Tobey

Literature & Fiction

SCHMIED, WIELAND

Literary

Abrams, N

The art of Caspar David Friedrich (1774-1840) holds a special fascination. A unique figure in the age of Romanticism, Friedrich was as significant within the art of Germany as Eugene Delacroix was in France, or J. M. W. Turner in England. Yet his work was little known in its time, and after the artist's death it was long forgotten. Only in the twentieth century did it become apparent that Eugene Delacroix anticipated much of our modern experience of the world. Friedrich painted strange, evocative scenes whose dark tones and ambiguous meanings seem to embody the very notion of the German Romantic visionary, yet at the same time they seem to look ahead to various modern styles. Scholars have pointed out the similarity between his paintings and the symbolic seascapes of Edvard Munch, and his atmospheric landscapes have an affinity with the work of the Impressionists, yet his use of isolated figures in a limitless expanse of space, dominated by an overwhelming sky, also evokes the sensibility of the Expressionists. Others have related his work to the intimacy of Paul Klee or the lyrical landscapes of Emil Nolde. And there is a fundamental connection between Friedrich's Romanticism and a current of abstract art in our century, allowing him to be compared with painters such as Mark Rothko.

Caspar Friedrich (Masters of Art)

Arts & Photography

History & Criticism

Harry N. Abrams

Book by Wolf, Sylvia, Schmied, Wieland, Appelt, Dieter

Dieter Appelt

Wolf, Sylvia

Appelt, Dieter

Individual Artists

Art Inst of Chicago Museum Shop

The dramatic and expressionistic work of Berlin-based artist Xenia Hausner captures the personal and social conflicts of both the artist and her subjects with an unmatched intelligence and depth of feeling. With unflinching directness, she engages the viewer using radical color and aggressive brushstrokes. As we are drawn into her paintings, her characters reveal themselves with the same abandon that defines the artist's bold and daring technique. Heart Matters, which documents Hauser's first one-person show at the Forum Gallery, New York, showcases work that combines the energetic and unsettling style of such German artists as Otto Dix and Max Beckman with the warmth and subjective immediacy of figurative art. In portraying the emotional lives of her subjects with such an attentive eye and heart, Hausner highlights the passion for love, desire, survival, and knowledge that still exists within our fragmented and often cold and disorienting culture. With her unique approach Hausner offers an insight into the hopes and dreams of the people she paints, enabling us to see them as figures with a past, present, and future--and in the process she reveals the truths and paradoxes inherent in her life and ours.

Xenia Hausner: Heart Matters

Kuspit, Donald

Borovsky, Aleksandr

Weirmair, Peter

Hausner, Xenia

Forum Gallery, New York

The dramatic, expressionist work of Berlin-based artist Xenia Hausner intelligently captures the personal and social conflicts of both the artist and her subjects. With unflinching directness, she engages the viewer using radical color and aggressive brushstrokes. As we are drawn into Hausner's paintings, her characters reveal themselves with an abandon akin to the artist's bold and daring technique. Heart Matters showcases work that combines the energetic and unsettling style of such German artists as Otto Dix and Max Beckman with the warmth and subjective immediacy of figurative art. In portraying the emotional lives of her subjects with an attentive eye and heart, Hausner highlights the passion for love, desire, survival and knowledge that still exists within our fragmented and often cold and disorienting culture. Via her unique approach, Hausner offers an insight into the hopes and dreams of the people she paints, enabling us to see them as figures with a past, present and future--revealing, in the process, the truths and paradoxes inherent in her life and ours.

Weiermair, Peter

Thomas Bernhards Häuser (German Edition)

Residenz

The important Vienna Actionist Hermann Nitsch once said, ""Red is the color that people register the most because it is simultaneously the color of life and death."" Originally inspired by French Tachisme and American Abstract Expressionism, Nitsch began working with paint in the late 1950s and early 60s, putting on ""theatrical painting actions"" in order to produce large-scale spill paintings. Up until the very early 1960s, his canvases were often still stained with evocative rivers of red paint; over the ensuing years, he would gradually replace paint with blood and stretched canvases with unstretched bed sheets, bringing an assortment of new and highly charged ""materials"" into his practice, including internal organs, animal cadavers and human bodies. From the 1960s until the late 1990s, Nitsch staged nearly 100 ritualistic performance actions in his Theater of Orgies and Mysteries series. Through the complete set of these often incendiary actions, which included live slaughters, dance, music and other pagan gestures, Nitsch realized his concept for a total work of art that brings together painting, architecture and music with the catharsis of self-recognition.

Hermann Nitsch

Cibulka, Heinz

Denk, Wolfgang

Hatje Cantz

De Chirico: Leben Und Werk

Prestel Pub

Edward Hopper: Portraits of America (Pegasus Library)

Numerose illustrazioni a colori . 8vo pp. 126 Rilegato, sovracoperta (hard cover, dust jacket) Ottimo (Fine)

Hopper, Edward

Several years after his death, Francis Bacon's place in the pantheon of twentieth-century art seems more assured than ever. The violent intensity with which Bacon's paintings give expression to the existential angst of his fellow human beings is virtually without parallel in the history of art. The work of this self-styled maverick continues to be profoundly disturbing and to resist classification in conventional categories.Drawing on a lifetime's experience of studying twentieth-century art, and on his personal encounters with the artist, Wieland Schmied presents a comprehensive portrait of Bacon the painter. Bacon the man is by no means overlooked, but Schmied does not allow details of the artist's private life to deflect him from his central purpose: to distil the essence of Bacon's art from a formal analysis of his paintings and from an examination of the creative processes they embody. Bacon's subtle use of space, the fundamental significance of photography in the development of his imagery, his idiosyncratic painting technique, his place in twentieth-century art as a whole, the role of homosexuality and the other autobiographical dimensions to his oeuvre - searching discussion of all these aspects results in a refreshingly independent view of a major artist.

Francis Bacon : Commitment and Conflict

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