Leïla Sebbar's novel recounts an event in French history that has been hidden for many years. Toward the end of the Algerian war, the FLN, an Algerian nationalist party, organized a demonstration in Paris to oppose a curfew imposed upon Algerians in France. About 30,000 Algerians gathered peacefully, but the protest was brutally suppressed by the Paris police. Between 50 and 200 Algerians were killed and their bodies were thrown into the Seine. This incident provides the background for a more intimate look into the history of violence between France and Algeria. Following three young protagonists―one French, one Algerian, and one French national of Algerian descent―Sebbar takes readers on a journey of discovery and comprehension. Mildred Mortimer's impressive translation conveys the power of Sebbar's words in English and allows English-speaking readers an opportunity to understand the complex relationship between past and present, metropole and colony, immigrant and citizen, that lies at the heart of this acclaimed novel.

The Seine Was Red: Paris, October 1961

Literature & Fiction

SEBBAR, Leïla

Mortimer, Mildred

Genre Fiction

Indiana University Press

Leïla Sebbar's novel recounts an event in French history that has been hidden for many years. Toward the end of the Algerian war, the FLN, an Algerian nationalist party, organized a demonstration in Paris to oppose a curfew imposed upon Algerians in France. About 30,000 Algerians gathered peacefully, but the protest was brutally suppressed by the Paris police. Between 50 and 200 Algerians were killed and their bodies were thrown into the Seine. This incident provides the background for a more intimate look into the history of violence between France and Algeria. Following three young protagonists—one French, one Algerian, and one French national of Algerian descent—Sebbar takes readers on a journey of discovery and comprehension. Mildred Mortimer's impressive translation conveys the power of Sebbar's words in English and allows English-speaking readers an opportunity to understand the complex relationship between past and present, metropole and colony, immigrant and citizen, that lies at the heart of this acclaimed novel.

Sherazade is seventeen, Algerian, and a run-away in Paris. Although she has no morals, no scruples, no politics, no apparent emotional depth and little education, Sherazade remains curiously unattached but innocent in the city's underworld of drop-outs, political activists and junkies.

Sherazade

Quartet Books Ltd.

Contemporary

Interlink Pub Group Inc

Silence on the Shores depicts the final day in the life of a Maghrebian immigrant in France. Having crossed the Mediterranean to "the other shore" as a young man to find work, he ultimately remained in France, married a French woman, and broke the promise he made to his mother to return home one day. Aware that death is drawing close, he fears experiencing the ultimate form of exile: dying alone, with no fellow Muslim at his side to whisper the customary prayer for the dead in his ear. Leïla Sebbar’s minimalist style deftly and powerfully conveys the simplicity of everyday life on both shores of the Mediterranean. Interweaving several monologues, she examines multiple facets of exile and the role of memory in easing its pain.

Silence on the Shores

Literary

University Of Nebraska Press

Silence on the Shores depicts the final day in the life of a Maghrebian immigrant in France. Having crossed the Mediterranean to "the other shore" as a young man to find work, he ultimately remained in France, married a French woman, and broke the promise he made to his mother to return home one day. Aware that death is drawing close, he fears experiencing the ultimate form of exile: dying alone, with no fellow Muslim at his side to whisper the customary prayer for the dead in his ear. 
Leïla Sebbar’s minimalist style deftly and powerfully conveys the simplicity of everyday life on both shores of the Mediterranean. Interweaving several monologues, she examines multiple facets of exile and the role of memory in easing its pain.

Bison Books

A new anthology by French-language playwrights living in exile.

Playwrights of Exile

Miller, Richard

Zatlin, Phyllis

Visdei, Anca

Tepperman, Shelley

Vogel, Stephen J.

Aba, Noureddine

Mouwad, Wadji

Dramas & Plays

UBU Repertory Theater

Confessions of a Madman personalizes the struggle of a civil war by following the fragmentation and irreversible separation of a single family. Written in alternating flashbacks and descriptions of a man’s present, Sebbar delivers what French critics call a modern fable for adults: a tale of familial disorientation, identity, violence, and morality. 
 A young man observes his mother go crazy waiting for her murdered husband to return home. Despite his estrangement with his father, the son vows to avenge his father’s death by murdering his father’s killers. In delving into his father’s past, he discovers his role in an unsuccessful revolt and soon finds himself following in his father’s footsteps. He finds himself questioning the value of religious standards and cultural traditions when confronted with sociopolitical conflict. This text discusses the meaningfulness of cultural traditions, their origins, and their potential contemporary repercussions when juxtaposed with a modern context of events.

Confessions of a Madman (French Literature)

Dalkey Archive Press

Sherazade is seventeen, Algerian, and a runaway in Paris. This novel exposes with honesty and lyricism the various issues that affect a young woman living in a city which is both sophisticated and provincial, liberal and conservative, tolerant and prejudiced. In Paris, Sherazade is pursued by Julian, the son of French-Algerians who is an ardent Arabist. Pigeon-holed by Julian into the traditional exotic mold, Sherazade endeavors to create her own definition of Algerian femininity and in doing so breaks down conventions and stereotypes. It is Julian's obsession with her that spurs her on to self-discovery and to make decisions about her future. Sherazade is about a young woman haunted by her Algerian past. It is a powerful account of a person who searches for her true identity but is caught between worlds Africa and Europe, her parents' and her own, colony and capital. Ultimately it is an account of possession, identity and the realities of urban life in the late twentieth century.

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The Seine Was Red: Paris, October 1961

The Seine Was Red: Paris, October 1961

Sherazade

Sherazade

Silence on the Shores

Silence on the Shores

Playwrights of Exile

Confessions of a Madman (French Literature)

Sherazade

La Jeune Fille au balcon