“Rock the SAT is not just a gimmick; it actually gets results.”-Colin Mysliwiec, SAT tutor, NYC “If I had listened to Rock the SAT instead of Bon Jovi when I was in high school, I would've gotten into Harvard.”-Joshua Neuman, editor-in-chief and publisher of Heeb magazine, Wake Up and Smell the Music! You have to take the SATs. There's no way out of it. (Seriously, we tried.) So suck it up, and buy this book. Why? Because it's the fastest, easiest, coolest way to learn the vocabulary words you're going to see on the test. What makes it so easy? Music. (You like music, don't you?) 13 slamming tunes on one tricked-out CD with a study guide crammed with song lyrics, definitions, and twisted sentences featuring the vocab in action. Just pop it in your iPod or car stereo. Then kick back, listen, and learn. It's like studying but without the studying part. Buy it quick before the man shuts us down! Pop quiz: Do you want to score major points? Do you want to kick butt on your verbals? Then get ready to… Rock the SAT! Yes, there will be a test.

Rock the SAT: Trick Your Brain into Learning New Vocab While Listening to Slamming Music

Test Preparation

MENDELSOHN, DAVID

Moshan, Michael

SHAPIRO, MICHAEL

College & High School

McGraw–Hill Education

Children of the Revels: The Boy Companies of Shakespeare's Time and Their Plays

History

Columbia Univ. Pr.

The Sense of Grammar: Language as Semeiotic

Politics & Social Sciences

Philosophy

Indiana Univ. Pr

Demonstrates how form in language helps determine the meaning of texts by describing verse and prose as structures, the components of which are primarily linguistic, and by seeing the form of those components as part of the content. Continues Shapiro's (Slavic languages, Brown U.) general line of research contributing to the cognitive study of representative texts and examples from Russian, English, Romance, Japanese, and ancient Greek literature. Annotation c. by Book News, Inc., Portland, Or.

The Sense of Form in Literature and Language (Semaphores and Signs)

Literature & Fiction

Shapiro, Marianne

History & Criticism

PALGRAVE~MACMILLAN

Introduces students to a wide range of law-related activities with selected materials that are instructive for lawyers, judges, and legislators (and other counselors, adjudicators, and rulemakers). Part I is a brief conceptual analysis of the nature of the New Biology and of theories for evaluating its importance, its continued development, and its applications. A discussion of "technology assessment" is included as part of this review. Includes analyses of what would count as reasons for various uses of technology, e.g., therapeutic justifications for use of behavior control technologies.

Cases, Materials and Problems on Bioethics and Law (American Casebook Series)

Dresser, Rebecca

Spece, Roy

Clayton, Ellen

Administrative Law

West Academic Publishing

The Sense of Form in Literature and Language demonstrates how form in language participates in and determines the meaning of literary texts. This entails seeing verse and prose as a structure, of which the building blocks are primarily linguistic; and taking the form of these building blocks to be part of the content. The Sense of Form in Literature and Language continues the general line of research Michael Shapiro has pioneered, and exemplifies what a Peircean approach can contribute to the cognitive study of language and literature, and to the exploration of the semiotic nature of verbal creativity. Shapiro analyzes representative texts and examples from Russian, English, Romance, Japanese, and Ancient Greek literature. The analyses of verse and of prose fiction are unified by treating language as the only sure repository of meaning. This insightful work offers a wide range of examples from many genres and traditions and a unified approach to literature and language deriving in part from a reliance on the semiotic perspective of Peirce's whole philosophy.

The sense of form in literature and language

St. Martin's Press [1998]

In the bestselling tradition of The Boys of Summer and Wait ‘Til Next Year, The Last Good Season is the poignant and dramatic story of the Brooklyn Dodgers’ last pennant and the forces that led to their heartbreaking departure to Los Angeles. The 1956 Brooklyn Dodgers were one of baseball’s most storied teams, featuring such immortals as Jackie Robinson, Pee Wee Reese, Duke Snider, Gil Hodges, and Roy Campanella. The love between team and borough was equally storied, an iron bond of loyalty forged through years of adversity and sometimes legendary ineptitude. Coming off their first World Series triumph ever in 1955, against the hated Yankees, the Dodgers would defend their crown against the Milwaukee Braves and the Cincinnati Reds in a six-month neck-and-neck contest until the last day of the playoffs, one of the most thrilling pennant races in history. But as The Last Good Season so richly relates, all was not well under the surface. The Dodgers were an aging team at the tail end of its greatness, and Brooklyn was a place caught up in rapid and profound urban change. From a cradle of white ethnicity, it was being transformed into a racial patchwork, including Puerto Ricans and blacks from the South who flocked to Ebbets Field to watch the Dodgers’ black stars. The institutions that defined the borough – the Brooklyn Eagle, the Brooklyn Navy Yard – had vanished, and only the Dodgers remained. And when their shrewd, dollar-squeezing owner, Walter O’Malley, began casting his eyes elsewhere in the absence of any viable plan to replace the aging Ebbets Field and any support from the all-powerful urban czar Robert Moses, the days of the Dodgers in Brooklyn were clearly numbered. Michael Shapiro, a Brooklyn native, has interviewed many of the surviving participants and observers of the 1956 season, and undertaken immense archival research to bring its public and hidden drama to life. Like David Halberstam’s The Summer of ’49, The Last Good Season combines an exciting baseball story, a genuine sense of nostalgia, and hard-nosed reporting and social thinking to reveal, in a new light, a time and place we only thought we understood.

The Last Good Season: Brooklyn, the Dodgers and Their Final Pennant Race Together

DOUBLEDAY

The Time of the City (Interventions)

The Time of the City is a trans-disciplinary work with a focus on genre-city relationships as they articulate the micropolitics of urban life in diverse cities. Shifting the territorial emphasis of political studies from the mosaic of states to the global network of cities, the book draws on urban theory rather than traditional forms of official city politics. Deriving their methodological approaches from aspects of urban theory and philosophies of aesthetics, the chapters deploy concepts from philosophy, political theory, literary studies, cinema studies, poetics and aesthetic theory on diverse cities, among which are Berlin, Hong Kong, London, Los Angeles, New York, Philadelphia and Washington, DC. Investigating a wide variety of urban formations, and developing a geophilosophy appropriate to urban space, this multi genre approach to urban life provides stunning insights into the micropolitics of ethnicity, identity, security, subjectivity and sovereignty.

The Time of the City: Politics, philosophy and genre (Interventions)

Reference

Routledge

Studies in Trans-Disciplinary Method (Interventions)

This groundbreaking and innovative text addresses the deep ontological and epistemological commitments that underpin conventional positivist methods and then demonstrates how "method" can be understood in much broader and more interesting ways. Drawing on a broad range of philosophical and methodological theory as well as a wide variety of artistic sources from fine art to cinema and from literature to the blues, leading contemporary thinker Michael Shapiro shows the reader how a more open understanding of the concept of method is rewarding and enlightening. His notion of ‘writing-as-method’ is enacted throughout the text and offers a stimulating alternative for students to positivist social science methods. This is essential reading for all students and faculty with an interest in post-positivist methods.

Studies in Trans-Disciplinary Method: After the Aesthetic Turn (Interventions)

Cross-dressing, sexual identity, and the performance of gender are among the most hotly discussed topics in contemporary cultural studies. A vital addition to the growing body of literature, this book is the most in-depth and historically contextual study to date of Shakespeare's uses of the heroine in male disguise--man-playing-woman-playing-man--in all its theatrical and social complexity. Shapiro's study centers on the five plays in which Shakespeare employed the figure of the "female page": The Two Gentlemen of Verona, The Merchant of Venice, As You Like It, Twelfth Night, and Cymbeline. Combining theater and social history, Shapiro locates Shakespeare's work in relation to controversies over gender roles and cross-dressing in Elizabethan England. The popularity of the "female page" is examined as a playful literary and theatrical way of confronting, avoiding, or merely exploiting issues such as the place of women in a patriarchal culture and the representation of women on stage. Looking beyond and behind the stage for the cultural anxieties that found their way into Shakespearean drama, Shapiro considers such cases as cross-dressing women in London being punished as prostitutes and the alleged homoerotic practices of the apprentices who played female roles in adult companies. Shapiro also traces other Elizabethan dramatists' varied uses of the cross-dressing motif, especially as they were influenced by Shakespeare's innovations. "Shapiro's engaging study is distinguished by the scope of interrelated topics it draws together and the balance of critical perspectives it brings to bear on them." --Choice Michael Shapiro is Professor of English, University of Illinois, Urbana.

Gender in Play on the Shakespearean Stage: Boy Heroines and Female Pages

Humor & Entertainment

University of Michigan Press

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