Bits of information about women are scattered throughout the fragmented mosaic of ancient history. The vivid poetry of Sappho survived antiquity on remnants of damaged papyrus, riddled with gaps. The inscription on a beautiful fourth century B.C.E. grave praises the virtues of Mnesarete, an Athenian woman who died young, but we do not know if the grave's marble stele shows Mnesarete, or simply a ready-made design chosen by her family. We read that on one occasion in the fourth century a great number of Roman wives were given a collective public trial and found guilty of poisoning their husbands, but we can only guess whether these "poisonings" were linked to a high occurrence of accidental food poisoning, or disease, or something more sinister. Apart from the legends of Cleopatra, Dido and Lucretia, and images of graceful maidens dancing on urns, the evidence about the lives of women of the classical world--visual, archaeological, and written----has remained uncollected and uninterpreted. Now, the lavishly illustrated and meticulously researched Women in the Classical World lifts the curtain on the women of ancient Greece and Rome, from slaves and prostitutes, to Athenian housewives, to Rome's imperial family. The first book on classical women to give equal weight to written texts and artistic representations, it brings together a great wealth of materials--poetry, vase painting, legislation, medical treatises, architecture, religious and funerary art, women's ornaments, historical epics, political speeches, even ancient coins--to present women in the historical and cultural context of their time. Written by leading experts in the fields of ancient history and art history, women's studies, and Greek and Roman literature, the book's chronological arrangement allows the changing roles of women to unfold over a thousand year period, beginning in the eighth century B.C.E. The authors seek out literature that preserves women's own voices. Both the art and the literature highlight women's creativity, sexuality and coming of age, marriage and childrearing, religious and public roles, and other themes. Fascinating chapters probe revealing aspects of the classical world: the ubiquitous reports of wild behavior on the part of Spartan and Etruscan women and the mythical Amazons; the changing views of the female body presented in male-authored gynecological treatises; the "new woman" represented by the love poetry of the late Republic and Augustan Age; and the traces of upper and lower-class life in Pompeii, miraculously preserved by the eruption of Mount Vesuvius in 79 C.E. Provocative, surprising, filled with timeless examples of the rich legacy of classical art, Women in the Classical World is a masterly foray into the past, and a definitive statement on the lives of women in ancient Greece and Rome.

Women in the Classical World: Image and Text

History

POMEROY, Sarah B.

Fantham, Elaine

Foley, Helene Peet

Kampen, Natalie Boymel

Shapiro, H. A.

World

Oxford University Press

Information about women is scattered throughout the fragmented mosaic of ancient history: the vivid poetry of Sappho survived antiquity on remnants of damaged papyrus; the inscription on a beautiful fourth century B.C.E. grave praises the virtues of Mnesarete, an Athenian woman who died young; a great number of Roman wives were found guilty of poisoning their husbands, but was it accidental food poisoning, or disease, or something more sinister. Apart from the legends of Cleopatra, Dido and Lucretia, and images of graceful maidens dancing on urns, the evidence about the lives of women of the classical world--visual, archaeological, and written--has remained uncollected and uninterpreted. Now, the lavishly illustrated and meticulously researched Women in the Classical World lifts the curtain on the women of ancient Greece and Rome, exploring the lives of slaves and prostitutes, Athenian housewives, and Rome's imperial family. The first book on classical women to give equal weight to written texts and artistic representations, it brings together a great wealth of materials--poetry, vase painting, legislation, medical treatises, architecture, religious and funerary art, women's ornaments, historical epics, political speeches, even ancient coins--to present women in the historical and cultural context of their time. Written by leading experts in the fields of ancient history and art history, women's studies, and Greek and Roman literature, the book's chronological arrangement allows the changing roles of women to unfold over a thousand-year period, beginning in the eighth century B.C.E. Both the art and the literature highlight women's creativity, sexuality and coming of age, marriage and childrearing, religious and public roles, and other themes. Fascinating chapters report on the wild behavior of Spartan and Etruscan women and the mythical Amazons; the changing views of the female body presented in male-authored gynecological treatises; the "new woman" represented by the love poetry of the late Republic and Augustan Age; and the traces of upper- and lower-class life in Pompeii, miraculously preserved by the eruption of Mount Vesuvius in 79 C.E. Provocative and surprising, Women in the Classical World is a masterly foray into the past, and a definitive statement on the lives of women in ancient Greece and Rome.

Ancient Civilizations

Myth into Art is a comparative study of mythological narrative in Greek poetry and the visual arts. Thirty of the major myths are surveyed, focusing on Homer, lyric poetry and Attic tragedy. On the artistic side, the emphasis is on Athenian and South Italian vases. The book offers undergraduate students an introduction both to mythology and to the use of visual sources in the study of Greek myth.

Myth into Art: Poet and Painter in Classical Greece

Arts & Photography

History & Criticism

Routledge

Myth Into Art: Poet and Painter in Classical Greece

Forensic Medicine: A Guide to Principles

Gordon, I.

Berson, S. D.

Medical Books

Churchill/Livingstone

This exhibition catalogue, divided into three main sections, is an essential collection of images and descriptions of each of the 155 artifacts of the exhibition, containing also scrutinizing essays on the important role women played in Classical Athens. The first section, "Goddesses and Heroines", introduces the principal female deities of Athens and Attica, in whose cults and festivals women were most actively engaged: Athena, Artemis, Aphrodite, and Demeter and her daughter Persephone. The second section, "Women and Ritual," explores the practice of ritual acts such as dances, libations, sacrifices, processions and festivals in which women were active in classical antiquity. Here the critical role of the priestess comes to light, specifically in her function as key-bearer for the temples of the gods. The final section, "Women and the Cycle of Life," looks at how religious rituals defined moments of transition. This section focuses on nuptial rites and wedding banquets but also death, another occasion on which Athenian women took on major responsibilities, such as preparing the deceased for burial and tending the graves of family members. Contributors include, in addition to the editors, Professor Mary Lefkowitz of Wellesley College; Professor Olga Palagia of the University of Athens; Dr. Angelos Delivorrias, director of the Benaki Museum; Professor Michalis Tiverios of the Aristotelion University of Thessaloniki; Professor Joan Breton Connelly of New York University; Professor Jenifer Neils of Case Western Reserve University; and Professor John Oakley of the College of William and Mary in Virginia, among others.

Worshipping Women: Ritual and Reality in Classical Athens

Kaltsas, Nikolaos

Onassis Foundation USA

The Cambridge Companion to Archaic Greece

Cambridge University Press

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