•A beautifully illustrated selection of highlights from The Albertina's world-renowned collection of prints, drawings and paintings •Features works from Old Masters as well as celebrated modern artists - from Michelangelo, Rubens and Cézanne to Klimt, Picasso and Warhol •Written from the expert perspective of The Albertina's Director, art historian Klaus Albrecht •Full color illustrations allow each spectacular work to be examined in detail The largest of the Hapsburg residential palaces, The Albertina in Vienna provides a stunning home to one of the largest and most important print rooms in the world. Named after its founder, passionate art collector Duke Albert of Saxe-Teschen (1738-1822), the priceless collection comprises 50,000 drawings and watercolors and some 900,000 prints ranging from the late Gothic period to contemporary art. Here visitors can see world-famous works by da Vinci, Michelangelo and Raphael as well as Dürer, Rubens, Rembrandt and Cézanne. The modern collection contains a vibrant array of works from a diverse range of artists: from Schiele, Klimt, Picasso and Pollock to Warhol, Katz, Baselitz and Kiefer. An extraordinary treasure trove of visual knowledge, The Albertina has also been gathering photographs since the mid-19th century, and holds around 50,000 plans, sketches and models in its Architecture Collection. This small volume showcases the highlights from this vast collection, as chosen by its Director. Follow @AlbertinaMuseum on Twitter (7350 followers).

The Albertina Museum: Director's Choice

Arts & Photography

Schröder, Klaus Albrecht

History & Criticism

Scala

biedermeier

Winters, Laurie

Hans

Collectif Ottomeyer

NICOLAS CHAUDUN

Art critic Rudij Bergmann has stated, "For Neo Rauch, painting is reflection on what is no longer present. His is a decidedly romantic attitude of refusal that gives deeper meaning to figures frozen strangely in motion--as an allegory of universal alienation from the world and rejection of technology and as a melancholy homage to the unfulfilled promise of freedom and human happiness. There is a constant stream of memory in these works, not only of world history but also of childhood, Pop Art, and comics." Rauch possesses an artistic style and sensibility that place his paintings among the most original of our time. Rauch's palettes and compositions are reminiscent of postwar illustrations; so are his figures. They belong in the past, constantly at work in a world filled with industrial symbolism. These symbols, themselves easily identified, are difficult to interpret in the context of the works, in part due to Rauch's painterly style, ominous colors and skewed perspectives. The dichotomies at play in his work provide an overall sense of false comfort tinged with disturbance, of a situation brewing, threatening to reveal itself. This book presents his recent large works on paper completed in 2003 and 2004.

Neo Rauch: Works Paper 2003-2004 (English and German Edition)

Kunde, Harald

Individual Artists

Hatje Cantz Publishers

No other painter has had a more lasting influence on twentieth-century art than Pablo Picasso. Among the many phases and styles encompassed by his oeuvre, Picasso's late period--which he spent in Mougins, in the South of France, until his death in 1973--has a very special position. For the highly charged paintings that Picasso made during the last decade of his life, often featuring close-ups of the kiss or copulation, seem to cling with all their might to the artist's intense sensuality, his desire for embrace. They are marked by a great restlessness whose aim must be to exorcise death itself. "Wild" paintings rapidly executed by Picasso's masterly hand, the late canvases stand in marked contrast to the artist's detailed, carefully executed drawings of the same period, which are dominated by a unique joy in narrative. This substantial new volume, edited by Werner Spies, former director of the Centre Georges Pompidou in Paris and the most important Picasso expert of our day, examines almost 200 works, including paintings, drawings, prints and sculptures, shedding light on the specific methods and dialectics in Picasso's later work. In particular, the sense of the artist's race against time is made clear through the exciting dialogue that emerges here between painting and drawing. As Picasso himself said, "The works that one paints are a way of keeping a diary."

Picasso: Painting Against Time

Spies, Werner

Clair, Jean

Zweite, Armin

Hatje Cantz

Alex Katz (born 1927) is best known as a painter--specifically, as a painter of his family and his distinguished circle of friends, including poets, writers and artists. In the early 1950s, he began experimenting with printmaking, but it was not until the mid 1960s that he intensified his interest and production in the medium. Pushing at the limits of various printing techniques, Katz tested out pictorial ideas first conceived for his paintings, retaining planes of matte color but further simplifying his forms and dramatically cropping his images. These reduced compositions were wonderfully compatible with the graphic clarity of printmaking, and by effectively translating his paintings into prints, the artist achieved what he called the "final synthesis of painting." This publication provides insight into an often-neglected yet vital aspect of Katz's work, from the early 1950s to the present day.

Alex Katz: Prints

Zdenek, Felix

Mautner Markhof, Marietta

Reference

Michelangelo's drawings endowed human physique with an expressive musculature that remains to be rivaled in its feeling for corporeal articulation. His drawings of male nudes in particular, fraught as they are with tempestuous longing, project both tension and pliancy, and a compelling sense of health in the exertions and torque of bodies; he was also readily able to bring contrary qualities of grace and swiftness to depictions of women and cherubim. With over 300 color plates and extensive contextualizing scholarship, Michelangelo: The Drawings of a Genius is the most complete treatment of this work ever published, and thus constitutes a publication of great importance. Masterpieces from the world's finest museums are gathered here, from the early studies for the "Battle of Cascina" and the studies for the Sistine Chapel frescoes, to the drawings for the tomb of Julius II, the Medici tombs, the drawings for Tommaso de' Cavalieri and the later crucifixion scenes; also addressed are those works whose authenticity has been subject to debate. Works by other artists, done after the master's sketches, further illuminate the enormous influence of Michelangelo's art. Painter, sculptor, poet, architect and engineer, Michelangelo di Lodovico Buonarroti Simoni (1475-1564) was both dauntingly prolific and relentlessly innovative in output. He sculpted two of his greatest works, the "Pieta" and "David," before he turned 30, and created two of the world's best-known paintings on the ceiling and walls of the Sistine Chapel in Rome--the creation scenes from "Genesis" and "The Last Judgment." Giorgio Vasari proposed that Michelangelo represented the pinnacle of all artistic achievement since the beginning of the Renaissance, a view that has survived to this day.

Michelangelo: The Drawings of a Genius

Egon Schiele und seine Zeit: Österreichische Malerei und Zeichnung von 1900 bis 1930 aus der Sammlung Leopold (German Edition)

SCHIELE, Egon

Szeemann, Harald

Leopold, Rudolf

Foreign Language Study & Reference

Prestel-Verlag

Ferdinand Georg Waldmüller (German Edition)

Egon Schiele: Eros and Passion (Pegasus Library)

An exciting appraisal of Schiele's sensual paintings. No other artist in early modern art depicted the body so candidly as Schiele, whose uncompromising truthfulness in allegedly pornographic imagery caused him to be imprisoned briefly in 1912.

Prestel Pub

Egon Schiele: Eros and Passion 
Klaus Albrecht Schröder 
In this brilliant analysis, the erotic work of the Expressionist artist is examined within the perspective of history’s shifting views concerning beauty, aesthetics, and decency. 
Egon Schiele’s controversial nudes and self-portraits were fiercely reviled when they first appeared in the early decades of the twentieth century and, nearly one hundred years later, they still have the power to shock. Examining why Schiele’s work elicits this response, the author explores the social constrictions of Schiele’s generation and the role of the artist as a breaker of taboos. Incorporating superb reproductions of Schiele’s works, those of his contemporaries, and historical photographs, the author offers a penetrating study of an artist whose idea of beauty transcended the morality of his time. 
Klaus Albrecht Schröder is Director of the Albertina Museum in Vienna, Austria.

Egon Schiele: Eros And Passion

See the best price to sell, buy, or rent books by Schröder, Klaus Albrecht. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Schröder, Klaus Albrecht