the insistent themes of the age - the loss of tradition and authority, the individual's claim to self-expression and the search for stability. While the early works focus on the turbulent individual, Schiller later turns to the great public concerns of the French Revolutionary era - legitimacy and power, the exercise of freedom and the relationship between morality and politics. The aesthetic essays explore the vital role of art in integrating the aesthetic, moral and political realms.

Friedrich Schiller, the dramatist and poet, greatly influenced the development of aesthetics through his essays. He sums up the eighteenth century while anticipating modern ideas; his notions of the naive and the sentimental, of art as play, and of beauty as semblance, have had a lasting impact on aesthetic speculation. Dr Sharpe's book is the first study devoted to tracing the attempts of successive generations of philosophers and literary critics to expound the works and deal with the problems they present. Surveying Anglo-American as well as German-language criticism, she illuminates the impact of critical and political change on their evaluation.

Schiller's Aesthetic Essays: Two Centuries of Criticism (Literary Criticism in Perspective, 32)

Camden House

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